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Using available-- if not common-- historical records, as well as first-hand investigations where possible, Nickel has managed to explain such mysteries as the Crystal Skull, the "moving" coffins of the Barbados Vault, and specific cases of Spontaneous Human Combustion. These are just three examples of some of the cases investigated and fully explained within the pages of this book.
This book is a must for those who are truly interested in learning about the world's mysteries, rather than blindly believing the claims of credulous writers who simply wish to sell books to... well, credulous readers.


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I like to read both paranormal/strange occurence books and debunking/skeptical books to get both sides of the story.
Unfortunately for the Nickell, debunking camp, they always seem to be a bit more hysterical in their denials and more willing to bend the evidence to support their beliefs than the people they are trying to discredit.
Some of the mysteries that he investigates he does a pretty good job on and provides reasonable explanations for. Others, where he can't prove any clear fraud or provide a reasonable explanation for, he resorts to the old 'I don't think it could have happened, so it didn't' arguement, or provides explanations that couldn't possibly be true, such as the Doug/Dave claim to have produced hundreds of crop circles, rather than just saying the verdict is still out.
I love mysteries and I love more a good explanation for them. This is about 1/2 way there. There are some good explanations, excellent bibliography (for further studies) and a lot of arrogant, patronising statements which are there, seemingly, just to show Joe Nickells brillance and superiority to the poor benighted fools that might believe differently than him.
All in all, not a bad book, and the bibliographies at the chapter ends are worth the price alone.

Nickell investigates 47 "mysteries," including the Turin Shroud, spontaneous human combustion, crop circles, the Oak Island treasure, the Flatwoods UFO monster, the Roswell flying saucer crash and an assortment of hauntings, miracles and lake monsters. True believers be warned: Nickell concludes that each of these events can be explained rationally and without resort to space aliens or the supernatural.
Nickell has an agreeable style, although at times it's a bit academic. He doesn't talk down to his readers--he thinks that each mystery is worth investigating carefully and he is clearly having fun with his work. In his own words, "if we steer between the extremes of gullibility and dismissiveness--in other words, if our minds are neither too open nor too closed--we may learn more about our world and ourselves. We may even have some fun doing it" (p. 135). I'm a card-carrying skeptic, so I love this stuff, but I think that an open-minded "true believer" might enjoy this book as well.
If you like "Real-Life X-Files," I recommend any of Nickell's other books ("Secrets of the Supernatural," "Entities" and "Ambrose Bierce is Missing"), as will as Hogart and Hutchinson's "Bizarre Beliefs." Each tells the skeptic's side of the story, but each is open minded and entertaining.

Most important is that this book is a fun read. The topic rarely attracts such coherent yet enjoyable writing. I had a blast reading it.

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I have been restoring and copying my family's 19th-century photographs. Starting out from a basic exposure to 19th-century photographs on paper, glass plates, and metal plates, I learned much about the history of 19th-century photography from this book which is otherwise lost knowledge to the common person in this (almost-)21st-century world. I am actively using the bibliography for further investigations into focused topics.
If there were ever another edition, I would suggest more, more, more of the same, pulling in more history, more explanation of various discarded photographic technologies (e.g., carbrotypes, Lambertypes and the restrictive licensing of their patents), more context, more techniques of tracking down negatives from photography studios of old, etc. I find that there are 2 separate audiences for this book: 1) historical photograph detectives for geneological/etc work after the death of subjects in the photographs and 2) modern trick photography for establishing truthfulness, such as for a legal case. I think that both audiences hunger for greater treatment. I would request splitting this book into 2 volumes, where each volume is double or triple its current size, focusing in depth on the specific needs of those 2 disparate audiences.
The views contained in this feedback are the personal opinions of Dan'l Miller and are in no way connected with his employer or any other organization.

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The only drawback to the book is that he seems to try to cover to much in too limited of a space. Much detail that might be interesting is lost, due to the number of beings covered. Overall, this is a good general overview of the belief systems that revolve around these nonexistent entities.

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This book is divided into five major sections: (I) Writing Instruments, (II) Ink, (III) Paper, (IV) Writing, and (V) Examining Documents. There are three appendices covering (1) Eighteenth Century Scripts, (2) Chronology of Writing and Writing Materials, and (3) Laboratory Identification of Pens, Inks, & Papers.
Nickell has access to a huge array of relevant materials which are profusely included in black and white photographs throughout the book. The photographs are of fair quality and I assume that higher quality photos would result in higher price (duh).
Overall, I found it interesting, useful, and satisfyingly broad in subject coverage. Nickell's writing style is accessible and clear. The ubiquitous use of anecdotes is essential and entertaining. E.g., "Of course, one approach to duplicating security watermarks -- like those placed in prescription blanks for alchohol during Prohibition ... -- was simply to dupe a legitimate paper company intor producing paper bearing watermarks." -pg 85. I want to know more about alcohol prescriptions during Prohibition!