The correspondence runs from 1949 until 1969, during which time Helene and the people at 84 Charing Cross Road exchange Christmas gifts and news of their families, but never meet. At least in the early years of the correspondence, almost every year Ms. Hanff states her intention to come over to visit England, but something always comes up to prevent the trip.
In 1969, one of Hanff's letters to Frank Doel is answered by another member of the firm, informing her that Frank Doel has died.
This is a beautiful book, which can be read in 45 minutes. I suppose every reader will take his or her own lessons from the book, but here is mine: If there is something you really want to do in your life, then DO IT when the opportunity arises. Time is finite. If you keep saying, "Maybe next year," there will eventually come a time when there IS no next year. It is a painful tragedy that Helene Hanff never got to England to meet Frank Doer and the other people at Marks & Company, and that poignant sadness is what stayed with me after I had closed the book.
This is a true story--that's always a plus for me--about correspondence between a New York booklover/writer and the staff of a used and antiquarian book shop in London. These business correspondents evolve over the years into members of a kind of extended family.
The book is rather amazing because it is a quick read yet packs a powerful emotional wallop. To enjoy this book, you have to be open to books that explore compassion, emotions, and human relationships in a non-glossy, realistic manner.
Normally, I'm a one-read guy. I read a book and pass it on. Yet, I've read 84 Charing Cross Road three times -- so far -- in spite of seeing the movie version three times as well.
I'd place 84 Charing Cross Road among my top five favorite books.
Rodney
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Kate is a lady-in-waiting for Princess Elizabeth during Queen Mary's reign. Her sister gets Kate exiled to the Perilous Gard, a keep in the middle of the Elvenwood. Her new guardian, the sensible yet likeable Sir Geoffrey Heron is called away almost immediately, leaving Kate in the care of the menacing Master John. Christopher Heron, Sir Geoffrey's brother, is a myterious and intriguing shadow around the manor, and there are rumours in the castle that he killed his neice in order to protect his inheritance. The villagers have a different explanation, though: that the little girl was stolen by the Faerie people who tend the Holy Well. As Kate investigates these rumours, she and Christopher are swept into a terrifying and deadly adventure.
The characters of Kate and Christopher are wonderfully round and engaging. Kate is smart, curious, practical and sharp-tongued, while Christopher is honorable, guilt-ridden, and full of dreams. These are two people I wish I knew! Sir Geoffrey, Master John, and the minstrel Randal are also developed well. Kate's sister Alicia, and the old maid Dorothy aren't so well developed, but still serve their functions in the story. The Lady in the Green is a fascinating and mysterious character as the Queen of the Pople of the Hill.
I highly recommend this book - this book is definitely deserving of the Newbery Honor!
My email group was discussing fairy tales and fairy tale adaptations and a member mentioned this book after my post regarding the books above. I purchased it and read it. What a wonderful story. I'm always pleased to see strong female characters. For years while growing up, all I had the opportunity to read in school was books with male protagonists. That's not to say that I didn't enjoy these books, but the chance to read books with female protagonists, and strong, capable women or girls at that, is a pleasure.
It's funny, after purchasing this book, I found out that I had read another of Pope's books "The Sherwood Ring." I read it ages ago and enjoyed it very much.
Despite the Elizabethan setting, readers of any age will identify
with Kate's timeless adolescent insecurities and feelings of inferiority towards her sister, touted as "the pretty one." But she rises above these feelings in a time of need, and proves herself to be strong, smart, mature, and incredibly courageous, a great role model for young girls. This is a gripping, cleanly written, and sometimes harrowing story with a thoroughly satisfying ending. Its Newbery honor was much deserved.
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"When a child loves you for a long, long time...not just to play with...but REALLY loves you, then you become REAL."
Adorning this story is the wonderous art of illustrator Donna Green. In this 1995/98 edition, the "picture book" is illuminated with beautiful oil, acrylic, and lush pastel paintings that glow, and shimmer Life-like and LOVE-like. It is beautiful art work intrinsically conveying Margery Williams' mythical message to the young and young-at heart. (10 Stars)
This was her book that Mama (me!) had to read to her again and again and again. As soon as the last word was read on the last page, it was "Mama, please read it again!"
(how I miss those days, by the way!)
The book also has a powerful message about Love that children understand and cherish.
This is a wonderful book. No child should be without their own copy of "The Velveteen Rabbit."
