On the other hand, Perry sometimes makes it plain who the murderer is in her stories by giving you one clearly dysfunctional character. Sometimes, too, her stories virtually turn into morality plays. She will take up some social evil of the period, make it part of her plot, and dwell on it. Finally, Perry has a tendency to end her stories very abruptly, leaving loose ends dangling and making you feeling like you've just stepped off a cliff.
This particular installment has all the usual strengths. Charlotte and Emily work to solve the case and save Thomas from a dire fate. The unsolved death of Robert York three years earlier gets Pitt started. The case is re-opened because York's widow is soon to marry a Foreign Office official. York was also with the Foreign Office at the time of his death and some secret papers disappeared at that time, so any possibility of scandal or espionage must be put to rest. During the course of the story, the reader gets a close look at the evils of nineteenth century English prisons, but not more so than fits the story. The mystery deepens as more deaths compicate matters. Perry keeps the reader guessing right up to the end in this one. While the end comes rather abruptly, there aren't too many loose ends in this one, so the reader isn't left hanging so much as in some of Perry's other stories.
As a mystery writer, Perry is a step below Conan Doyle or Agatha Christie. Her stories are enjoyable, especially if you've read enough of them to be familiar with the main characters, but the plots aren't usually as difficult to solve. This particular episode, however, is one of her best. A first-rate whodunit that will keep you guessing to the very end. Give it a try.
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Seven Dials, the most recent Charlotte and Pitt mystery, is for me one of her better recent books. The writer's facility for setting a scene, whether it is a society event, the slums of the east end of London or the streets of Alexandria is unparalleled. She makes her way unerringly through the mind-boggling convolutions of Victorian morality without miring the reader in its tedious virtue.
This is another of Anne Perry's good yarns, complete with Gracie, Aunt Vespasia and sister Emily. It is full of strong emotions, well-honed dialogue and spiced this time with Pitt's visit to Egypt.
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"Sleeping Dogs". However, each book can stand alone without the other. The "Butchers Boy" is about a hitman that is double crossed by the mob after he completed some contract(killing) work for them. It also tells the story of the Department of Justice Field Agent that is trying to tie all the killings together. It is a race to the end to find the missing link that will tie the knot to this killer-thriller. Also don't miss the few chapters that introduces us to the much loved "jane whitefield series" the lady that can make you disappear. I hope Perry brings that series back-it was one of his best. "Butchers Boy is a good read!