Doreen Rapport Freedom River; Illustration by Bryan Collier
14pp. ISBN 0-7868-0350-9.-ISBN 0-7868-1229-X (pbk.).-ISBN 0-7868-229-0 (lib.bdg.)
(Intermediate)

Freedom River is a true story, about getting from Kentucky to the free state Ohio. John Parker a former slave, and now a businessman of Ripely Ohio. John then helps a couple and their child escape being slaves to freedom. The freeing of these salves is taken place through out the year. Both the author and the illustrator work wonderfully together to make this book seem real. The text clearly goes along with the pictures. The illustration is remarkable, the pictures look like photographs. Bryan Collier uses a different technique for his illustrations, it looks as if the pictures are pieces of a puzzle arranged together. As you begin to read this book look closely at the faces of the people, you will see wavy lines, these lines represent the Ohio River. The color schemes really put things in perspective also, they are realistic colors. Through out this book, Doreen Rapport uses short phrases to describe the event that is taking place: Run. Run, Row. Row, Listen. Listen, Wait. Wait, Closer. Louder, Crawl. Crawl. This gives the reader insight to what is going on in the picture by just two word phrases. Another author that does this same technique is Under the Quilt of Night by Deborah Hopkinson. The ending of this story is really surprising, I but when thought about it makes sense. This book is just not about the freeing of slaves, but it is about doing what is right in life, helping others out. I recommend this book to adults and children in the intermediate level. An interesting addition to the end of the story is a historical note which explains in great detail about the life of John Parker.

In the book, A Freedom River, the writing of Doreen Rappaport along with the illustrations of Bryan Collier together create a stunning retelling of one particular trip on the Underground Railroad. This is the story of a slave family escaping from the slave state of Kentucky to the free state of Ohio.
The book's uniqueness lies not in its topic, but rather in the characters. John Parker, this true story's hero, was not only a conductor on the Underground Railroad, but also an accomplished businessman from Ripley, Ohio. He was born a slave and worked to buy his freedom. He owned his own foundry, and employed both black and white individuals from both Ohio and Kentucky. He helped to make this book unique because he is not a well known conductor, but his impact on the Underground Railroad was just as great. It is said that he helped over 900 slaves escape to freedom during his lifetime.
A Freedom River draws the reader into the experience of the Underground Railroad. It masterfully pulls forth every imaginable emotion, as the characters must make choices that may end in the separation of families, death or freedom. The pace of the book along with large, bold directives, such as RUN, CRAWL, and LISTEN, create a feeling of breathlessness, much as if the reader too, were running for freedom.
The illustrations work hand in hand with the written word in order to create the overall experience of the book. The multi-textured collages with realistic faces add emotion and dept to the story. Wavy lives found throughout the illustrations deeply symbolize the river and its importance in the search for freedom.
This is a beautiful book and worthy of a rating of more than five stars. It could be successfully used with children from 1st to 6th grade. It is an excellent book for introducing and further understanding the Underground Railroad.

Before the Civil War, Kentucky was a slave state. But just 1000 feet across the Ohio River, Ohio was a free state. John Parker, was as a conductor on the Underground Railroad and helped hundreds of slaves cross that river to freedom. John was a unique individual, an ex-slave who learned to read and write and was able to buy his freedom and a successful Ohio businessman who employed both black and white workers. But he never forgot his slave roots and the terrible pain of being separated from his mother and sold when he was eight years old. Because of this, he risked and devoted his own life to helping slaves escape to safety in Ohio. Freedom River tells the story of one of John Parker's trips to Kentucky to rescue a family of three..... Doreen Rappaport has written a powerful and inspiring story of the courage and determination of one man to right the wrongs of slavery. Her eloquent text makes John Parker and this story come alive and is complimented by Bryan Collier's vivid illustrations that add a real sense of drama and urgency. Perfect for children 8-12, Freedom River is a wonderful introduction to the Underground Railroad and includes historical notes to enhance the story and augment discussion.

I found the book wonderfully refreshing. A nice change from the modern versions of the crusades. Also I am curious about the rarity of the particular book I own. Anyone with any info please email me.

