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It was a pleasure reading the book with such a good array of writers. I hope you all enjoy it too.
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Arlen has discovered a spell for crossing over to other dimensions and needs help developing a checkspell to prevent unscrupulous exploition of other continua. He sends Carey to Sherra, a member of the Wizards Council, with a full report on the new spell. Warning Carey that other wizards know of the new spell, Arlen provides a stone carrying the spell and orders Carey to use it if danger appears.
Carey and Lady are ambushed and Carey is shot with an arrow, pulling Lady hard to the right. As they plunge over a cliff, Carey invokes the spellstone and they go elsewhere.
Lady, transformed to a human, lands in a meadow in Ohio with her tack lying atop and around her. She is found by Eric and Dayna, who take her home with them. Since Jess is new to the human business, she is a strange, possibly crazy, woman. At first she seems to be mute -- after all, horses don't talk -- but soon learns how to make the funny sounds that she has heard all her life. She calls Dayna and Eric by name, and tells them her own, and then goes on a orgy of word learning. When Eric brings in the tack, Jess says the saddlebags belong to Carey. When she identifies herself as a horse, also belonging to Carey whom she has lost and wants to find, they take her to Jaime at the Dancing Equine Dressage Center, where Jess meets Mark, Jaime's brother.
While Eric tries to find Carey by calling nearby hospitals, Jaime questions Jess and then puts her to work in the stables. A stranger shows up looking for a dun mare with black points and identifies himself as Derrick, living at the LK hotel. Jaime notices that the description would match Jess if she was a horse. Moreover, Jess displays an unusual ability in reading horse body language. Jaime is beginning to suspect the unthinkable.
Jaime tells the others about Derrick at the LK hotel, where Dayna and Mark work. Using her passkey, Dayna finds Carey, drugged and helpless, in Derrick's room as well as a bow and quiver of arrows. She is almost caught by Derrick, but escapes and returns to The Dancing to tell of her discovery. They return to the hotel while Mark is on duty and rescue Carey. Then things start to get interesting.
Eventually, Jess, Dayna, Eric, Jaime and Carey cross over to Camolen. They are accidently accompanied by Ernie, a gunman hired by Derrick, and land in the middle of a siege.
While the novel is fantasy, there are a few points that strain even that loose standard. The spell itself provides the ability to speak English, yet the rapidity with which Jess learns to speak and read is truly fantastic. However, Durgin provides an explanation at the very beginning: the intercontinual transients are connected to their home dimension by a thread of magic that powers any spells invoked in the other continuum. Apparently that also powers magical talents -- such as language learning -- possessed by the travellers.
This is truly a horse lover's fantasy. While very ignorant of horse affairs, I feel that the horsey thinking underlying Jess's personality rings true with my experiences. Durgin really knows her horses.
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The most disappointing thing was the ending. In all honesty, "Bones Become Flowers" was a waste of money.
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Not believing him at first, Detective Caroline Mabry discards him as a lunatic, a nuisance, a bother. Clark soon convinces her, however, that there is more to his story than meets the eye. Under her consent, he proceeds to write his self-proclaimed confession for the next nineteen hours.
While Clark is busy penning his confession, Caroline is busy tracking down the tiny pieces of information she gleans from him. Slowly, she pieces together the story he is writing, his confession of how everything went wrong with his world.
But is he really a murderer? And if he is, whom did he murder?
Despite protests that usually an investigation starts with a body, not a killer, Clark is determined to convey his story to her in the best way he knows how: through the telling of his life story, and all the events leading up to the day he met Caroline.
Land of the Blind is an intriguing novel from start to finish, right down to its unusual chapter titles. Written unlike any other crime novel, its vivid descriptions and unusual twists keep the reader guessing. At times humorous and at times horrifying, this novel moves fluidly between the past and the present to tell a story unlike any other.
Caroline Mabry is a police detective in Spokane Washington who has been relegated to swing shift because she is burned out. Patrol officers bring in an apparent derelict caught breaking into the long-vacant Davenport Hotel who has told them he committed a murder. The one-eyed "loon" refuses to give either his name or the name of his victim, but says he will write out a confession for Caroline. Ensconced in an interview room, he starts filling page after page of a legal pad. We read segments of this confession (which begins in fifth grade) as it is written. Caroline has agreed to wait until it is finished, but cajoles from the confessee the name of one of the people who figure in the confession. Armed with that, she starts to unravel the story backwards from the present as the confession gradually unveils the past. Despite its static form, Walter keeps the story's suspense building right to the final page.
He does a marevlous job of showing the cruelties of childhood and adolescence played out in the poor Empire Road district, which is "pinched like an ant farm" against the Spokane River. The social landscape of Spokane and the cultural divide between it and Seattle are thoroughly explored. Even though a central character says "Spokane is Kmart and Seattle is Nordstrom", Walter's heart clearly belongs to Spokane. He jibes contemporary Seattle with, "We turned every gas station into a coffee shop, and by the time I left Seattle you could get four hundred flavors of coffee, but you couldn't find a decent gallon of gas".
In LAND OF THE BLIND the one-eyed man leads us over moral terrain where sins of commission and omission perpetrated by Jess Walter's characters may remind us uncomfortably of our own.
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