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Tisdale's book is considered the definitive treatise on Soils and Fertilization. It is the standard text at really fine Aggie schools in this great land of ours and if you ! are really in to gardening, farming or just want to know mo! re about fertilizer than anyone else in your social set or in your chapter of Future Farmers of America, or 4-H. (Do you know that there are many active chapters of 4-H in New York City and its environs?) So, help rocket Tisdale's fifth edition out of its doldrums as the 125,000th most sought after title at Amazon.com. He is a lot more informative than Tom Clancy or Tony Robbins and he writes better too. Buy buying this and giving it to your friends as a Christmas gift it may move it up to become the 90,000th most popular title at AmazonDotCom (who came up with that clunky name, Borzos? Couldn't you name it after your mother, or maybe come up with something poetic like ArchonsOfColophon.com?)
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But last Winter, in the grips of a bout of quasi-depression-for-teens following a move to the most FLAT province in Canada, I truly thought I was in Hell. An e-mail friend suggested Catch-22 to use up edgy cabin-fever time. Now, let it be known that my attention span for most novels dwindles quickly, especially if the book is slow to pick up. While significantly slower to get 'into' than most of the writing I chase, Catch-22 sucked me in, like Alice down the rabbit hole. It is sharply funny, engaging, and chock full of delightful characters. The main character is a thinker; a young man disheartened by war and his own mortality. His name is Yossarian, and since reading this novel, he has stood out in my mind as being one of the most...sculpted... characters in the history of literature.
Put simply, this book is a satire about World War 2. Coming from a kid sickened by the very idea of war, I can say that this book is worth whatever bills you have to fork over for it. It's not about war, per se, but more about the human condition. In addition, it made me laugh a few times, something that only a few other works of fiction have ever been successful in accomplishing. I finished this book feeling oddly... renewed. If you're looking for something 'new' (or, so old it's new) and engaging, I heartily recommend 'Catch-22' by Joseph Heller.
catch-22 concerns one captain yossarian and his attempts to get out of bombing raids. yossarian doesn't really care about the good guys versus bad guys aspect of battle. as far as he is concerned everyone is out to kill him and he must survive no matter what.
the novel is genuinely hilarious. there is a great joke on every page, but heller also has the ability to turn on a sixpence. one moment the reader is crying at some piece of head-twisting anti-logic, the next the reader is crying at some horror... and then back again.
when i first read it, i at one point had to slam it shut and throw it on the floor, so emotionally involved was i in the death of a character... but i immediately picked it up again, because it is utterly gripping.
if you are a first-timer, i warn you you will be shocked, you will be incredulous, you will laugh like an idiot whilst you're commuting. but above all you'll be dazzled by a genuine slice of real genius.
It takes place on a fictional island during World War II, revolving around a group of bizarre, truly individual characters that are slowly going mad. Catch-22 basically means a 'lose-lose situation'. Each of these men get caught up in the insanity, the beaurocracy and hypocracy of the war that they are trapped on the island, prisoners of the military rather than the war. Despite whatever they try, the just can't get out: Catch-22. The author articulates the isolation of the island into an excellent backdrop for a brilliant character study.
There's Yossarian, the main character, who is gradually descending into madness. There's Milo Minderbinder, the cold-hearted entrepreneur who is using the war to generate revenue and who bombed his own base so the Germans would pay him. Also, there's Colonel Cathcart who is so focused on getting a promotion that he volunteers his bombardiers for the most dangerous of missions, just to impress the general. There's Chaplain R.O. Shipman, who is losing his mind and his faith, and there's Hungry Joe, whose terrifying nightmares make him scream and swear in his sleep, causing the entire squadron to lose sleep. These are just some of the many characters in the book who are revealed through tantalising vignettes.
The writing in the book is truly masterful; the author commands a strong grip of English vocabulary. The plot moves along in illogical, chronologically incorrect sequences, making for a very unique reading experience. There is little violence or language: the author generates tension from the psychological aspect of the story.
This is an exemplary book, which should be studied in English Literature classes, rather than books such as 'Mary Shelley's Frankenstien', or 'The Great Gatsby'. It is tense, hilarious, black, cynical, satirical and formless. An absolutely brilliant character study.
Indicative of this improvement is the amount of historical detail given in this book, the second in the Brethren of the Coast series. Largely about the slave trade, The Blackbirder reveals the depth of the author's research into African cultures of the period.
Ex-pirate Marlowe should by rights be a fascinating character, but he lacks depth -- not merely because he's a rather shallow person, which he is, but because Nelson hasn't developed him sufficiently. He has a certain blank quality. James, the other main character here, is better drawn, but still not quite exemplary. Secondary characters, such as Marlowe's wife and her rakish ally Billy, aren't bad, but aren't fantastic either -- I'd say overall that characterization is a bit of a weakness here, though not disastrously so.
The plot, as one expects with Nelson, is an exciting one -- I don't find the themes here as interesting as his battles-at-sea books, but other readers may well prefer them. I did find my suspension of disbelief faltering at one point, when a psychotic racist tries to imprison Marlowe's freed workers: either they're free, and he would have to have a warrant, or they're slaves, and he's stealing property, and either way, that element didn't quite work for me. Overall, though, the story is fast-paced, enjoyable and holds the reader's attention well.
King James, the freed slave, slaughters the crew of a slave ship in a fit of passion, and to save face and reputation, Marlowe has to run him down and bring him to justice. Meanwhile, his sworn enemy is intent on destroying all that Marlowe holds dear ...
