If it is possible to secure The Paris Review - Interview with writers published by Penguin through the 1970's and 80's

The Paris Review is the best literary magazine around (even though they've rejected all of my stories). But anyway, the interview and stories are top notch. I love the blend of unknown writers and famous writers. This issue is especially good, for it's a concept issue, "New British Writing." The forum is excellent, with each author asked to give their opinion on, of course, the state of "British" literature. Furthermore, George Plimpton is very inspiring. Just reading an issue wants to make you write better or start your own magazine.

"The question is not what you look at, but what you SEE."- -H.D. Thoreau

This quote from Thoreau aptly applies to the work of Flagstaff, AZ. artist James Turrell. Turrell has been fascinated all his life with the concept of light and its use in art and architecture. Add to this his notion that the individual should experience this art alone, embracing what the piece has, and does not have, to offer, and one has the basic mindset to take on his art.

To best experience Turrell, one needs to go to an exhibit and take the time necessary to participate IN his art. Like a good book or good music, art reqires a level of active participation to fully realize the piece's potential and to maximize its impact. A Turrell exhibit is a glorious thing- each person actively participates, taking in his color concepts, becoming one with them. Whether in one of his famed "skyspaces," where the participants sit in a consistently lighted room to look through an oval shaped hole in the roof at dusk to watch the changing lighting patterns- the light from the roof diminishes and the consistent railing lighting in the room dominates- or vice versa if one sees the exhibit at dawn, to his "dark rooms" where the viewer is in a 99.9% darkened room with the faint glimpse of an outline of light, allowing the mind and eyes of the viewer to re-conceive its surroundings and realities- not unlike an ink blot test, but in the dark, Turrell's pieces are challenging the concept of light and how each of us perceive it and use it in our lives.

What his art offers is vividly displayed in this book, a wonderfully in-depth one that showcases his growth and remarkable consistency brilliantly. His art is eclectic, ranging from the aforementioned "dark rooms," "Skyscapes," "blue rooms" (viewers in a room with a blue light dominating it, again, challenging perceptions and optics), to a recent "skyscape" that allowed perceived viewings of an eclipse, to his re-construction of a dormant crater (outside of Flagstaff, AZ) to allow unique views of the sky, light, the world. Each piece of art challenges the concept of optical illusion vs. reality- the light offers 3 dimenstional viewing in a 2 dimensional world based on angles of the light, the walls, etc- as well as the common perceptions of light in art.

Again, Turrell should be viewed in a proper exhibit, but this book offers a brilliant overview of his career. The text is in both German and English, but still offers precise pictures, diagrams,and Turrell's philosophies on art, light, and the world. It's a brilliant work by one of today's foremost artists.

This book tells the fascinating story of Peter Pan, Tinker Bell and the Darling children and their adventures in Never-Never-Never Land. They fight with pirates and enjoy their freedom. Some of the original illustrations by Alice B. Woodward are included here as well as modern plates. A nice book especially for young readers

it is fine

You will laugh, cry and be confused when you read this book. This book can teach you that what you think is good is not always good.

There is a boy named Peter Pan. He sprinkles fairy dust in Wendy and her two brothers. Then he shows them how to fly. He takes them to Neverland and shows them to the Lost Boys who live there. Wendy becomes their mother. She makes up rules, like any other mother would do. The boys have to follow these rules. Everything was fine until Captain Hook came with his crew to where the boys and Wendy were. While Wendy and the boys were at the lagoon, where they go every day after dinner, they see a girl named Tiger Lily, princess of her tribe. She was captured by Smee, one of Captain Hook's men. Then Peter saved her. A few days later Wendy and the boys were on their way to Wendy's house when they too were all captured by Captain Hook. Then Peter saves them. Then the lost boys, Wendy and her brothers go home. All except for Peter.

It is mostly about what the people in the book think is right with childhood. The kids in the book think that if you grow up it is bad, but in our case it is actually good.

Peter Pan is a violent book not really made for children under the age of 10 but people 10 and up can read it. It is violent because of the language that is spoken and the idea that killing could be fun. Also, the vocabulary is very difficult for children under 10 to understand. Even if you're older it is difficult to understand.

Overall, it is a good book but watch out for the violent ideas if you are reading it to little children.

This is an utterly charming work. It has been retold myriad times, but nobody else has done it as well as the original teller, J. M. Barrie.

It's difficult to know what to say about a book like this... everybody knows the story. But I guess that unless you've read this book (not just seen a movie or read a retelling), you don't really know the character Peter Pan, and without knowing the character, you don't really know the story. So read it.

By the way, if you enjoy this, you probably would also like "Sentimental Tommy" and its sequel "Tommy and Grizel", both by Barrie. There are differences (for one thing they're not fantasy), but there are also compelling similarities. Anybody who found Peter Pan a deep and slightly bittersweet book would be sure to enjoy them.

