Whether you are simply exploring an interest in poetry or are a seasoned reader of the great poets, Longfellow's poems will move you. There is a poem in this collection that is perfect for every mood you could be in. If you are down and need to be lifted up, if you simply want to smile about the beauty of life, or if your heart has been broken, Longfellow's works will speak to your heart. Longfellow's works have spoken to my soul as no other poet or writer has ever before.

I love this book it is something that men and women would enjoy. I have tons of information on Henry Wadsworth Longfellow because our house is a remake of his he lived from 1807-1882. If I were you I would buy it I am the biggest fan of his I have every single book of poems,songs,and more on him in paperback and hardcover. Buy it!

When I was producing a video biography of Longfellow for Macmillan/McGraw-Hill in 1992, I needed a one-volume selection of Longfellow's poetry, and this book did the job very nicely. It includes Longfellow's best-known poems as well as two others that were never published during the poet's lifetime but must be classed with his finest work. The introduction by Lawrence Buell provides a useful biographical sketch and a thoughtful discussion of why Longfellow--the most famous American of his time--is not more widely read today. Buell's observations may get you thinking about this schoolbook poet in a different way.

This book covers an amazing assortment of information, from how to install a lathe to how to turn rubber, do metal spinning, mill in the lathe, and lap cylinder bores. For a concise summary of all the assorted knowledge a home machinist is likely to need to know about, this book is hard to beat.

The frontispiece picture of the very English author in necktie and shop coat working at his lathe is alone worth the price of admission.

If you get seriously involved you'll want to know more about some of the topics, but this book will get you started.

If your are starting out as a model, steam engine,gasolineengine builder or maybe just want to learn how to use a metal lathe,this is THE book. Although focused on English equipment, it's all good stuff. Many ideas, lots of pictures and helpful tips.

In my opinion, what the "Harrison's textbook of internal medicine" means to an internist,so does Edmunds' textbook for a cardiovascular surgeon...You can find everything about adult cardiac surgery comprehensively. Thank you Mr.Edmunds!

This book offers those interested in cardiac surgery a wonderful source of information. It is presented in such a manner that it is educational and understandible for those just beginning medical school through those who are active attendings of cardiac surgery. A book that should be on everyones shelf, or better yet.. open on their desk!

Henry Sugimoto: Painting An American Experience is the companion volume to a major exhibit of a remarkable Japanese-American artist. Henry Sugimoto (1900-1999) had an art career that spanned the 20th century and whose work reveals a talented, gifted, complex, and engaging painter. From his early work (influenced by European impressionism and then the post-impressionists) to his painted documentation to the Japanese-American experiences of World War II era Arkansas-based internment camps, to his later efforts in New York City, this superbly presented, full-color survey of his life and work is a fitting testament to a great artist.

Whether your interest is in art or in history, you definitely will find pleasure here! Regardless of where your interest may lay, this book is a highly accessible one. Sugimoto's art is accessible to non-artistics (if there's such a word ;-) and Kristine Kim's narrative is accessible to non-academics. As an American of Japanese ancestry, I find that our history is depicted in a way that satisfies both the eye and the intellect.

An immigrant from Japan and an impressionist artist whose work later reflected his exposure to the Mexican muralists, Sugimoto's work documented the Japanese-American experience. Drawing on his unpublished autobiography, as well as other source documents, Kristine Kim appropriately delivers Sugimoto's art within the historical context that so strongly influenced his style and subject matter. Each chapter in Sugimoto's life is followed by the artwork created in that period. The most significant period being World War II.

WWII was a dark time for Japanese-Americans (and for US citizens, as a whole). Sugimoto was incarcerated: first at the Fresno Assembly Center and later at concentration camps in Arkansas. While in the camps, where cameras were forbidden, Sugimoto used his brushes and canvas to document the existence of persons imprisoned solely for their ethnicity. His work is filled with the emotions of that time - hope for the future, sorrow at injustice, longing for freedom, pride in country, sadness at the thought of sons fighting far away. On the surface, many of the paintings seem to show "normal" everyday life but subtle signs (pink ration book, guard towers, mess hall) hint at the fact that the people in the paintings are incarcerated.

Having seen several times the Sugimoto exhibit at the Japanese American National Museum, I have seen many of the paintings included in this book. The panels of those works represent them well. Be sure to check out his painting titled "When Can We Go Home?" It is remarkable in that it's startling, emotional and bold and subtle at once. It struck my heart in a way that's difficult to put into words.

Never one to cease growing in his art, in the 1960's Sugimoto experimented with woodblock prints. They are amazing! Beautiful, detailed, with depth of feelings.

Henry Sugimoto was a talented artist whose work reflects not only his experiences but his wondrous humanity and compassion. He is not well known. Hopefully the current exhibit and this book will rectify that!

