I had wanted to read this book to gain an understanding of why Lindbergh's flight was so important. After reading this book, I found that out....and a whole lot more!

The book is highly readable and brings to life the Golden Era of aviation -- canvas dope-covered wings, dead-reckoning navigation, and seat-of-the-pants flying, and delivering the mail by airplane like the pony express. This was quite an exciting time, and the book brings this era to life.

The book is also significant in other respect -- setting goals and achieving them. Even this seemingly impossible task can be achieved with hard work, careful planning, and determination. If Lindbergh can do this, then you will get the feeling that you can achieve your own goals, however difficult they may seem.

In the flight across the Atlantic you get to know Lindbergh in the various stories he tells. The book's afterward tells much about his landing in France, the accolades he received, and actual technical flight and test data, as well as log book entries.

In the book's foreward his daughter says Lindbergh often said 2 things: 1) that he wrote the book to "Set the record straight". He achieves that, and a whole lot more, the book won the Pulitzer Prize in 1954. 2) that he often said to people who asked about his flight "Read the book". He spent something like 20 years writing this meticulously researched account. And who besides him would know more about this flight.

All I can say is to reiterate Lindbergh's own words -- read his book. It's fantastic!

The world embraced Charles A. Lindbergh as its hero in 1927 when he piloted his single-engine Ryan Monoplane, The Spirit of St. Louis, across dark waters, completing the first nonstop flight from New York to Paris.

THE SPIRIT OF SAINT LOUIS is an extremely well written book by an American icon. It not only chronicles Lindbergh's famous flight, but also faithfully tells the story of his early life as well. The book provides insight into the early history of American aviation and does so in an entertaining yet compelling format.

A few years ago, Scott M. Berg's biography of Lindbergh chronicled the life of the famed American figure. That book delves into the entire life of the aviator, including his darker days when he was accused of being a Nazi sympathizer. THE SPIRIT OF SAINT LOUIS offers a different, more exuberant vision into the author's more youthful soul. I would recommend reading both books for a complete portrait of the man.

I love reading about aviation, and Lindbergh does an excellent job describing the flight. However, the more inspiring story (I think) is found long before Linbergh cleared the power lines at Roosevelt Field and went on his way. The St. Louis banker who took a chance on an unknown airmail pilot; the obscure aircraft manufacturer in San Diego whose management, engineers, and craftsmen poured their hearts and souls into a one-off creation that they would practically sell at a loss; the fact that Linbergh succeeded where world-famous pilots, backed by five and ten times the money and the best of everything, failed... even the most hardened cynic will want to stand up and cheer. Lindbergh's writing is detailed, yet very easy to read. Buy this book.

No one interested in American politics could fail to find this an interesting and informative volume. The essays are perceptive, tho some are repetitous. The listing of all the Jewish Senators, Representatives, Federal judges, and governors is valuable. I found it amazing that apparently there was no Jew appointed a Federal judge till Wilson appointed Brandeis to the Supreme Court in 1916 and then there was no Jew appointed to the Federal judiciary till Hoover appointed Cardozo to the Supreme Court in 1931, and not till FDR was any Jew appointed a lesser Federal judge! An excellent reference book.

The editors are to be commended for creating a useful reference work that will be used for years by students of US politics. Their study begins with 14 thematic chapters that explore such topics as the presence of Jews in the three branches of the federal government, the role of Jewish political party leaders, the historical voting patterns of Jews, the political role of Jewish women, and Jewish contributions to foreign policy. This section is followed by a ten-page list of sources for additional reading in each of the thematic subject areas. Other sections, just as important, provide biographical profiles of about 400 Jewish participants in American politics, past and present, and rosters of Jews who have served in the cabinet, in Congress, and in the federal court system, and as ambassadors, governors, or mayors of major cities. This section also includes a chart of concentration of Jewish population in selected major US cities from 1800 until 2000. This book will be a welcome addition to reference desks and general collections in libraries across the country. All levels.

This book does something extraordinary. It presents a vast array of information while at the same time including a number general essays on Jews in American politics. No person seriously interested in ethnic politics and Jews particularly should be without this book.Clearly edited and turned by the press. There is no political slant--all positions represented.

The 5-minute pediatric consult is written in an easy to read outline format. The writers have eliminated unnecesary obscure data and offer a concise outline of all major pediatric diseases. The topics are designed to be read in 5 minutes or less and all the up to date information to diagnose and treat a specific illness is included. The topics are alphabetized, so they are easy to look up. The writers are accomplised experts in their fields and the book has been edited by the distinguished Dr. Schwartz, at the Children's Hospital of Philadelphia. As a professor of Pediatrics, I highly recommend this book to practicing pediatricians, family practitioners, nurses and students.

when will the CD be available? I travel to several schools providing healthcare to uninsured children and would like to use this valuable reference. (a PNP)

love the format. listed alphabetically, the items are presented in a easy to read format. Just about all I want to know about the problem when working in a busy office. I can read more later but this gets the job done. an excellent 90's type of book. where is the CD?

