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This book shows the human, non-combat side of that unhappy period in our national experience. The people are made somehow more human by showing, as the author does, those people in ordinary activities rather than at war. With compassion.
It's a very touching and healing work done by a master storyteller. A very worthwhile read for anyone whose life was changed in any way by that war.
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Anyone who needs a comprehensive book on this field should purchase this text, it is worth every penny!
Your sincerely,
Saeed A Al Musbeh ( Personal Manager )
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In this book, the approach to organizational learning is normative and practice-oriented. The authors are mainly interested in productive organizational learning: how this kind of learning can be generated in real-world organizations and how practitioners can help to foster it.
The theory given in this book is primarily based on two types of learning: single-loop and double-loop. The authors have borrowed the distinction between single and double-loop learning from W. Ross Ashby's "Design for a Brain" (1960).
On case studies of known companies, such as Intel, General Motors, etc., the authors show "primary inhibitory loops" that inhibit organizational learning, and "conditions for error", and how to avoid them. The following list gives the most common "conditions for error" and how to avoid them:
- Vagueness : Specify
- Ambiguity : Clarify
- Untestability : Make testable
- Scattered information : Concert
- Information withheld : Reveal
- Undiscussability : Make discussable
- Uncertainity : Inquire
- Inconsistency/incompatibility: Resolve
In part I, the authors introduce the conceptual framework, both for organizational learning and for the relationship between research and practice. In part II, they introduce and illustrate concepts central to limited learning. Part III presents a brief classroom-based example. Part IV is the review of the recent history of the field of organizational learning.
Despite of the brilliant content, the book which is marked as "Reprinted with corrections August, 1996", which I have (paperback), is awfully printed. It is really the eye-killer. And nevertheless, it has some typos. Please try to find a version which is not "Reprinted with corrections August, 1996".
Chris Macrae, editor of Brand Chartering Handbook and MELNET www.brad.ac.uk/branding/ E-mail me at wcbn007@easynet.co.uk
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The hunt for the guilty seems to pervade organizational life. This book shows how to escape from the grip of the black hole of blame into which so many bright stars of the organizational galaxy sadly perish. So most every organization will benefit from this book. Highly recommended to managers everywhere.
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The HCSB is an up and coming translation that will endure for several years. It is conservative, respecting the Source of all inspiration. Get the hard copy of the HCSB, the best printing of it called Experiencing the Word. Get the CD. You'll be set!
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"The Murder of Roger Ackroyd" was Christie's fourth Poirot novel, while "Murder on the Links" was her second. In both Christie adopts the motif of narrating the story from the point of view of someone who undertakes to assist Poirot in the solution of the mystery. Christie introduces the cast of suspects, gives each of them a dark secret and a motive to lie, and piles up the circumstances in such a way that the flying fickle finger of suspicion points to every one of them at some time or another. She compounds the confusion by supplying false leads and deliberatly glossing over hot clues.
In each case Poirot holds his cards close to his vest, tantalizes the reader/listener with cryptic comments, and finds the most inconsequential-appearing facts to be highly significant. Eventually Poirot airs everyone's dirty laundry, explains his chain of deductive reasoning, reconstructs the crime in all its improbable complexity, and gets a confession. The stories are less mysteries than they are sliding block puzzles. Though extremely short on realism, they are long on entertainment value.
Although the BBC radio play had excellent production values, audio cassette may not be the best way to enjoy a Poirot mystery. I listen to radio plays as I drive on business, and I find the Poirot plays hard to follow because of the large cast of characters and the complexities of plotting. Poirot could probably be enjoyed more readily in print. You could then read, re-read, take time out to mull over the complexities, and follow the story much better. Probably the best way to enjoy Poirot would be to read the story first, and then listen to the radio play.