-Stephen

When talking of literature, people tend to look solely at books they read today but forget what they used to read, namely the ones we read as children. It is a common misunderstanding that children's literature is to be read by children and children only, but when we come to think of it, which one of us are not children, at least in our hearts?

One of the best books any child, young or old, can read is Barrie's Peter Pan. Although written in the past century, it has something for any generation at any time. Its humorous views at the world from a child's mind left me rolling over the floor, laughing; the exciting storyline kept me busy with reading until the end; and the serious undertone made me think of whether the world wouldn't be a better place if we realised that deep down, however deep, we are in fact all children. So if YOU are a child, which you most certainly are, get yourself a copy and enjoy your ongoing childhood.

As a nonnative speaker of English who teaches English as a second language I've found this book to be a source of valuable information. Its wide coverage and the inclusion of alternative or variant pronunciations are among its best features. However, it is not possible to approach it without a working knowledge of the IPA. The explanations given in the introduction are hardly enough to aid production of the sounds. Explanatory notes are few and far between. In this aspect, I believe J.C.Wells' Longman Pronunciation Dictionary is a much more complete and detailed guide (especially for nonnative speakers).

The 15th edition of Daniel Jones English Pronouncing Dictionary follows the tradition of its ancestors. It gives not only details on British and American English, but also includes international place names and internationally known proper names. It is userfriendly and easy accessible, although to use it properly, the reader has to be used to IPA (International Phonetic Association / Alphabet) symbols, otherwise the transcripts are not readable. Nonetheless, the book has to compete with Wells' Longman Pronuncation Dictionary, of which a second edition is to come up. Already the first edition of it is a concurrent of Daniel Jones, both books serve the same purposes and are equally good. Either the one or the other should be on the bookshelf of each English student.

This is my first Peter Abrahams book, so don't know how it compares to his others. But it's definitely a page-turner and has decent characters, most of whom are not supposed to be the least bit lovable. Yes, there is swearing, but the author knows how to make a reader use a dictionary occasionally as well. A nice combination of light humor mixed with the dark character of the tutor-from-...! A nice change from detective/crime/lawyer novels when you're not busy reading Tolstoy.

Like Stephen King, Peter Abrahams has the literary skill and imagination to tap into our worst nightmares and bring them chillingly to life. His special forte seems to lie in exploring the nature of obsession: the monster that lurks beneath a mask of normalcy until circumstances suddenly combine to put its prey within reach. Julian Sawyer, THE TUTOR, is a man obsessed with a meglomaniacal desire to create a living novel out of the raw material of ordinary people's lives...to first learn their secrets and then exploit them at his will in order to destroy them. The Gardner family is his chosen target. Scott and Linda are doing their best to achieve today's upper-middle class dream of 'having it all', but their sand-castle world is a sadly dysfunctional one. Scott, desperately competing with his more effectual brother, has never been able to achieve the quick-fix financial success that he craves; Linda is career-driven to the point where she has become oblivious to what's going on with her children, and both teen-age Brandon and his precocious eleven-year-old sister Ruby are in trouble. That trouble becomes grim reality for his shocked parents when Brandon's SAT results are far below their expectations, although only Ruby...escaping parental pressures to become what she is not into a dream world with her idol, Sherlock Holmes...realizes the full extent of his rebellious, anti-social behaviors. In desperation, Linda calls a tutoring service, and Julian Sawyer enters their lives. In the tradition of "Kind Lady" and "Night Must Fall", he slowly gains their confidence and trust which, in turn, also exposes their fears and weaknesses. When circumstances combine to place Julian in charge, the stage is set for an increasingly horrific series of life-threatening confrontations that beggar description.

THE TUTOR walks an extraordinary stylistic tightrope between spine-tingling suspense and dark horror...a tour de force combination of taut plotting and brilliant characterization that captured and held me spellbound. Peter Abrahams careful attention to the 'whys' of their behaviors made me not only understand the Gardners as fallible human beings, but care deeply about them, especially young Ruby who is probably one of the most enchanting fictional children that I've encountered in my recent reading. His talent makes the bizarre seem believable, and I found it impossible not to accept the complete plausibility of his nightmarish premise. This is not an easy novel to read, but it is one that the reader will not readily forget...a totally gripping literary experience and a benchmark for the genre.

Peter Abrahams must be a scary,scary man. "Crying Wolf" was a brilliant, intense suspense thriller in a class of its own. Now he's given us "The Tutor", outdoing himself by far, notching up the intensity to the n-th degree, creating a page-turner to beat all page-turners!