A writer of outstanding repute in all his endeavors (translator, novelist, critic), Keeley has temporarily left aside all that academic stuff to write one of the five most beautiful books I have read in the past twenty years. Greek and Anglo literati like Seferis, Durrell and Miller come alive for us in these pages and special features of their work are examined with new depth. There are also some minor writers who serve as attractive backround to, and greatly enrich, the larger story. In his final paragraphs, Keeley hints that he might have a first person narrative in store for us covering a subsequent generation of philhellene writers. Let's hope he makes good on this almost-promise.

An interesting book about Henry Miller/Lawrence Durrill and the "Generation of the Thirties"-Greek poets that include Seferis, and painters such as Ghikas.

The book is exactly what the NY Times calls it--a combination of literary history/critique, and cultural history. It tries to provide a deep understanding of the poetry from the decade before World War 2. It dispells the notion that Greece only has offered the world Homer & Pericles. Seferis, for example, won the Nobel Prize in Literature.

The most comprehensive ecological work ever published. Fifty years of observation and data in a single locality is a standard unequaled by any other researcher in terrestrial vertebrate biology. Contains a wealth of information. Well organized, with modern taxonomy (yes, the correct name is Elaphe emoryi) and correctly employs only standard common names for ease of use. Put it right up there next to your Peterson Field Guides. Like their status as the bibles of North American field guides, it will become the bible of herpetological ecology worldwide. Highly recommended.

The most comprehensive ecological work ever published. Fifty years of observation and data in a single locality is a standard unequaled by any other researcher in terrestrial vertebrate biology. Contains a wealth of information. Well organized, with modern taxonomy (yes, the correct name is Elaphe emoryi) and correctly employs only standard common names for ease of use. Put it right up there next to your Peterson Field Guides. Like their status as the bibles of North American field guides, it will become the bible of herpetological ecology worldwide. Highly recommended.

It is well-known that Lawrence Durrell and Henry Miller became friends after Durrell wrote a letter to Miller in Paris, praising the latter's 'Tropic of Cancer' when it was still banned both in Britain and the United States. What devolved from this sincere letter of praise is shown in this volume, a successor to the 'Durrell-Miller Letters' of thirty years ago. Of necessity more complete than its predecessor, the 'Durrell-Miller Letters: 1935-80' tells a story in its own right of the lives of two great friends, who met over a book and stayed the course for the next forty-five years.

In these pages we find Durrell, always in exile no matter where he has chosen to settle, be it England, Corfu, Cyprus, Argentinia, Yugoslavia, Egypt or France, writing to Miller, an American first abroad in Paris then returned to the United States, to New York and eventually to Big Sur, where he was to live for most of the rest of his life. Over the course of the letters a remarkable friendship blossomed, one which withstood the tests of distance and age with remarkable fortitude, and which only death eventually ended. The letters are often exuberant, coarse, and amusing; they chronicle the developing literary and personal fortunes of two remarkable men: one the author of some of the most controversial books of the twentieth century, the other author of the much-praised Alexandria Quartet, as well as countless volumes of poetry, drama, and travel writing.

Introduced and annotated by Ian MacNiven, Durrell's official biographer, and completed two years before Durrell's death in 1990, this volume is a marvellous addition to the library of any reader of either Durrell or Miller, or anyone who appreciates seeing at first hand the inner workings of rare and unique minds.

2 noted ex-users turned full time cranks Biafra-speed, Rollins-ritalin fronting 2 good punk bands DeadKennedys and BlackFlag are getting old. Their legacies are questionable.
They both never met a microphone they didn't like. They talk more than little girls. Both are way too serious and need to lighten up. They're in the entertainment industry yet yearning for artistic integrity (then stick to arts and craft shows).

Rollins complains about book/album sales, his business, and his own niche marketing scheme. The guy brags about hard work, working out, and dislike of everything hokey and cheesy. Typical manic depressive straight edge loudmouth. Relax buddy, you need a rest guy. He turned out just like his parents, but he can't settle down. Hence the mass confusion running out of his head. Every job has it's ups and downs. They get monotonous and draining. Worrying about money [stinks], so you compromise nearly everything up to and including you're very being. Hank likes being "commercial" because big corporations pay well and promptly. Movies and commercials are money on the table. It's easy and if he doesn't take it someone else will.

Biafra is one man publicity stunt show. Running for mayor(truly funny and creative). Including a poster of sodomy in records and calling it artistic freedom under the holy grail of free speech. I don't know anyone who buys a record expecting or wanting such a thing. The poster is funny but is by all definitions pornographic. Not everyone has a dirty sense of humor. Jello fought and lost for our right to do such silly things. Now he worries about his company's future as a b-music distributer especialy with the rise of this internet file sharing thingy (more punk than the whole punk movement combined). He's made a living as a paranoid alarmist worrying people to death.

Bottom line, everyone's replacable, independent. Past succes doesn't guarantee future success, but that's who gets better odds. Like it or not. Whether your stuff has critical mass approval or not. Carrying the torch will get you burned both up and out. These guys are one trick ponies branching off into other areas. A good perspective on 2 long winded spotlight hogs. Their music speaks or itself. JB's album with no means no and doa are worth buying or downloading. Black Flag is good clean fun. RESEARCH/VSEARCH always put out good stuff.