This is a wonderful adventure set in the Holy Land of Crusaderfame, a tale of Richard the Lionheart, of his noble knight Sir Kennethof the Leopard (the prince royal of Scotland in disguise) and of the great Saracen ruler Saladin who fought the historical Richard to a stand-still in Palestine and showed his chivalry and nobility in the process. In fact, Scott's tale makes it clear that it is Saladin, not Richard, who is the nobler and wiser chieftain through a series of intrigues which see Saladin playing physician, matchmaker and spy all the while Richard is being gulled by traitors and self-interested allies around him. In fact, the great hearted Richard is moved to condemn to death his greatest knight and supporter, but for the machinations of Saladin and the loyalty of one good dog. This is a fun tale, full of adventure and exotic locales, every bit as strong as Ivanhoe, but, perhaps, just a shade less rich in colorful characters and mayhem. Read it anyway. It's worth it. -- Stuart W. Mirsky

I read this book more than forty years ago and still can see the way men become swayed by religious pressure and how some men see through the politics and remain with clean hands.This and other books cause me to understand how religions fall and others leap to be the next world power.What religion was the father of the muslims before he was a muslim;what religion past did the first pope [not peter] really come from?The TALISMAN is still a good read today.

Overall, this book was pretty good. It started off to be very interesting, but slowed down in the middle. When the plot focused on The Horridus, I.R. Shroud, and CAY it was engrossing. However, all the extraneous stuff about the main character's personal relationships with women was just tedious reading. The story again speeds up at the end and I found myself reading through the last few chapters very quickly. It was well written and a pretty good read, but I don't understand those who say they couldn't put it down. Maybe they were referring to the last few chapters. If you are from Orange County in California, you will enjoy reading all the references to real life locations. It helped bring the story to life for me.

Orange County has some terrific mystery authors who have produced some extraordinary mystery books. John Shannon's Orange Curtain, Kent Braithwaite's Wonderland Murders, and Carol Lachnit's Janie's Law immediately come to mind. T. Jefferson Parker is the top of the class, and his Where Serpents Lie is one of his darkest and most haunting books. I loved Mr. Parker's mastery of his detailed setting and his capturing the Orange County lifestyle. The reptile store featured in this novel really exists! His plot was fresh. I enjoy the way Parker creates new characters for almost every book. Where Serpents Lie is a dark book. It is well-written. I'm glad I read it.

It's been well over ten years since I read T. Jefferson Parker's LAGUNA HEAT. I remember that it was a good book. For whatever reason, I didn't follow up on Mr. Parker's other works as he continued to write. That was my mistake! Thankfully, I've rediscovered him. I just finished WHERE SERPENTS LIE and though the novel was written over two years ago, I have to place it on my list of best books that I've read so far in the new millennium. The story deals with Sergeant Terry Naughton, head of the Crimes Against Youth Division of the Orange County Sheriff Department in Southern California, and his hunt for the Horridus, a man who preys on young children. Two years before, Terry suffered the lost of his five-year-old son, Matt, in a swimming accident. He still feels the immense pain of the tragedy, not to mention the sense of failure and regret he experienced when he and his wife could no longer live together after what happened. Terry now pours all of his energy into trying to save as many children as possible from the human monsters out there, who secretly hunt, sexually abuse, and kill these innocents as a means to fulfilling their sick desires. There is one man who calls himself the Horridus, and he's the worst of the monsters. His pleasure comes in the form of kidnapping the children right out of their homes, then using them to complete his dark fantasies before feeding them to his thirty-foot long python. Now, in my opinion, this is definitely a guy you want to do a "Dirty Harry" on. Terry feels the same way. His one goal is to put this predator down the hard way, hopefully before he kills again. As Terry gets deeper into the hunt, he's suddenly sidetracked when mysterious pictures of him having sex with a minor are discovered by members of his department while checking out a crime scene. Terry knows that he is innocent, but few others seem to believe him. The question is who's setting him up for the big fall? Who has the most to gain? Is it the Horridus, or is it possibly one of the members of his department? Terry quickly finds himself on suspension while an investigation is started into the incriminating pictures. He refuses, however, to just sit back and wait, especially while the Horridus is still kidnapping children. With or without the help of his department, he's determined to nail this guy. He simply has to do it before he finds himself in jail on false charges. WHERE SERPENTS LIE will surprise you again and again. Just when you think you know where it's going, there will be a twist that takes you in a completely different direction. You may at times feel sick as Mr. Parker delves into the hideous side of human nature, but at no point will you stop rooting for our hero to put down this evil specimen of humanity. The writing is taunt and the suspense is relentless. Mr. Parker has created a hero with a tormented soul in the character of Terry Naughton, and your heart will go out to him at the ending when he's forced to look at himself and the people around him, realizing that monsters can come in many different disguises. This is certainly the kind of book you will try to read in one day. Don't rush it. Savor the anticipation and excitement of each page, and take your time. Allow yourself at least two days of delightful enjoyment. I'm now getting ready to start Mr. Parker's next novel, THE BLUE HOUR. From the blurb on the back cover, it appears to be every bit as good as this one was.

