Masterfully done by a man (photographer Michael James O'Brien) & a woman (Holly Brubach), who share a real appreciation of the fine art of cross- dressing & its trials & triumphs, this is the best, most caring analysis of drag & its artists I've ever read & the empathy & depth of perception caught by the photos (some color, some b/w) is alone more than worth the full price of admission (which I was glad to pay in the bookstore!)

As the proprietor of a drag performance club in New York, I eagerly awaited the release of this book, which had been rumoured about for almost a decade on the scene. Well, this book was worth the wait!

Brubach does a workmanlike treatment of the material, including some outstanding documentation of Parisian icon J. Alexander, but it's O'Brien's photos that make this book a must for anyone interested in transvestism, drag or late 20th century glamour. This former student of Walker Evans certainly carries on the documentary tradition brilliantly here, with this non-cliched, deeply sensitive portraiture.

This is one of the few books I have read, then reread portions of several times. O'Brien and Wood have done more than justice to their subject; they have created a new direction through their serious consideration of archaeological systemics. I especially appreciate the strong thread of honesty and humility that runs through the entire text. This is particularly evident in the introductory chapter, "Time, Space, and Form in Americanist Archaeology" and the final chapter, "A Further Consideration..." I have long suspected that we know a whole lot less about prehistory in general than the public imagines or scholars would like to believe, and I am frustrated by the plethora of virtually meaningless labels and conjectures in other works. In between the first and last chapters,is the mass of knowledge these gentlemen share. Their story of the peopling of America is fresh and open with consideration for truly iconclastic possibilities. They view the Dalton tradition probably the immediate successor of the Clovis tradition in mid-America, and the discussion is well thought out, but leaves open minds for so much more to be discovered and understood in the future. They bring the reader through the ages in the pivotal state of Missouri by clearly and objectively looking at the evidence. This book is well worth your examination whether you reside in Missouri or elsewhere.

This book is a very well written review of how most americanist archaeologists approached their subject during most of the 20th century, through the culture history model. The book is a throrough explanation of this model, its assumptions, procedures and consequences. Even if the authors tone can sometimes sound a bit arrogant (the confidence provided by hindsight) its better than the average archaeological theory book, written in a clear, jargon-free language. And whenever there is jargon, it is thoroughly explained. More archaeologists should write like this.