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Even though I have enjoyed all of McCaffrey's books, the Harper Hall trilogy has always been my favorite. I first read this book when I was in junior high school and simply loved it. I have read my copy time and time again. McCaffrey has a nice, smooth writing style with great descriptions so readers will have no trouble visualizing the life on Pern. She also does a nice job of throwing in little recaps so that those who have not read Dragonflight and Dragonquest can still understand what is going on. I simply loved the world of the Harpers and think that any reader of fantasy will enjoy this enchanting series.
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I fell in love with this book because, I see myself in a way as Gracie, as I'm sure other women will too, and it's just good to know that sometimes Prince Charming picks Plain Jane.
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Now Im gonna tell you: YHTRTB (You Have To Read This Book)
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Anne Shirley is a twelve-year-old girl who is brought to Green Gables only to find they were expecting a boy. The Cuthberts however, are one over by this queer, imaginative girl with bright, red hair and decide to allow her to stay.
Green Gables is a lovely, little farm just outside of a small town on Prince Edward Island called Avonlea. It is surrounded by fields and forests, which hold many surprises for adventurous Anne.
Throughout this book Anne's fierce temper and wild imagination often get the better of her, but she usually manages to squeeze out of these scrapes.
Anne's melodramatic nature and fiery temper keeps you interested as you read this marvelous book.
Montgomery's humorous writing style gives life to the characters so that you feel like you are meeting them in person.
I think that this was a wonderful book filled with humor, drama and tears. I would recommend this book to anyone that has ever had a dream and loves a good book.
This book portrays a stunning sketch of Canadian History and Culture in the late 1800s to early 1900s. The character personalities are so real and so amazingly "human" that one cannot help but fall in love with them. You really get a taste of PEI in its glory.
This story is set in Avonlea, Prince Edward Island (Canada), a fictional settlement which is really Cavendish, Prince Edward Island, the place where Lucy Maud Montgomery, the author grew up.
The main character is Anne Shirley...and eleven year old, enigmatic, imaginative, sparkling, highly intelligent orphan who is sent to Green Gables, a farmhouse in Avonlea, under the impression that she was to be adopted by a pair of elderly siblings, Matthew and Marilla Cuthburt. But, apon arrival to Green Gables, Anne discovers that there had been a horrible mistake...the Cuthburts never wanted a girl...they wanted a boy who could do the chores and help Matthew with the farm. Anne was was in the "depths of dispair". Matthew, on the drive home from the train station had taken a great shine to Anne and had his heart set on keeping her, regardless of any mistake. Marilla, however, was not so easily enchanted. She agreed to let Anne stay at Green Gables on trial, to see if she would behave herself and lend a helpful hand to Marilla. After the trial, Anne is welcomed to Green Gables and flourishes under the love of the Cuthburts and all Avonlea folk. Anne, however, has one big problem. Her Hair. It is a hopeless shade of carrotty red and Anne felt that it was the ugliest hair anyone could imagine. She was extremely sensitive about it and she was horribly embarrassed about it. On her first day of school, Anne's hair was made fun of by Gilbert Blythe, the smartest and handsomest boy in school. "Carrots! Carrots!" he said. Anne's temper got the better of her and she was so angry she broke a slate over his head. After that, for many years, she snubbed Gilbert every time he spoke to her and he developed a boyhood crush on her.
Ah, but to keep this review interesting and the book mysterious, I will stop telling you the story and begin reviewing. The characters in the book are so well-defined that it seems to you that you know every character personally, like an old friend or neighbour.
And by all means, don't let the age recommendation fool you either...this book can be read by all ages alike...and I have no doubt that this book will still be my avid favorite at the age of 85.
The book is not boring, contrary to many opinions of those who read the first chapter of small print and historical settings. The discriptions will place you right into the heart of the story and you find you will laugh and cry while reading this story. Every time I read it I cry at a certain part which I'm not sure if I should reveal to you for fear of spoiling the good parts in the story, but it is dreadfully sad. If you read the book, then you will know what part I am talking about. The one saddest part in the whole story.
Although this book has some old ideas and ways of expressing them, you will learn a great deal of Canadian history through them and there's no doubt in my mind that this book will still be popular decades and most likely even centuries to come.
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Kids will love it. Adults might feel their teeth scaling over.
Well, the whole book is like that. The worst of the villains are poachers and cow thieves, although I wasn't very fond of the pastor who shouted out his parishioners' sins as they left church. Fortunately, sins in the village of Silverydew were few and minor.