For those seeking the famous tale on which the recent film wasbased, this will sorely disappoint. This is Scott's tale of a youngEnglishman, son of a prosperous middle class businessman, who is sent to live w/distant cousins in the north of England (just below the Scottish border) because of his failure to live up to his father's mercantile expectations of him. Here he becomes involved with all manner of intrigue and gets pulled into a vortex of events involving rebellion against the English crown, a scheming cousin, a beautiful girl and that famous Scottish outlaw and freedom fighter, Rob Roy. But the outlaw, certainly the most interesting character in the tale, is only a side player, so to speak, and makes a number of appearances, often in disguises ( a favorite Scott motif), only to guide and/or rescue our blundering hero. This is most definitely not a tale of high adventure and derring do, and the complex and twisted intrigues of the plot do not sustain the book adequately. For those who like period pieces or the works of the masters (and Scott was certainly one), this book might be okay. But this is one of those rare instances where the movie, based apparently on Scott's preface to his book (in which he sketches out the life and times of the historical Rob Roy), is better. And frankly the movie wasn't half bad; far superior, in fact, to that other film of historical Scotland of the same vintage with Mel Gibson. Oddly enough, the Rob Roy film did worse @ the box office. Who can account for some people's taste? -- Stuart W. Mirsky

Sir Walter Scott is widely acknowledged as the creator of the historical fiction genre. His best known book is Ivanhoe, which I have not read. I instead decided to read Rob Roy, a book I became familiar with due to the 1995 movie of the same name starring Liam Neeson and Tim Roth. Rob Roy, written in 1817, takes us back in time to the 1715 Jacobite uprising.

Surprisingly, Rob Roy is not the main character of the book. Rob Roy's appearances in the book are spotty, at best. Instead, Francis Osbaldistone is both narrator and main character. Francis, we quickly find out, is more interested in poetry than in business. His father, who hoped for Francis to take over the family business, becomes angry with his son and banishes him to his brother's estate, Osbaldistone Hall. Francis's relatives are all country hicks, with the exception of Diana Vernon, an astonishingly beautiful "cousin" who stays with the Osbaldistones for reasons best left unrevealed here. Francis also encounters the treacherous Rashleigh Osbaldistone, the cousin who is to replace Francis at his father's business. Francis soon becomes embroiled in several adventures, usually with Scottish sidekick/groundskeeper Andrew Fairservice and Glasgow businessman Nicol Jarvie at his side. Needless to say, Francis falls in love with Diana Vernon and becomes entangled in the machinations of the Jacobite rebellion.

I found myself amazed at Scott's depictions of women in this book. Diana Vernon is not only beautiful; she's smart, self-assured, and a very dominant figure. Rob Roy's wife, Helen MacGregor, also is presented as strong and domineering. I find this fascinating in a novel written in the early 19th century. Even more surprising is Francis; he is depicted as weak and easily dominated. Between Rashleigh, Rob Roy, and Diana, Francis never seems to know what is happening and is easily brought to emotional frenzies by the other characters. You quickly begin to wonder how this guy can get anything done.

There are two minor problems in Rob Roy. First, I'll mention the Scottish dialect. Scott, in an effort to be authentic, makes liberal use of the Scottish accent. This isn't much of a problem in the first part of the book, but in the second half it becomes a serious issue. Even worse, Scott uses the Scottish characters to reveal major plot points. Therefore, if you can't read the dialect, you're in trouble. This wouldn't be bad if a glossary had been included in the book, but there isn't one. After awhile, I realized that "bluid" was blood, and that "muckle" meant much, but the inclusion of many Scottish idioms had me totally dumbfounded. Other Scott novels in the Penguin series include a glossary of Scottish terms, but not their edition of Rob Roy.

Second, the pacing of the book is most unusual. For some 200 pages, nothing much happens. I've read many novels from this time period, and most move faster than Scott. This doesn't make Rob Roy a bad book, but it does take patience to get to the end. Even when the plot starts to thicken, Scott still takes a lot of time to unfold events. In some aspects, this lends a distinct quaintness to the book. At other times, it can become annoying. It is easy to understand how many people would lose patience with the book and give up.

