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Rudnytsky's Introduction begins by noting that Winnicott has been largely overlooked by literary scholars -- a neglect which is "all the more surprising since Independent object relations theory can claim to offer the first satisfactory psychoanalytic account of aesthetics." (p. xii) He then proceeds to provide a definition of that "aesthetics" utilizing three of Winnicott's best-known concepts: transitional objects, potential spaces, and the use of an object. Since the editor goes on to describe the particular contributions of each of the essays which follow (not all of which are as readily accessible as Winnicott's own writing), a careful reading of this Introduction will be amply rewarded.
The first section, "The Analytic Frame", begins with Winnicott's own reflections on "The Location of Cultural Experience" (from PLAYING & REALITY) and includes a particularly useful (to my areas of interest) essay by Christopher Bollas on "The Aesthetic Moment and the Search for Transformation." Part II, "Literary Objects", focuses on six interpretations of particular authors or works, and Part III concludes with four essays applying Winnicott to various "Cultural Fields" (including Brooke Hopkins' "Jesus and Object-Use"). At least two of the essays (by John Turner and Claire Kahane) critique Winnicott's theory for lack of attention to the social, economic, and political relations which shape subjectivity and perpetuate injustice, or the ways in which culture's prevailing symbolic network of representations are constructed according to the norms of a masculine subject. These more critical voices contribute to a well-balanced collection. Whether you've read a lot of Winnicott, or have only begun to study his theories, this book is well worth having and reading.