I read The Master of Ballantrae quite recently and I think it is an awesome book. James Durie (the Master) is such a wicked man, but seems to charm (most) everybody. He is such a round character. He torments his poor brother Henry Durie and Henry suffers in silence. Only Mr. Mackellar knows of Henry's sufferings. The Master makes the book so colorful. It's full of adventure, romance, sorrow, and revenge. I highly recommend this book, because it was so interesting and kept you wondering what would happen next. I am sure it will capture your attention as it did mine.

I saw the Errol Flynn movie,which I found rather disappointing. I was assuming, however, that the book was a faithful adaptation of the movie. Be forewarned: it is most definitely not! This is not the kind of superficial swashbuckler you might assume. It is a dark and compelling book about the nature of evil and its manifestation in the person of James Durie, the Master of Ballantrae. The Master sets out to destroy everyone and everything he cannot control or manipulate, including (and especially)his own family. Without summarizing the book, I would offer this to anyone interested in a compelling plot, complex characters and just plain good writing. Stevenson is overlooked, and it's a shame, because he is an excellent writer, a writer in the best sense of the word. Read it and enjoy it!

Wild Grows the Heather in Devon is thought provoking, eloquant and superbly written. I have highlighted most of the book. Many of the prayers written, I have taken as my own. Excellent intelligent reading!

If you want to learn about history it is best to read the reflections, diaries and memoirs of those who lived it. Samuel H. Sprott, 40th Alabama Infantry, Army of Tennessee, wrote his memoir 34 years after the War Between The States for a now defunct southern newspaper. This memoir was recently discovered tucked away in county probate records and probably not studied by historians for details about the W.B.T.S. in the deep South.
Sprott, tells the story of the 40th Alabama Infantry, Stone's Battalion and Ector's Brigade. I was especially interested in information about General Ector and his brigade as little is written about this unit especially at the battle of Chickamauga. He will educate you about the everyday life of the Confederate soldier in the Army of Tennessee. His and fellow comrade's trials and jubilations are all there.
The editors do a fine job coordinating Sprott's manuscript, filling in his thoughts and corroborating historical evidence.
Highly Recommended!

Any Civil War buff will find Dr. Louis Smith's "Cush" to be an outstanding addition to his/her personal library. It is an account that brings countless historical facts that will enrich that library in terms of the military engagements fought by Samuel Sprott and his men. But there is more to this work than the simple regurgitation of historical fact -- this is a book that reflects the struggles and privations of the everyday Civil War soldier as he endured the reality of his world: rotten weather, whizzing minnie balls, the deaths of his comrades. "Cush" is a look at the humanity behind the facts. It puts the reader in the Civil War -- fighting next to Sprott and his compatriots.

As a high school US History teacher, I have found that it is books such as "Cush" that makes history come alive to students. They can feel the emotion with which Sprott's story is told. And, because it is a primary source - straight from the "horse's mouth", it has much more credibility to it than the facts they can glean from their text books.

Dr. Smith has done a marvelous job of editing Sprott's papers. The work was no doubt tedious but at the same time must have been intensely rewarding when it was finished. After reading the book, I have come to feel like I knew Samuel Sprott on a personal basis!

This is an excellent primary source for a soldier's eye view of the daily experinece of the civil war. Unembelished with romantic bravado or the mythology of causes, Captain Samuel Sprott's journal of the experiences of the 40th Alabama regiment presents the reality of war for the common soldier- general bordome and petty detail alongside short episodes of battle, tragedy, and confusion. Smith and Quist do an excellent job of providing essential supporting information in the preface and appendix while avoiding the temptation to intrude upon Sprott's narrations. The book should be a hit in the classroom as a primary document that is brief, easy to read, and relatively inexpensive. For the same reasons it is recommended to the general reader.

read one of the short pieces in this anthology. They are also incredibly uplifting too. A brilliant bedside companion for any dog lover.

