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"Claire Lee Chennault was a indivialist, and some of that indiviualty must have rubbed off on me because I to have been a indiviaulast.. a mavrick general, in my carrer. But first I had to meet him, and that took some doing. I had to lie cheat and surely steal. There is a saying "never steal anything small" well what I stole was a B-17E FLying Fortress. Right or wrong, under the surrcumstances I did it. It is a long story and I have to Start at the beginning."
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Not only are the stories EXCELLENT, but I imensely enjoyed the author's commentary before and after each one.
And he makes his points, plots and story lines, with little vulgarity, which is becoming much too common in the latest Stephen King works.
Kudos and I will be hearing more.
While this collection does not contain all of Morrell's short fiction, it does contain all that I had read in other anthologies, most notably the powerhouse novella "Orance is for Anguish, Blue for Insanity," one of my all-time pieces of fiction, short or otherwise. I am a fan of author notes in collections, and Morrell doesn't disappoint. While he doesn't expound the way that, say, Harlan Ellison does, there are short notes before each store in addition to a Foreword and Afterword, and these add a texture to the book that I think makes your first read more enjoyable and increases the re-readability. Plus if you've already read a couple of these in anthologies it is nice to see the author's perspective instead of the anthology editor's perspective before the stories.
I read this during a particularly hot summer week and found it to be perfect for this setting...the stories are engrossing enough that I forgot about the heat, and a few times I caught a genuine bit of a chill! Anyone who enjoys dark stories or speculative fiction should give this great book a read.
An added bonus to this book is the foreward at the beginning of each story. Morrell discusses his development as a writer and shares with the reader his personal tales of triumph and tragedy: from his meeting with his idol, writer Stirling Silliphant, to the death of his teenage son to bone cancer. Each story seems to be weaved around an event that touched Morrell's life. This authenticity makes for a more eerie read. For example, "But at My Back I always Hear," is about a professor who is stalked by a female student infatuated with him. Morrell himself faced this dilemma while teaching at the University of Iowa. Other scary topics covered include an art historian who follows his subjects' break with reality and ultimate demise; an amateur writer who becomes a best-selling novelist with the help of a ghostly typewriter; and a high school football team that is victorious because the coach is dabbling in witchcraft and produces an evil good luck mascot.
Two of the stories in Black Evening won Best Novella, Horror Writers of America Award. One story was a nominee for this same award and one other story was a finalist for the World Fantasy Award. Morrell stated that the first piece of advice he received as a young writer was to write about what he feared most. Obviously he took that advice to heart and left us with some chilling entertainment.
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Law firms, collection agencies, process servers, investigators, no one should be without it.
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The book opens with the usual NASA mission press kit. Unlike the earlier Apollo 14 press kit, this press kit is significantly larger, due to the increased emphasis on the scientific exploration of the Moon. The next portion of the book contains an excellent section titled "On the Moon With Apollo 15." This section focuses on the geology of the Hadley Rille/Apennine Mountains landing site, the science experiments that will be conducted on the surface and the equipment and tools that will be used to accomplish these tasks. This portion of the book was published separately by NASA in 1971 and a used copy now sells for around 25$. The next section of the book, the Pre-flight Mission Operations Report, presents an overview of planned timelines (work plan), while the next section, the Post-flight Mission Operations Report, presents the actual timelines, points out the discrepancies between the two timelines and describes any problems with the hardware
The crew debrief section, which is about 100 pages long, contains the crew comments and feelings about various parts of the mission and for the most part avoids the technical language that many of the NASA documents include; however there are several sections where the crew practically talks in acronyms. The crew debrief contains crew comments from the suiting up phase to the landing, plus comments about the training (did it or did not help the crew). Dave Scott and Jim Irwin dominate most of the crew debrief, since most of the questioning and mission focused on the lunar surface operations; however, Al Worden has a lot to say about his photographic survey of the moon and his deep space EVA (the first one ever conducted). I always find the crew debriefing quite enjoyable, because it is the closest thing to being there and you get two or three first had view points of various aspects of the mission.
The enclosed CD (be careful it is hard to get out) contains a lot of color and black and white photographs, several NASA films and an extremely interesting feature on the development of the Lunar Rover.
Some general information that might be useful.
1) These reports are just scanned-in documents from previously released NASA press kits, etc., In order to preserve the spirit of the original reports, all typographical and grammatical errors have NOT been fixed.
2) Proceeds from the book goes to "The Watch" an asteroid impact research project of the Space Frontier Foundation. In other words, Apogee Books is making very little off the sale of US government produced books.
3) Many people have asked why the post mission reports are not included. Since NASA has published many books with hundred of pages (The NASA SP series), and the data from these missions is still being analyzed, it would be impossible to do.
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