Neal Flomenbaum is the most amazing editor in the world, he contributes alot to this book and he's the best dad. Hi daddy,

Love, Adam

Goldfranks Toxicologic Emergencies provides a rich source of very concise toxicology information on wide variety of topics immensely important to anyone who is interested in clinical toxicology. This texts socratic approach is well received in an in depth but easy to digest form. It provides up to date information on the latest trends in the management of poisoned patients. If you are serious about toxicology, this book is a must!

The Everlasting Sky is a reissued collection of classic essays that portray stark details of Anishinabe reservation life in Northern Minnesota, along with human histories and tragic imbalances between Anishinabe and dominant culture individuals. A recurring theme that is the search to honor the vision of the artist, particularly the Anishinabe artist, and the quest to refine or even reforge a definition of "indian," Anishinabe, and cultural art and learning. These chapters are compelling, vivid, and go beyond linear verbal traditions with their impact. They do not make for easy or comfortable reading, for the dominant culture reader. But they are treasures laced with bitterness, but treasures nevertheless. There is something medicinal and bracing about the writings of Vizenor. In his new introduction he writes about manifest manners, "the apish continuance of manifest destiny," and the educational value of daydreaming: "Ted Mahto, the literary artist and philosopher, celebrates the natural Anishinabe custom of daydreaming as 'a very constructive kind of behavior' in public schools...'We are going to have to find ways to recognize what it is that is happening to a child when he daydreams, because this kind of visual thinking,you know, might be of more value with respect to learning how to live with one another than learning how to work a mathematical problem...There is something spontaneous and religious about visual thinking which is being ignored in the public schools. (p. xiii).'"

This dialectic underlies much of The Everlasting Sky. And even that trivial insight is not key to understanding or experiencing the dazzling Anishinabe voices under Vizenor's pen. Perhaps it is necessary to allow oneself to experience the pain in it, even vicariously, to progress to something like a starting point, or common ground. Then the elusive beauty that pervades the underlying cultural vision can perhaps be glimpsed or imagined.

Though it is difficult to understand those whom we have so badly hurt, it is not a punishment to read The Everlasting Sky. Rather, it is an experience of richness, like the final series of paintings of George Morrison, that work to "create a sense of that imagic moment when the water on the horizon of the lake merges with the sky (p. x)."

Nancy Lorraine, Reviewer