Although each of the pieces in this book was inspired by the loss of a much beloved dog, this is really a book about vibrant, fully-alive dogs: family pets, fellow hunters, soul mates, and best friends. And while none of the dogs remembered so fondly here still lives, Old Dogs affirms the remarkably special place in the heart we reserve for our dogs. My own dog is sturdy in her middle-age, but reading the eulogies and odes in this moving anthology has made me appreciate more all the quirky habits I take for granted, like how she can't resist running off with one of my Reeboks when I'm shoeing up for our evening walk--the little prance she performs when I tell her, "Bring the shoe back!" Not a sad read but a celebratory one, required for every dog owner!

This is a remarkable anthology of stories and poems by outstanding authors of the past, as well as more recent times. Although these moving remembrances are only of beloved dogs, the lovers of any species of pet will find identical sentiments for their own losses. Whatever kind of companion animal you had, you will find your own bereavement and healing tears reflected here, as well.

Care was taken to avoid over-sentimentality, in this assortment of loving reflections of dogs, celebrated here. These accounts are full of love, and are sometimes even funny - and we are thrust into the realization that perhaps that is the most wonderful kind of living memorials we can have for a beloved pet. Too often, we lose this perspective, while trying to keep from drowning in our own bereavement and sorrows.

Rather than being a collection of sad literary memorials Old Dogs Remembered is a joyful celebration of life with pets. This inspires healthy new points of view and adjustments to moving on into our new lives, without them.

Here we are treated to many different outlooks on how they permanently enriched the lives of their owners. Reading these heartwarming pages will broaden the understanding of each reader, concerning his/her own personal bereavement. Here, we are offered the collective wisdom of others, who reminisce on their honored pets. There is much to be shared and learned here, as well as enjoyed.

With so many different authors, one must appreciate that references and styles have changed drastically, through the ages. As an example of this, some might find the essay by the dramatist John Galsworthy to be interesting, but a bit troublesome to read. And, as with any anthology, there may be some accounts not everyone would appreciate. But all pet lovers will readily identify with the overall shared remembrances, here. This is a heartwarming collection, which can be enjoyed comfortably, in several installments.

There will be many an uplifting tear shed in its reading, and we suggest it for your reading pleasure.

I was skeptical that he'd like this book when he found it,
believing my 2 year old was a bit young for poetry beyond
Dr. Seuss. But he loves the sound and rhythm of the words
as well as the pictures in my old Golden Book edition,
and asks for it nearly every day now. For myself it's a
nice change from the usual kids books.

There is beauty in RLS's poetry, and the Provensons' illustrations are simply delightful. There are other versions of this book (or very similar), but no other combines the aforementioned elements so well.

Robert Lewis Stevenson has a way of making children smile, and adults follow right behind. The words so eloquently put together bring to life the thoughts of young children.

Monique Felix's inviting mouse illustrations in Robert Lewis Stevenson's My Shadow provides an inviting mix of rollicking rhyme and whimsical mouse illustrations. Kids will learn a new appreciation of the poetic style will enjoying the mouse's lively adventures.

This classic poem by Robert Louis Stevenson displayed by wonderful illustrations! Penny Dale's talent shines in the clear pictures, that re a joy to look at over and over again. It only made the poem better for me, and my entire classroom of 5 year olds!

MY SHADOW (illustrated by Ted Rand) is on our short list for best picture book. Our four kids all loved the pictures and, of course, the poem. I would recommend the book as a toddler picture book rather than a beginning reader--the pictures are beautiful and engaging and the poem is suitable for little children.

This small selection of some of the delightful children's poems by Robert Louis Stevenson is a real treasure. What will capture the fascination of all children (as well as adults like me!) are the illustrations by Lucy Corvino. This artist's beautiful illustrations are perfect for the magic that all children love in these classic poems. You keep returning to each picture, and always discover more fascinating detail. A lovely job - a lovely gift book for any small child, and for "grown-ups" like me who can't resist such perfect art work.