Wow. This collection of interviews is amazing. Though I had heard very little about any of these men when I picked the book up, I found their words very interesting. Even where I disagreed with their messages, they caused me to think about why I disagree. Many times I felt like putting down the book and going out to either create or protest. Even though all four of these men are politically active and radical, they each provide very different perspectives that, when presented together, have much more power than they could on their own. I recommend this book for anyone in search of inspiration to question and act.

I've been familiar with Biafra/Rollins/Childish and Ferlinghetti for a long time, but can't say I'm a huge fan of any of the four, but in reading through these interviews, I have a whole new respect for all of them. Vale talks about so many issues of political importance, artistic integrity, life, and everything with them. What comes through is not esoteric or academic, not something only appealing to punks or poets, but a feeling of being alive. All four are very smart, funny, engaging and interesting individuals and Vale really knows how to bring out their personalities. This is like a bible of common sense from 4 great prophets of the eternal underground. If you yearn to be creative and find your own happiness outside of the constraints of a 9-5 job and mainstream culture, this book will hopefully be an inspiration to you. It's also refreshing to hear people talking about important political and philosophical issues in a way that makes you believe that you can be involved and help make culture and live how you want. We also glimpse into their lives outside of the public eye through some wonderful storytelling. Vale helps to put the nail in the coffin of the "dumb punk" notion: these guys are geniuses. You need this book!

A book you can still dream on.

This was written and rewritten when Victorian erudition was in the making. Some authors in the long series of its well parsed institutional writing would still like to see it continuing in THAT well established tradition.

Alas, the times have changed. Recent anatomy texts are dwarfs not even climbing on the shoulders of the likes of Gray, Braus and Testut. Those authors professed ideals of "seeing through the skin structures", "synmorphy" and "mentally reconstructing the living". Today we do all this with machines...

I stopped reading the huge text linearly at the complicated review of angiogenesis, but still browse dedicated chapters for standard, if somewhat elaborate descriptions. Comprehensive knowledge parsing seems to have lived a fruitful life and then exit the scene to enrich scientific obituaries. But if Gibbon were still an example of style, the fifth star would be added when that clarity, in my view mandatory for monuments, will be eventually reached.

This book is absolutely amazing. It was the required reference text for a gross anatomy class I took in graduate school and it made studying so easy! I used to go through and take notes out of it in order to have a solid base of what I should see when I would dissect. This book also described a lot of the abnormalities and variations that we would regularly see in the human body. A MUST HAVE FOR ANYONE WHO WILL BE STUDYING ANATOMY!!!!!!

This book is truly a masterpiece. The writing and layout is good. Descriptions and illustrations are clear and well done. I am not a medical professional and yet I find this book fascinating in its breadth and scope. To better comprehend some of the anatomical structures I first read relevant portions of this book and then go to Netter's Atlas Of Human Anatomy. One point of caution though - get the 38th British Edition. This is by far superior to the American Edition which costs half as much. The extra money spent will be well worth it. After all there is a lifetime of adventure embedded in this volume.

I read this book a year ago in philosophy class when we were studying Thoreau. I must say, of all philosophers, Thoreau is one of my favorites. This play examines feilds such as family life, relationships, government, policy, and my favorite - education. After I read this play I had marvelous thoughts about how wonderful the education system would be if only Thoreau's ideas could be played upon! I strongly recomend this book to anyone who is sometimes accused of being an "idealist" or a "dreamer" - but also to those who hold a strict perspective on government and education. Keep an open mind and enjoy the thoughts that flow through Thoreau's mind!

"The Night Thoreau Spent in Jail" is a play by Jerome Lawrence and Robert E. Lee, who also coauthored the classic "Inherit the Wind." "Night" is inspired by the life and writings of Henry David Thoreau (1817-1862), naturalist, political radical, and seminal American intellectual figure. The play was first performed in 1970.

"Night" takes place during a night when Thoreau was jailed for an act of civil disobedience: he refused to pay a tax in defiance of the Polk administration's Mexican War. The action of the play consists of a series of interconnected, dreamlike scenes that explore Thoreau's life, ideals, and relationships. We see his theory of education, his strong opposition to slavery, his family ties, and, quite strikingly, his problematic yet enduring relationship with fellow American philosopher Ralph Waldo Emerson. Particularly moving is Thoreau's encounter with an escaped slave.

"Night" is a moving, even inspiring, play. Thoreau is celebrated as not merely a crucial thinker and a great man, but as a truly transcendent figure: a prophet whose voice continues to resound. Highly recommended for literature classes, reading groups, and individual readers.

This is a great play to read before reading anything by Thoreau himself--it will help you to get a better understanding of him. Also great for Thoreau fans, or anyone who likes to read something worthwhile. This book is simply amazing, you will not regret reading it. I don't often cry when reading....but I'll admit that I did when reading this one. The authors of this play depicted Henry David Thoreau's life and philosophies so clearly yet with such an eloquent and touching manner. I loved this play 100% and I will definitely read it again!