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STRANGERS IN TOWN is Nolan's remarkable follow-up to that magnificent biography. It features three previously unpublished Macdonald short stories. The stories cast new light on Macdonald, his writings, and the development of his unique talent. Being well-versed in Macdonld's works made it possible for me to spot numerous parallels between the short stories and Macdonald's Lew Archer books.
While I enjoyed reading fresh works by the man I consider the greatest mystery author of all time, my favorite parts of the book were Nolan's lengthy and perceptive introduction to the collection as well as his shorter yet insightful introductions to each story.
STRANGERS IN TOWN is among the best books I have read this year. It provided me with the final inspiration I needed to finish my second mystery novel. Thank you, Tom Nolan.
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Millar examplifies the classic situation of the genre author who achieves "overnight" fame after publishing 18 previous critically aclaimed books. This book makes it clear just how much work and how much frustration is involved in the life of the genre novelist, as well as portraying how complex it can be to deal with success when it finally comes.
What is particularly interesting in this story too, is the fact that Millar's wife, Margaret, was a successful mystery writer long before he was. The way that these two authors, with their quirky, authorial personalities, supported each other through their life's journeys and tragedies is particularly poignant, though Nolan, unfortunately, takes a very negative attitude--unjustified by much of the data he himself presents--towards Margaret's personality and achievements.
Today's novelists often look back with envy at those who wrote in the "Golden Age" of the pulps, before TV had ended the brief Age of Literacy of the first half of this century. Reading this book will dispell much of that envy. The tiny numbers of books sold in that "golden age" (3,500 being a typical hard cover sale of Ross Macdonald's first 16 books) and the pathetic sums paid him for paperback rights to books that had gotten enthusiastic NYTimes reviews show us that if anything today's genre writers are doing better(in adjusted dollars), not worse than those of Millar's day.
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