This is still an entertaining book, and I highly recommend it to those interested in historical fiction. Despite a few problems I had with the book, I would like to read more of Scott's work in the future. I shall certainly look for editions with glossaries so I can navigate the Scottish words. By the way, the man on the cover of the Penguin edition is William, 18th Earl of Sutherland.

Robert Louis Stevenson called "Rob Roy" Sir Walter Scott's finest achievement. I do not disagree. Set shortly after the unification of 1707, Scott tells the tale of the protestant Francis Osbaldistone as he bids adieu to his father's London commercial interests and enters, as an exile, the baronial home of his papist relations in the north. His cousin Rashleigh assumes the commercial role intended for Frank and uses his newfound access to stir loyalist feelings in the Scottish Highlands by ruining the far-flung credit of the Osbaldistone business. Frank, upon uncovering the conspiracy, sets forth to Glasgow with the mercurial gardner, Andrew Fairservice, as his guide to right the wrongs of the scheming Rashleigh. Ever dependent on the outlaw, Rob Roy MacGregor, to intervene in his behalf, Francis Osbaldistone leaps from one adventurous situation to another in his fight to clear his family name. Along the way, Frank meets and falls in love with the outspoken and beautiful Diana Vernon who aids him in his plight. Though a fair portion of this book is related in the Scottish vernacular, there is a glossary in the back of this edition that will easily point the way. Even so, the reader will confidently understand the vernacular when one-third through the book. This is a classic that can be enjoyed by anyone, particularly those interested in period and place.

I have mixed feelings about this book. It's got some lovely photos that I've not seen before; the color ones are especially worth the purchase of the book. However, I strongly feel that this could have been a better effort by Pomegranite Press.

There's an episode guide which contains not only a one or two sentence synopsis of each episode but also a listing of the characters, writer and director involved in each.

The history of the show has been seen elsewhere, but it fits and it's worth the read if you don't happen to have the out-of-print books in which it was first published. I prefer the original version of the history which was written with more awareness of the absurdities to which the show was often subject.

Ms Scott has obviously made some much-needed corrections to her narrative that first appeared in "My Scrapbook Memories of Dark Shadows," but there are still any number of factual mistakes. They detract.

The paper quality and the black and white photos could have been better considering the price of the book.

Still, this has quite a few plums for anyone interested in Dark Shadows or certain facets of television history.

Pomegranate Press has chronicled and paid tribute to the "Dark Shadows" mythos for nearly 15 years now, and as the 35th Anniversary of the show draws close, "Dark Shadows Memories" becomes the latest in a long line of commemorative tomes.

The book is made up of cast remembrances and factual commentary, including a lengthy excerpt from Kathryn Leigh Scott's long out-of-print memoir, "My Scrapbook Memories of Dark Shadows". Scott speaks with warmth and anecdotal wit, feeling encouraged to comment warmly of the series that launched her career. This is an unashamedly subjective overview of the series, written with gratitude and nostalgia, leisurely trawling through happy times, but still manages to offer some occasional surprises along the way.

Perhaps the most interesting element of the book is its subtle shift in tone from its predecessors. Whereas past books have taken a firmly reverent, nostalgic look at the actors and their lives, this book seems more willing to acknowledge some of the disappointments and pain that the "Dark Shadows" cast also faced. Alexandra Moltke sets the tone in her foreword, in her comments about Thayer David. Presented warmly, but with pragmatism, they emerge as a commendation for the actor, delivered without malice or judgement.

Similarly, David Henesy's contribution shares a welcome candour with readers, delivering healthy doses of nostalgia and gossip with aplomb. Where previous books tiptoe coyly around sensitive areas, David gleefully shares stories of cosmetic surgery and narcotic substances with moments of genuine insight. In many ways, his contribution is the highlight of this book, and thus seems frustratingly brief. His memories are vivid and detailed, and he clearly has a lot of unique things to say about the "Dark Shadows" phenomenon. I hope that he will be encouraged to share some more memories soon.

Complimenting the text is an excellent range of previously unpublished photographs, married with two sumptuously reproduced colour inserts. The colour sections are made up of full-page portrait shots of the actors, with some genuinely stunning treasures included.

Around a third of the text is composed of episode synopses and plot summaries, which seem to jar oddly with the more emotional, nostalgic material elsewhere. For many fans, these sections will seem superfluous, such information having already been made available in several other books. However, for new devotees freshly drawn in from SciFi Channel reruns, they will probably be gratefully accepted.