Here is a book that I have been looking for for some time, a book that incorporates the magnificent artwork of the Napoleonic period along with a detailed profile of Napoleon. The result is magic and a pure delight to the eye. Proctor Jones has done a splendid job at merging the two memoirs of Menval (Napoleon's secretary) and Constant (Napoleon's valet) to provide a detailed and intimate account account of Napoleon. This is not a book that details Napoleon's battles or strategic genius but is a book that provides a wonderful insight into his character and personality instead. What comes across is that Napoleon was indeed human with many strengths and weaknesses and is not the ogre or monster as often portrayed by British propaganda. One can see the the unboundless energy, emotion, magnetism and even quirky habits of the man as seen through Menval and Constant. The artwork is plentiful and compliments the events as described in the narrative. This is a superb book, printed on high quality paper and an essential addition to any buff of the Napoleonic period. You will not be disappointed, only delighted.

I will begin this review by saying that I knew Proctor Jones and liked him very much. I had the privlege to travel with him and visit many of his friends while I was living and working France. He was a wonderful man and an enjoyable companion and I will fondly cherish my memories of him.

Even today his memory is still strong for those of us who knew him and his name is a talisman which opens doors which otherwise would be sealed.

Many people claim to have access to special or unknown collections. Proctor was the real deal.

This book was a labor of love for Proctor. He set out to publish pictures that had not been seen in other books...he spent an unbelievable amount of money, time and effort tracking down unpublished art and securing the right to publish it in this book.

He then published this book himself because no publisher would print it at the level of quality he wanted. He was particular about the paper, the binding and the detail of the reproductions...

Proctor then was able to get Jean Tulard to do the preface...virtually impossible for an American author...and even launched the French version of the book at a reception at Malmaison (I was there).

Proctor never intended to make money on the book...It was his intention to bring these works to an audience who would otherwise find them inaccessable. I know for a fact that at the print run he authorized he lost tens of thousands of dollars just on the royalties and fees he paid for the permission to reproduce these paintings.

This book is in a limited print run in English and in French and when they are gone they will be gone. Just like Proctor.

Proctor I will miss you and I thank you for producing this book.

This is a fantastic book as it includes within its cover a feast of great Napoleonic paintings and memorabilia which is worth the price alone. The text is finely edited by Proctor-Jones, comprising of an interwoven thread based on two memoirs of two men who were closely linked to Napoleon. One was his secretary, C Meneval and the other is his personal valet W Constant.
Every dedicated Napoleonophile should own a copy.

I have not counted the number of books and papers regarding Geronimo's surrender but they are many. Here are the facts, easy to read, accurate, and presented in a very enjoyable read. The author has done an excellent job presenting to the common man the story of bravery, death, and hardship of the early American soldier, and the betrayal of the American Indian. Many thanks to the author and publisher. Where are the awards for them?

KLIATT, November 2000 Reviewed by Raymond L. Puffer, Ph.D., Historian, Edwards Air Force Base, CA

Most historical accounts of Geronimo and the lengthy struggle of his Apache warriors against white settlement have focused upon either the Chiricahua leader himself, or the two U.S. Army generals usually credited with forcing their bitter surrender. George Crook and Nelson Miles were indeed instrumental in planning and leading the campaigns that hounded the remnants of the Apache people into their inevitable subjugation. Neither, however, could convince the holdouts ot lay down their arms and put themselves at the white man's mercy. That role fell to a weary cavalry lieutenant, Charles B. Gatewood, who had won the Indians' grudging respect through hard fighting and his sympathy to their plight. In the course of a final meeting, which was as poignant as it was historical, Gatewood at length persuaded the exhausted "renegades" to lay down their arms to General

Miles, and to accept his offer of farmland and aid. When Geronimo did so, the last native resistance to federal hegemony came to an end. Ultimately, though, Geronimo and Lieutenant Gatewood were betrayed by the federal government.

Louis Kraft has written an important and historically significant study of the final phase of the Apache Wars. Unusual for such books, this one is as readable as popular history, and it will be enjoyed by those who have an interest in looking behind the scenes of history. The book is a fine reminder that earnest, hardworking and suffering people were responsible for the events in their textbooks.