This sets the scene for another gripping tale in the same vein as 'The Guardship' - the same flowing prose and command of language endows this book with the mark of a master storyteller coming into his stride. Many threads, at sea and at home, combine to make this a thrilling, un-put-downable period story.
As the tale unfolds, we are taken into the minds of the protagonists, taking a glimpse behind the facade that each one has created, seeing the tale from several different perspectives, each with its own ideals and agenda, making us more and more involved in this wonderful complex story.
Even better than 'The Guardship' - and that's saying something. *****
Look out for 'The Pirate Round', book 3 in the series.
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This is a 3 star book with some 4 star parts.
Isaac and two privateers are en route for Philadelphia to take command of 'Falmouth', when they encounter a British man-o'war; what should have been a fairly easy victory is turned into resounding defeat, as the privateers decamp at the first taste of hot metal - leaving Isaac at the mercy of the bigger ship with the weather-gauge. He has no option but to beach his beloved boat, rather than be captured, especially as his sworn enemy Smeaton is aboard.
All the characters are fully-formed now and we reap the benefit of understanding their actions and their foibles; I think Smeaton is excellently portrayed - the aristo with a chip on both shoulders and an obsession with finishing Isaac off - he is pivotal in this gripping 'factional' tale of how the British were forced to abandon the occupation of Philadelphia.
Again we see Isaac's headstrong character take over and cause him trouble, as he loses two boats in quick succession (though not entirely his fault) and almost loses his wife and his life in the protracted vendetta with Smeaton.
The sub-plot of rescuing and fitting-out the 'Foulmouth' is a great counter to Isaac's stranding and attempt to find her, as the two plots run side by side, interspersed with Smeaton's gradual descent into mania.
Although this appears to be the last in the 'Revolution at Sea' saga, I suspect that there is more to come before Isaac is finished with the British - at least I hope for more...
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In parallel, all the elements are coming together for mutiny, both at sea and in the American colonies; this is 1775, just over a year after the Boston Tea Party, and the British blockades and harrying of shipping are stretching tempers to the limit.
Biddlecomb finds himself a key player in the run up to the struggle for American Independance
Mr.Nelson does a fine job of weaving the threads of this story into a fine yarn, with plenty of historical facts to back it up. The characters are well-drawn and believable, the writing flows and the action sequences are so vividly detailed, one almost feels like part of the crew.
This is book 1 of a 5-part saga, which promises great things. There is action and plot twists right up to the last page, I couldn't put it down.
The author has also thoughtfully included a glossary of naval terms for those readers unfamiliar with the jargon.*****
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Marlowe, short of cash, tries to take a shipload of tobacco to London ahead of the convoy. This backfires when an old enemy from his pirate days recognizes him. Fleeing to Madagascar, Marlowe goes back on the account, but becomes embroiled in the politics of the island.
I wish that there had been more description of the setting in this book. Madagascar, a fascinating environment full of many unique species, comes across as generic "jungle". There's not a single lemur to be seen.
I also felt that some plot elements never were worked out. Marlowe, in an exciting scene, rescues some stranded sailors. But these men play no unique part in the action afterward. Likewise, Honeyman, who keeps verging on antagonism but then proving himself loyal, would seem to have more interesting possibilities -- we never learn what motivates him.
The end, a kill-'em-all battle scene, works very well. Overall, I wonder if the author's heart wasn't quite in this story; it just doesn't have the structural strength and attention to detail I've seen from Nelson in the past. However, I'd still say it's worth reading.
This book has Marlow, facing a bad market for tobacco from his plantation taking a chance to make some money for himself and his neighbors with a cargo of tobacco to beat other shipments to England. But he loses that cargo because of an old pirate enemy and decides to try his luck as a privateer in the Indian ocean preying on richly laden cargo ships. Again his bad luck holds when he runs into another one of his old pirate enemies who rules an island in that area. And the book concludes with a fight to the finish between Marlow and his two enemies. It is a close thing for Marlow and he loses his trusted friend and advisor in the battle. But Marlow and his wife survive and now is a good time for the author to allow them to live every happily after.
I now look forward to a new sea going adventurer by the author in a new series.
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The Guardship is the story of Thomas Marlowe, a planter in eighteenth-century Virginia, who is trying to establish himself in colonial high society. Unknown to the people around him, he has a sinister past. When he's put in command of the ship intended to protect the colonists and their shipping from pirates, his past comes back to haunt him.
The book starts a little slowly, but gains momentum fast; the plot is an exciting one with plenty to hold the reader's interest. There's nothing artistic about the writing style, but in places it is quite vivid. While the characters could have been better drawn, they were adequate, and I found myself caring about their fates. Setting is a weakness, though; one gets little idea of what the Chesapeake Bay landscapes and seascapes look like, nor does Nelson incorporate the kind of small, fascinating details of daily life, weaponry, and so on that really first-class historical fiction authors do. However, he's very good at pirates. His pirates are truly scary, and the pirates' leader, LeRois, is perhaps the best-characterized person in the book.
I recommend this as a reasonably undemanding but entertaining book, comparable, in terms of plot and action, to some of Cornwell's work.
I'm afraid, much as many writing experts feel that a great novel needs well rounded characters who develop with the story, give me some slightly more cardboard characters any day! Villianous villians, strong heroes, fiesty females ... all set in an exciting cliff-hanger story - these will hold my attention!
To my way of thinking, the style of this book was akin to a sea-going version of my favourite Bernard Cornwall "Sharpe" series of books.
I only wish that, down here far away from the Virginia Tidewater, our library stocked the many other titles that Nelson seems to have written! They already carry all the well-known British naval authors, so maybe a bit of arm-twisting will get them to add this American series!