When I showed this beautiful book to a friend, she wanted one for both her children (so they can keep it when they grow up) and also one for her mother. The poetry is timeless--it takes you back instantly into your childhood imagination--and the illustrations are superb. These pictures are funny, mysterious, comforting, poignant, all at the same time, and filled with gorgeous soft color and intriguing details. As a child, I would have spent hours looking at them.

As an elementary school teacher, I found "Poetry for Young People" by Robert Louis Stevenson, illustrated by Lucy Corvino, a wonderful book. It's a great way to introduce poetry to children because the poems are short and easy to understand. The illustrations have magnificently detailed illustrations without being overly complex or confusing. The children are drawn to the pictures, which heightens what is being read to them. They unanimously respond with great enthusiasm, and they eagerly ask for more. I highly recommend this book to parents, teachers and anyone who regularly spends time with children.

Conan O'Brien is one of the funniest men alieve and this book proves that!This book evolved from a sketch on the show(one of the best, other than Pimpbot 5000). He and the Late Night Writers are amazing,they come up with so many diffrent sketches that its not even funny. If you have ever wondered what celebrities babies looked like this book is a must have.
HAIL CONAN!

heart,
ivy the barbarian

The book is funny with hilarious pictures and commentaary. In my opinion Conan O'Brien is the best show between the hours of 12:30 AM and 1:30 AM on nbc.

This is definately a must have for any Conan O'Brien fan. Late Night with Conan O'Brien is simply the best show ever. Conan O'Brien is the funniest man alive and he along with the Late Night writers have only shown that with this hillarious book. I can't wait until In the Year 2000 comes out. Conan O'Brien is truly a genius when it comes to truly hysterical, unique and orginal comedy, I give this book Five Stars. Read over and over again.

I was given this book by a friend and was surprised at the well-balanced combination of story, locale and apt descriptions of riding events.

Buck Jones: a rodeo cowboy who becomes seriously ill and must get rid of his beloved horse. I liked Buck a lot, and so did his friends in the story. He raised Old Black from a colt and only became a rodeo star after Old Black came on the scene as his roping horse. The day he got rid of his beloved pal was a heart-rending scene.

Small things impressed me. The arrival at the Bradley's farm with Jim's new horse -- he so wanted to show him off to the old black couple down the lane, but he had to wait. Things to do on the farm. Getting on the horse took some imagination for 10-year-old Jim Bradley, but he solved THAT! Then got an extension for his stirrup. Small things, but so important to the story.

Jim's first real horse show was an adventure for me. The hospitality suite he and his mother came upon, and got acquainted with the Robertsons and their daughters. Jim's performance in that western riding class was beautiful, as written.

I adored little Alexandra Meridith, her father. Her grandparents, Oscar and Ruby, were fine old people, and dearly loved by that little boy.

The series of chapters dealing with the rescue of the sheriff out in the woods was as stirring and exciting as could be. And it reeked of realism. That long episode was brought to a perfect conclusion, even if some concerns still were left dangling. But they were wrapped up later.

The funeral of a black lady was a fine piece of descriptive writing, touching.

The ending of the story was purely satisfying. The indignant lady in the stands was a good, good touch. How she finally came around to applaud Old Black after accusing him of hurting her daughters chances in the class. The unlikely but understandable award to Old Black. Then, something I can't tell because it would ruin the ending for readers, but it was just exactly what should have happened. Even if it caught be completely by surprise.

A great story.

Old Black is the most wholesome, absorbing, exciting, touching book I have ever read! And that's going back through a lot of books! Everything in the world that should be in it is there. Old Black the horse was as wonderful as his master, Jim Bradley.

I loved the old black couple, the Jacksons, who lived on the lane to the Bradley's little weekend ranch, and was truly touched by the genuine friendship between that couple and the Bradley family. All of the characters in the story, and there are quite a few, come vividly to life. You never have to think back and ask yourself, "Now just who is this walking on stage?" You know every one of them as if you had known them a long time.