Ultimately, the book scores most strongly when it concentrates on people and their stories, which prove far more compelling than any episode guide. And by letting these stories play in a more pragmatic, less sugar-coated way, they prove genuinely illuminating. On that note alone, "Dark Shadows Memories" claims a place as one of the most important books published about the series, and it would be rewarding to see future "Dark Shadows" references build on this promise.

"Dark Shadows Memories" - by Kathryn Leigh Scott
A Review - by Tim Choate

This book is an updated version of the Kathryn Leigh Scott's
1986 book, "My Scrapbook Memories of Dark Shadows."

"Dark Shadows Memories" contains the following:

1. Acknowledgements and A Table Of Contents
2. A Foreword - by Alexandra Moltke (Victoria Winters)
3. My Memories of Dark Shadows - by Kathryn Leigh Scott
4. A Conversation With David Henesy (David Collins)
5. The Dark Shadows Story - by Kathleen Resch
(a synopsis of all the plots)
6. A "House of Dark Shadows" plot summary (the first DS movie)
7. A "Night of Dark Shadows" plot summary (the second DS movie)
8. The Museum of Televion & Radio Tribute to Dark Shadows (03-08-01)
9. The Legend of Dark Shadows - Jim Pierson
10. Behind The Scenes Photo Gallery
11. Episode Guide - by Ann Wilson

Approximately 6 X 9 inches, 302 pages plus 16 pages for the
Acknowledgements, Table Of Contents and Foreward.

Her original book, "My Scrapbook Memories of Dark Shadows"
contained the following:

1. Acknowledgements & Table Of Contents
2. Dark Shadows Memories - by Kathryn Leigh Scott
3. Pictures From The Album
4. The Dark Shadows Story (a synopsis of all the plots)
5. The "House Of Dark Shadows" plot summary (the first DS movie)
6. The Dark Shadows Cast (Performer, Character and Time Period)
7. The Dark Shadow Staff & Crew
8. In Memoriam

Approximately 7 X 9.75 inches, 152 pages. Thick glossy paper.

What's new in "Dark Shadows Memories":

1. Added a Foreword by Alexandra Moltke
2. Slightly revised and updated her Dark Shadows Memories article
3. Added an interview with David Henesy (done via email)
4. Slightly revised the Dark Shadows Story
(a synopsis of all the plots)
5. Edited "The House of Dark Shadows" movie summary (much better)
6. Added "The Night Of Dark Shadows" movie summary
(it was barely mentioned in the original book)
7. Added "The Museum of Television & Radio Tribute To Dark Shadows." There are pictures, a summary and comments made by the Dark Shadows stars at the event. (March 8, 2001)
8. Added a short article by Jim Pierson detailing the many facets of Dark Shadows: the show itself, the merchandise, spanish versions of the episodes, the Sci-Fi Channel adding Dark Shadows to it's schedule and the recent tribute mentioned above.
9. Added "The Episode Guide" by Ann Wilson. It is available as a separate book from Kathryn Leigh Scott's publishing company, Pomegranate Press. It has been edited and included as part of this book, leaving out who did the voiceovers for each episode, ABC-TV's volume number for each episode, and the MPI video volume number for each episode.

The "Dark Shadows Cast" and "Dark Shadows Staff & Crew" listings have been removed along with the "In Memoriam" list but that's because all of that information is now in her book, "The Dark Shadows Almanac."

All of the pictures in Dark Shadows Memories are new - literally hundreds - some in color but her first book, "My Scrapbook Memories of Dark Shadows" was on a much higher quality of paper and that made all of the pictures breathtakingly beautiful. Her new book uses a lower grade of paper and although the pictures look very good, they are still a slight disappointment. But I suspect that the cost of doing a book like that now made using the higher grade of paper out of the question.

In conclusion, I HIGHLY RECOMMEND her new book, "Dark Shadows Memories."

"My Scrapbook Memories of Dark Shadows" is now unfortunately out-of-print. There is always the chance that someone might sell there copy but most likely at a very high price.

Sir Walter Scott was once considered the equal of Shakespeare by some. His influence on 19th century literature was immense. What's more, he still offers good reading. You might not know it from the typical undergraduate British literature survey text, though, where he is likely to be neglected in favor of writers more fashionable today.

I had to read Scott on my own -- fired by the enthusiasm of C. S. Lewis, whose essay on Scott in SELECTED LITERARY ESSAYS is warmly recommended. The first one I read, Kenilworth, wasn't all that good. Better were The Antiquary, Redgauntlet, Rob Roy, The Heart of Midlothian, and Waverley. This novel, The Bride of Lammermoor, is a good one to start with -- being not as long as many of his masterpieces. I suggest the first-time reader skip to the second chapter and start there. Be independent! Find out for yourself why your great-great-great grandparents loved this guy. If you like a warm-hearted storyteller, you should look into Sir Walter.