The plot is simple: orphaned Victorian teen-ager, Maria Merryweather goes to live with her new guardian at lovely Moonacre Manor. There is a curse on the manor and its surrounding acres that only she can lift. With the help of her many animal friends (lion, hare, dog, horse, cat, unicorn) and her husband-to-be, Maria sets out to give this story a happy ending.
All of the animals are weighted with heavy symbolic meaning. The lion represents the sun, courage, and loyalty. Wiggins, the King Charles Spaniel (my favorite character) represents vanity and greed. The unicorn is a creature of the Moon, symbolizing purity and "remembrance of things lost to earthly sight." And so forth. ... including a herd of sheep that have been returned to Church ownership by Maria (hint on symbolism: poor little sheep that have gone astray. Bah. Bah. Baaah.)
There are many lessons that girls can learn from this book. The three that I found most obnoxious were:
Curiosity is unbecoming and will lead you astray. Adults will tell you what you need to know, when you need to know it.
Never argue with your man. Arguing could curse a whole village.
The best of all possible fates is to marry your childhood sweetheart and have ten children.
"The Little White Horse" is written with a "haunting beauty of wording and atmosphere (The Saturday Review)." Many people adore it (according to the cover blurb), including J. K. Rowling, author of the Harry Potter books. I realize that I'm speaking for a small minority (maybe a minority of one) when I say it gave me indigestion.
Newly orphaned Maria Merryweather is being sent from London to Moonacre Manor, the castle-like home of her uncle, Benjamin Merryweather. Initially Maria and her devoted governess Miss Heliotrope expect the place to be cold and uncomfortable -- but Maria is delighted to see an enchanted, silvery landscape, and the brief vision of a white horse running past. She fits quickly into the slightly strange, almost idyllic surroundings -- despite the fact that no woman has come to Moonacre Manor in twenty years. But Sir Benjamin seems very pleasant -- as does the huge, unusual dog Wrolf.
Maria is enchanted both by the beautiful natural surroundings and the neighboring village of Silverydew. But she begins to sense that something is wrong: her uncle is unhappy about something and won't talk about the briefly-seen white horse. Her childhood invisible friend Robin returns to her -- and the inhabitants of Silverydew know him. Beautiful items are laid out in her tiny, luxurious room -- with the initials L.M. And strange dark figures are creeping through the woods near the sea. Maria soon finds out about a long-lasting story of magic, sadness, greed and darkness that has haunted her family for generations, and is determined to set it right.
Goudge was evidently one of the few authors who can effectively blur the line between reality and dreaminess. Some sections of her prose are almost intoxicating; she never held back from describing surroundings and items lushly. The dreamy atmosphere of the book is established when Maria and Miss Heliotrope (and Wiggins the dog) arrive at Moonacre. Such beautifully written passages crop up, such as "moonlight and firelight mingled their silver and gold."
We also are given examples of Ms. Goudge's evident love of both nature, the countryside, and religion (not preachily, simply a demonstration of the beauties she saw in it). She also mixes in a few other items: the hare being a "Fairy" creature, the legend behind the Merryweathers and the valley, the sinister Black Men in the forest, and the enchanting visualization of the "little white horse" being one of the white horses that crashes in on sea foam.
Some aspects of this book are a little unusual by current politically correct standards: we get several negative references to "female curiosity", atheists may be offended by Ms. Goudge's evident dislike of atheism. And I literally have no idea what a "syllabub" is. However, since this takes place in a past era, there's no reason to fuss about it.
Maria herself is a delightful heroine, with just enough quirks to make her realistic -- her mild preoccupation with clothes, for example. Miss Heliotrope is not the usual strict spinster governess, but a kind and upright woman with real emotions and feelings. Wiggins is a little pain in the tail. We also have the fascinatingly charismatic Parson, who manages to make religion come dazzlingly alive while also being kind and gentle. And we have the loquacious Marmaduke Scarlet, a dwarf cook with an odd temper, an amazing culinary craft, and a vaguely gnome-like appearance. And it takes a little while for Robin to develop beyond the level of "boyish sprite," but he's a nice character as well.
This is a thoroughly delightful book, full of childlike innocence and wonder that very few could pull off. Fans of Narnia and the "Hobbit" will probably eat this right up. A timeless, charming tale.
These books are about Ivy and Tristian, who dies in the first book. Her love for him causes her to almost loose everything, meanwhile her mother just married the richest man in wherever they live, and Ivy's new stepbrother is known to be a horrible person.
If you are a fan of the story of undying (literally) love, then read this.