The chapters involving the visit of Jim's Aunt Hazel and Uncle Harry are precious. Aunt Hazel has Alzheimer's disease and Uncle Harry is allowing her condition to get to him. It took the intuitive therapeutic interaction of a boy with compassion for his ailing aunt to show Uncle Har! ry, by examples, how to mitigate her suffering, how to lift her spirits. There was hilarity galore in those chapters, much of it at Aunt Hazel's expense, but it was never once in bad taste.

The rescue of Sheriff Martinez in the woods by Jim and Old Black, which consumed several chapters, was an endless stream of excitement that continued to escalate right up to the very last page of chapter 24. It was a tough job for both the boy and his horse that almost proved to be impossible, but every bit of it was entirely credible.

Old Black is a beautiful piece of creative writing. The story moved. It had a start, a middle, and definitely an ending, an ending that swept along through several chapters in such a rewarding way for the reader. Briggs never takes the writer's easy way out of a single scene or event, but works his plot with fascinating detail and excellent execution. The story was a fine blend of happiness, sadness, tragedy, and humor. Every aspect of the ending was perf! ect -- all the little loose ends that had collected along t! he way were neatly tied up in the most satisfying ways one could imagine -- even better than I ever imagined.

Without giving away the REAL treat at the very end, I will say I loved the way the jealousy toward Jim by the boy on the flashy horse was disposed of. That scene was a magnificent stroke! Then there is a very nice vignette involving that same boy at the very end that had best be left for the joy of reading it first hand. At that last horse show in the Astroarena, I swear I could hear the bawling, cackli! ng, mooing, crowing, grunting . . . of the animals, I was aware of the constant announcements over the loudspeakers, I smelled every aroma of the place, saw and heard the hay carts buzzing around, felt the presence of the activity going on all about -- I was THERE!

Old Black is a fairly long book --387 pages of text -- but I flew through it way too fast to suit me. We should be able to give an extra star to special books for appearances. This one is a beauty, with a nice oil painting for the cover, a pretty full-color map of "Old Black Territory" on the front and back endpapers, and at least five dozen gorgeous illutrations, which is why I presume the book was printed on such fine paper.

When you buy Old Black, you may as well buy two and get it over with. You'll just HAVE to let certain friends read it, and you'll sure not want to part with your own special copy.

(This review was provided by the reader, who does not have a computer, to the publisher for sending on to amazon.com.)

