It took me a little under two weeks to finish. Yes, for a book that isn't even two hundred pages. The story features Antony Gillingham and Bill Beverley as a rather unlikely Holmes and Watson who set out to unravel a bizarre murder at the Red House. Although Gillingham and Beverley make an interesting pair, the way they tackle the problem is a bit too languid and leisurely for my taste (and I usually thrive on cozy mysteries), and since there is virtually no action and almost no other major characters to focus on--well, it's not exactly a page-turner. There are a few nifty plot tricks--one twist involving a door key is particularly clever--but the resolution (which falls back on that most irritating of cliches, the letter of confession) doesn't carry much in the way of suspense or surprise.
Still, it's all very witty and well-written, and the droll humor that spawned "Winnie-the-Pooh" is very much in evidence. Anglophiles will treasure it for its delineation of mid-1920s England alone. But I was expecting a masterpiece, and as a detective novel, "The Red House Mystery" is no masterpiece--but then again, Mr. Milne is no John Dickson Carr.
There are tons of mentions of amateur theatricals and acting. Tony is playing at being a detective and so is the reader, which draws you into the story alongside him. In a way you are competing with Tony and Bill to solve the crime. It's a fair contest: only amateurs allowed. Milne gives you all the clues, even to the point of saying things like "This would be important later." In the reader's head a siren goes off and a sign lights up saying "CLUE". Tony and Bill bounce theories off each other and the theories change as the clues mount up. Still, Tony is always ahead of Bill (and probably the reader). He knows the real question in a mystery is not "How?" but "Why?"
The best parts are the gasps of surprise and moments of anticipation while we wait in darkness for the sounds of approaching footsteps. Milne has a great way of setting the mood, whether it's nervous tension or eager curiosity. A fun mystery is like opening up a big present: You can't wait to know what it is. Milne conveys this sense of "I need to know" in this his one-and-only mystery novel. If you're like me, you'll need to know and keep saying to yourself, "One more chapter and I'll put out the light."
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