The Gardners are a typical upper middle class family, striving to be better. Husband and father Scott Gardner is jealous of his brother, who seems to have everything Scott doesn't. Scott pushes his family to excel and succeed...but is hampered by the memory of his dead son, Adam. Brandon Gardner, Scott's next-oldest son and still living, must survive with the pressure of Adam's ghost hovering over his world all the time. Scott is certain that Adam would've grown up to become the perfect uber-son, had he not succumbed to leukemia at a relatively young age. And now Brandon is beginning to show signs of failure.
Enter Julian Sawyer, an opportunistic man hired as tutor to Brandon Gardner. Think Norman Bates here. The tutor is a skillful sociopath with evil intent on his mind.
Throw into the mix a precocious young daughter who idolizes Sherlock Holmes, and you have a brilliant thriller that makes ones pulse pound to the very end.

Abrahams has written an intelligent, wonderful novel in "The Tutor". Well-portrayed characters, and a believable plot make this a must-read book!

Here we have 3 smart kids (nat, izzie & grace), The twins, Izzie and Grace are stratospherically wealthy. Nat is poor. When Nat's mother loses her job ending Nat's collage edu., the twins come up with a plan to pull a kidnapping on themselves? Yeah right, I don't think so. Given the two wealthy girls prior generous and forward behavior with money and people they would have just gone and paid Nat's (and his mothers!) bills whether he/she liked it or not. So for me the story ended on page 221 with this way-out of character kidnapping scheme.

I did read the rest regardless tho because I sometimes like the way Mr. Abrahams weaves his stories and characters.

But right away comes another glaring out of characterization. Nat, who has fallen in love with Izzie and can tell her apart from her twin sister -easily- suddenly fails in recognizing Grace when the girls switch places at the last minute (Izzie becoming the kidnapped instead of Grace).

I think Mr. Abrahams would of done this story a favor if he'd of toned down Freedy (the bad guy) with his Andro/speed/bodybuilding obsession and gone into and expanded on the Freedy and Professor Uzig connection. Professor Uzig being Freedy's "Father: Unknown".

Also, why would Nat be prosecuted for attempted extortion? The kidnapping wasn't his idea! He came down against it but the twins had acted before he saw them again. Why didn't Izzie come to his defense?

All 'n all this reads like an unfinished draft. I don't see how something like this could of made it past anyone! especially anyone in the business. Too many discrepancies. Too many
avenues left unexplored.

Body>This book is a victim of the author's previous works. Once you've read other offerings, you come to expect dynamic chacterization, a rock-'em-sock-'em pace along with a surprises thrown in. Crying Wolf doesn't quite cut it in all areas. The characterization is there. First we meet Freedy, a swimming pool cleaner who just doesn't get it, an Abrahams' trademark. Freedy thinks he's smarter than he is; he thinks he's sexier than he is and in demand, and he doesn't understanding what the woman's (whose pool he's cleaning) problem is when he tries to have sex with her. On the other end of the spectum is Nat, the mid-west son of a single parent, basketball playing high school kid whose intelligence and essay wins him enough money to go to Inverness. While Freedy momentarily fades from the picture, Nat goes off to college. Because he can't afford to go home for Christmas, he must spend holiday on campus--until he meets the twins, Grace and Izzy. The twins, who are filthy rich, introduce Nat to a seductive new world he could not even begin to imagine. They take a jaunt to the Carribeans on the twins' family jet where Nat meets Leo Uzig, a philosophy professor at Inverness. From there, the plot thickens and the pace, which has faltered up to this point, picks up consideraly. Under the guidance of the professor, the twins and Nat become involved in a "harmless" plot that turns deadly very quickly.

I'd purchased "Crying Wolf" for a friend at work. Because he was out of the office and I'd run out of books, I borrowed this from his stack. I actually went to work half an hour early the day after I started reading it, so that I could finish the book before he came in to claim his prize.

I was looking for the suspense since, on the cover, Stephen King is quoted as having said that Peter Abrahams is his "favorite American suspense novelist." I really didn't find suspense. However, I found a good plot with likeable characters. While this book takes place in college - a boarding school, if you will - I kept thinking that Inverness was NOT Hogwarts...

Nat is a young man who wins a scholarship that takes him from his working-class town to Inverness College. Freedy is a young bodybuilder thug. Their paths parallel but never quite meet until...

Nat happens upon Grace and Izzie, very rich twin sisters who attend Inverness (and very different from Patti, his hometown sweetheart). The three students hatch a kidnapping scheme to try to obtain some much-needed money from the girls' father. However, as we learned as children, if you Cry Wolf often enough, when a crisis emerges no one will believe you.

While seldom actually "suspenseful," "Crying Wolf" was nonetheless a good book and a good purchase. I do recommend it; and I will be looking for more books by Peter Abrahams