A wonderful story, and told in just the right voice. When I began the book I thought it was only a contemporary boy-and-his-horse story. But unlike most of the genre, it is much, much more. The boy and his horse are the cornerstone, but the story expands way beyond them to involve an interesting variety of people. This is not a children's book, but my 11-year-old daughter was soon captivated and sailed through it in good time. ("Is Old Black going to die?" she asked, teary-eyed. "Read on," I said.) One does not need an interest in horses to love this book. Readers with a keen eye will savor the precious little clues planted along the way, like Easter eggs hidden for the purpose of being discovered. The dozens of illustrations are simply marvelous. Early in the story, Old Black, the horse, is being readied to go off to his new life with the boy Jim Bradley. The part where the cowboy Buck Jones (I just loved him!) is stoically, silently bidding farewell to his dear, longtime friend, the horse displaying his own feelings about their parting, is as touching as any scene I've ever read. It was some minutes before I could go on. You will not miss the absence of profanity, sex, or unnecessary violence here, although that long, dreadful scene in the woods ends with violence aplenty. I found it completely called for and applauded when the criminals got what they deserved. I was drained at the end of the ordeal in the woods, and Aunt Hazel and Uncle Harry strolled onto the scene just when I needed an uplift. I still laugh when I replay that scene in the bathroom: a furious, hissing snake, two grown men and a boy "overcome by the most sustained and idiotic laughter Norma had ever heard." Like another reader, I felt that the scenes arising from Aunt Hazel's Alzheimer's disease were handled with sensitivity and good taste. My grandmother had the disease and I really believe I could have applied some of Jim Bradley's instinctive strategies to bring her some happiness if I had read OLD BLACK while she was still alive. Uncle Harry's exasperation with his wife's condition, his inability to deal with it effectively until Jim showed him the way, was sadly familiar. I feel sure that the author has experienced the anguish of being close to someone with Alzheimer's, to write about it with such delicate insight. The scene at Richter's store where likable old Walter Mehlmann gleefully rehearses how he will waltz through his theoretical last days was a fine piece of humor. Walter's influence on the other men present was hilariously realistic. So realistic, in fact, that after reading that part I found myself rummaging the kitchen for junk food, the more cholesterol laden and otherwise unhealthy the better! I wish I knew where to get some real country cracklings. Fat ones, Reinhard. I like FAT ones! Every character in the book played an essential role. They were so well developed that I could clearly see them in my mind as they came onstage, always true to their distinct characters in actions and speech. Old Black was not a superhorse, as so many fictional horses are. He had limitations and faults, which only made him more "human". OLD BLACK breathes with vibrant life, and did so even while I cried during that sorrowful part with the death and the funeral. It was an experience that gave Jim Bradley (and me too) a better, if bitter, understanding of life. The story is uplifting, happy, dreadfully sad and hilarious, and the ending is just perfect. Throughout, this intricate novel is entirely credible. I agreed to some extent with one critic below - that the book suffered a little in organization. But that defect was overwhelmed by a superb plot, clearly drawn characters, vivid action scenes, settings (I was right there in every scene: seeing, smelling, feeling), and the author's often touching insight into people and horses, especially that lovable Old Black. This is the kind of literature (I call this book literature) that can put a teeny edge on the reader's good side. It is the kind of story (too rare, today) that can open the eyes of young people to the reality that being good, responsible kids can be rewarding, and they can still have fun. This story is much too special to be confined to adult fiction. I would love to see an edition of OLD BLACK written especially for young readers.

Over the years I have read many books that examine the early Christian church, as it existed within the milieu of the pagan Roman Empire. This book turns that on its head, and focuses on how the Roman pagans viewed the early Christians in their midst. Covering the writings of Pliny the Younger, Galen, Celsus, Porphyry and Julian the Apostate, the author uses the actual writings to show how the perception of the Christian church changed among the pagan Romans in the years prior to the advent of Constantine.

Though it is written in a dry tone, I still found this book to be absolutely fascinating. Not only did it cover Roman perceptions, but also the book gave me a real feeling for certain aspects of Roman religion and associations. If you are interested in the Roman Empire, or in the early Christian church, then I highly recommend that you get this book.

An excellent book on the early days of Christians. An interesting
look at where Christianity came from, and how the Romans
thought about monotheism. I did purchase several other
books mentioned in this one. It is good and I do recommend
it. I often buy or don't buy books based upon these kind of
reports, so let me say, you will not be disappointed in buying
this one.

Robert Wilken takes a somewhat slightly different tack with this book of Roman history. He examines Christianity in the Roman Empire by looking at it through the eyes of pagan critics. Wilken states in his introduction that his goal in this book is to bring Roman history into closer conjunction with early Christianity. He argues that by studying the context of pagan critics, one can understand how the early Church shaped its theology and doctrines.

Wilken examines five pagan critics, starting with Pliny the Younger's letters to the emperor Trajan circa 112 C.E. Galen, Celsus, Porphyry and the Roman emperor Julian round out the cast of characters. As the accounts unfold, the development of Christianity can be seen clearly: from a small, almost unknown sect in Pliny's day to the powerful apparatus it became by the time Julian launched his reactionary attacks in the late 4th century. The attacks on Christians become more theological as time progresses, showing an increasing sophistication as knowledge about Christianity became better known. Pliny mentioned the Christians in passing, one event among many in his role as a provincial governor. By the time of Celsus, Porphyry and Julian, whole books are being written to refute Christian ideas.