A rather weird novel that does not lack local flavour and even comical characters is the result of Scott's excursion into gothic style of writing. The atmosphere of the novel is perfectly eerie. Falling down residences, a mad old woman, the shadow of death on Lammermoor from the beginning. A feud between to families in which the Ashtons, have taken over all the possessions of the Ravenswoods, forces Edgar, the only offspring of that ill-fated house, to live in the decaying Wolf's Crag. A grim prophecy foretells his end, if he ever should ride to Ravenswood (now inhabited by the Ashton's, among others the gentle Lucy). And, last but not least, he himself senses that he will never by happy. It is no surprise that the dreamer Lucy falls in love with this dark hero after he has saved her and her father from an angry bull. It is clear from the very beginning that this love can only end in despair, madness and death. Which is, in my opinion, not a flaw of the book, but one of the things that make it special. - Even Lucy and Edgar must know that their love will never come to a good end, but yet they follow the path of their destiny; they can not help themselves. It is that sense of doom that makes the instants at the fountain so precious and moving, or the moment where the lightening illuminates the profiles of the lovers in Edgar's derelict castle. The characters try to act, but in one way or the other are manipulated by Lady Ashton. She IS fate, or much more nemesis. Her "victims" don't have a chance. But the book has more to offer than just a tale of stark tragedy. Scott draws vivid pictures of his characters, for example Caleb (Edgar's faithful old servant) - and plays with the his rough humour against the sombre background. Or the strange people of the village and the weird women in the graveyard who must have been characteristic for rural Scotland in Scott's day. All in all it is a capturing book one is not likely to forget so soon.

Scott's venture into the gothic genre is problematic, but Bride of Lammermoor is strikingly effective in creating suspense and unease within the framework of a crucial period in Scottish history. The Edinburgh edition's return of the novel to its original pre-Union setting casts fascinating new light on Scott's intentions.

A tough read but the book is particularily rewarding for the notes in the back. They give a great overview of the life and times of the characters.

The note's while being very thorough can be a little convoluted. At least twice I was refererred to notes on notes on notes!!

Sir Walter Scott's 1818 novel, "The Heart of Mid-Lothian" deals with events in the lives of the Deans family from 1736 to the early 1750's. The novel begins with the 1736 Porteous riots, in which disgruntled citizens of Edinburgh storm the local prison to take revenge on a needlessly cruel official. With Anglo-Scottish relations in a tailspin and Queen Caroline levying a rash of punishments against Edinburgh in the background, the action of "Mid-Lothian" commences.

The principle heroes of the novel are Jeanie Deans and her longtime suitor, Reuben Butler. The two rustic born youths are from differently oriented Presbyterian ancestry - their parents' religious differences force an almost interminable delay in the progress of their affections. Butler's extensive formal and ministerial education notwithstanding, his financial position is such that he cannot comfortably propose a union to Jeanie's father. Further complication arises when Jeanie's younger and more impulsive half-sister, Effie, is seduced and later accused of murdering her child. The majority of the novel details Jeanie's attempts to question the impropriety of the judgement against her sister, and her interactions with the world outside of provincial northern Scotland.

As always, Scott deals with a range of social, economic, political, and legal issues. Among these in "Mid-Lothian" is the right of the Scottish to control their own internal disputes - are Scottish law and British law compatible? On a related tip, the novel calls into question whether the governors of the people have sufficient sympathy with and understanding of all the people they govern. Scott also examines the nature of language - with plain English, various Scottish dialects, and quotations from classical Latin and the Bible - the characters in the novel often have to understand each other before they can adequately communicate.

"Mid-Lothian" has a number of quirky and interesting minor characters: from the soft-spoken, yet intently-staring Dumbiedikes, to the hardline theologian-father David Deans, to the rake George Robertson, to the tragically mysterious Madge Wildfire, to the courtly, wistful Duke of Argyle. These minor characters add substance, humor, and diversity to Scott's intricate plot. In "The Heart of Mid-Lothian," Jeanie Deans, an unpretentious young woman, takes on a world beyond the enclosed experience of her home, bearing the troubles of her family, her community, and her nation on her back. The result is a great, if sometimes gregarious novel which you will certainly enjoy.