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When we visit a museum and see wonderful paintings of striking women, seldom do we think about the conditions under which the art was created. Did the artists and the model have a relationship? If so, what was it? Did they have enough to eat while the work was done? Were they considerate of one another? Was the studio warm or cold? What was the model thinking about as she posed? How had the woman come to model? And so on.
I will never look at another painting or sculpture again of a human model without being filled with such questions, as a result of reaching about the life of Fernande Olivier from her private journal, letters, and memoir as presented in Loving Picasso.
This beautiful, charming woman lived an extremely difficult life. It was so challenging that few could have emerged from such awful circumstances without being distorted in mind and personality. Yet, Ms. Olivier seems to have avoided both, and been a light in the life of her many male admirers, female friends, and an inspiration to Picasso in his most innovative years.
From the book's title, you will think that the material is mostly about the years when Ms. Olivier and Picasso lived together, but that's only about half the book. The book is really an autobiography through the time when the two split up for the final time in 1912.
Readers will be rewarded with many intriguing views of the lives of "starving" artists in Paris, the many distinguished friends of Picasso and Ms. Olivier, and how Picasso changed as he went from an unknown to one of the recognized leaders of avant-garde art along with Matisse.
Having read about Picasso's troubled relationships with other women, I was surprised to see that his relationship with Ms. Olivier was one of the most pleasant and productive connections he had in his life. Certainly, he often chose her as a model for his work, and we will always see her as the young person she was then. Many other details in here will either surprise or shock you about Picasso, and expand your understanding of his creative methods and personality.
One of the most charming parts of the book can be found in the many images of places where she lived, the people she knew, the paintings and sculptures for which she was the model, and her own drawings.
For those who have enjoyed Gertrude Stein's, The Autobiography of Alice B. Toklas, you will probably be interested to know that Ms. Olivier's writing is considered to be a more accurate and complete version of many of the same events. In fact, there is an interesting view of Ms. Stein's apparent efforts to keep Ms. Olivier's writing away from an American audience to preserve the market for Ms. Stein's own writing on this subject.
After you finish this rewarding memoir of a most unique person, I suggest that you think about what the purpose of life is. That's a question with which Ms. Olivier had trouble coming to grips.
Follow your purpose!
This book along with the others read like a three part trilogy - this latest one covering the earliest relationship. The book is very good and seems to be honest. Quite readable.
This book should be on the reading list of anyone interested in probing what the heck Picasso was about. Note that he does not get any less difficult in his relationships!! This book is fantastic to see that Picasso is as childish and monstrous in his early relationships as he is in his later ones!
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