Wilken points out that Pliny's concerns with the Christians mirror his function as a politician. With Galen, a concern for philosophical schools is reflected in his attack on Christianity, namely the creation doctrine and how it compares with the Greek conception of creation as Plato defined it in his work, Timaeus. Celsus attacks Christianity on several fronts, most importantly that Christianity is an apostasy from Judaism and that Jesus was a magician. Porphyry, a philosopher and literary scholar, demolishes the Christian view of the Book of Daniel and criticizes the Christian worship of Jesus on an equal footing with God. Julian takes criticism of Christianity much further, first by banning Christians from traditional Greek and Latin schools and an attempt to rebuild the Jewish Temple in Jerusalem. The idea of rebuilding the temple was an attempt to isolate Christians who believed that they were the legitimate successors to the Jewish traditions. By reconstructing the Temple, the Jews would be restored to their traditional role as defined in the Old Testament, relegating Christians to their rightful place: apostates of Judaism. The Temple project failed when Julian died on campaign in Persia and Christian emperors once again assumed power.

This is an excellent book that inspires the reader to pursue further reading on this fascinating topic. What is most relevant is that the same questions we ask about Christianity today have been around for almost two thousand years. This is recommended reading for Roman buffs and Christian scholars alike.

This is the kind of book at which Holmes, in my view, excels. I'm not that particularly fond of his painstaking mammoth biographies of Shelley and Coleridge because, well, they're too run-of-the-mill and not all that much fun to read.-In other words, just the opposite of books like this one. This type of book, where the relationship between Holmes and the author he is writing about is constantly in play add a mystery and a haunted quality inherent in the time elapsed between Holmes' time and the author's that keeps the readers attention constantly transfixed (or, at least, this reader's). As Holmes himself puts it, "The material surfaces of life are continually breaking down, sloughing off, changing, almost as fast as human skin." Examples: The passage on Shelley's view of the double, the "ghost of the living person" the view of which signified the shadow world invading this one; Shelley's view that this is what was happening to him just before he drowned himself is the most affecting passage I've read on Shelley's end, and together with the photograph of the Casa Magni, which I'd never actually seen, and whose setting Mary Shelley said caused them to be in touch with the unreal sent shivers up my spine. It's not to be missed.-The section on Nerval was also interesting, as were the others. Curiously, the same sort of thing seems to have affected Nerval "...Here began for me what I shall call the overflowing of dreams into real life." Both sections are excellent and Holmes' speculation that "Nerval's whole work was a form of suicide note" seems right on the mark. The other sections are intriguing as well, but these two haunted me the most. In a moment of brave self-exposure where Holmes is following Shelley's footsteps in Rome, he recounts a dinner where they toasted Shelley as a fellow-exile and his name "rang to the roof." Holmes writes, "I sat there looking at my plate dangerously close to tears. I...determined to write a book for people like them too, who would never read it, people who have lost most things except hope."-You've succeeded Mr Holmes.

Beginning with a journey tracing Stevenson's walking tour in France, Holmes shows himself to be both a remarkable adventurer and writer. The thing that comes out clearly when he discovers the ruins of a bridge crossed by Stevenson is that the past is the past. And while it has an impact on the world today, it is gone. If you only read it for the first essay, it is well worth the money. The other essays explore other themes that affect biographers. A superb book that should be read by anyone interested in the mysrerious relationship between biographer and subject.

I read this the spring it came out, the spring I learned that once again there would be no summer vacation, no breaking free of the time zone. As much as a book can stand in for actual experience, this did, and I got a rollicking review of Romantic figures in the bargain. Holmes obviously conducts meticulous research, but he writes it up in a style that has the sweep of a fine novel. He is a master at marrying study and action.