Publishers Weekly, April 17, 2000

This recent addition to the parallel lives genre is a superbly told tale of the vicious Apache wars of the 1880s in Arizona, New Mexico and Mexico. Drawing upon a variety of original sources, Kraft (Custer and the Cheyenne) reconstructs the complex story of the famous Chiricahua leader Geronimo, a medicine man who came forward as a tribal leader and headed resistance to the coerced settlement of his people on reservations where they were to become farmers instead of nomadic hunters. Lt. Charles B. Gatewood of the 6th U.S. Cavalry was posted to Arizona in 1878 and became a respected leader of Apache scouts, who tracked Apache guerrillas for the U.S. The frail lieutenant, sent to administer the Apache reservation, seemingly treated his charges fairly, earning the enmity of civilians and army brass, which led to a stalemated career and a lengthy court case brought by a man whom Gatewood arrested for defrauding Apaches. After meeting at various times and maintaining a mutual respect, Gatewood and Geronimo came together again in 1886, when the former was ordered to track the latter to Mexico and convince him to surrender, even as columns of American and Mexican troops searched for Geronimo's elusive group. The tension and frustrations of what was Gatewood's final mission are palpable, as he convinces Geronimo to allow the tribe's "relocation" to Florida. Gatewood, who gets much fuller treatment here than his counterpart, never got his due for brilliant service in tragically misguided cause, and Geronimo never again saw his homeland or many of his family, from whom he was separated.

"Gatewood and Geronimo" by Louis Kraft documents the heroic deeds of a man of unheralded greatness, of one Charles B. Gatewood. Many lesser men rose to the rank of general while Gatewood died holding the same rank he held when he played the key role in efecting the surrender of the formidable Apache warrior, Geronimo. The surrender of Geronimo effectively ended the American Indian Wars. Kraft's volume brings focus on the long neglected importance of Gatewood's role in American history, and on the long term effects that one ordinary man's moral integrity can have on human history, even though it was ignored, and even despised while Gatewood was alive.

The literary criticism you can get from the Oxford edition (check your local library); the commentary is thorough (which parts did Twain write? which parts Warner?) and informative. My reasons for recommending this book have nothing to do with its literary value (spotty) and everything to do with its subtitle. Every now and then an old book teaches us that much of what we take to be modern and sophisticated is truly old hat. One of the best descriptions of the Cold War was written by Thucydides, and one of the best depictions of the go go dot.com economy was written by Twain. Substitute web sites for depots and bandwidth for rails and the conversations in this book could have been overhead on cel phones in San Jose. IPO's and bubbles are not twenty-first century innovations: as Twain shows us,it may be possible to get rich from hard work, but it's more tempting to get rich by looting the pockets of the uninformed. Senator Dilworthy's dedication to pork evokes Byrd, and we learn lecherous behavior in Congress didn't start with Condit. An entertaining validation of Ecclesiates: there truly is nothing new under the sun.

Moving stuff at the start, very funny in spots, and heartily American. The end wasn't all I'd hope for but there is still good stuff up till the end which is hard to do in any book. Like I said in the title, I liked it better than Huck Finn because Huck Finn is more of the kitchy journey story which is too easy whereas this one is not a road trip but a full fleshed tale.

This book, written by Twain and Warner, pokes fun at American society during what they called "the guilded age". This term has stuck and is often used by historians to describe the period 1877-1914. Twain and Warner see this time as one where men care only for money. These men will not work hard, but merely scheme and plot in order to strike it rich. The dialogue in the book is very snappy, the best being when Laura Hawkins arrives in Washington, DC and meets with the other high society ladies. I would recommend this book to anybody interested in United States History, or just those who want to read a good novel. The book can drag at times, but overall is very engrossing.

I want to correct the reference in the review to Harvard Skull and Bones to Yale Skull and Bones. Thank you, Carter Rila

Having met one of the authors of this work while mining some of the same sources in the files of the National Archives, I can say that I appreciate the shrewd and incisive way they have pulled together diverse sources from many depositories to cover some of the more obscure facets of the "Border Days". The books is an omnium gatherum of a number of articles published in various scholarly journals known mostly to specialists in the period. Much of the detail of the gun running and undercover operations was gleaned from files of the Customs, the Immigration, the Army, the Bureau of Investigation, and the State Department.
Of all the tales that needed to be told is the discovery of the famous saddlebags lost by the Villista forces during the Columbus Raid in March 1916, which raid triggered the Punitive Expedition commanded by John J. Pershing and indirectly led to Pershing's eventual field command in France of the American Expeditionary Force.
Later in June 1916 the entire National Guard of the United States was called up for border service. Thus again contributing to the US successful intervention in WW I. And the Army gained experience in motor transport and management. All of this has led to a current appreciation that Pancho Villa, in a moment of desperation, indirectly had a major impact on the defeat of the Central Powers.
The other major revelation herein, and the only story included which made the national papers, particularly USA Today, is the discussion of the carrying off of Pancho Villa's skull in the mid 20s, and the supposed deposition of that object in the clubhouse of the famous Yale University Skull and Bones secret society. (Some of the most prominent members of the society have been the George Bushes, father and son.) But the secret of Villa's cranium has yet to be confirmed.:) After all, that is the purpose of a secret society -- to keep secrets. So, if you have a scholarly interest or just a curiousity about the more obscure aspects of the border running days, this book is your meat. A husky meal of research and well written as well.

I stumbled upon the short stories of Stevenson kind of by accident, and what a happy accident that was! I can now say that Stevenson wrote both some of my favorite novels and some of my favorite short stories. I haven't gotten around to reading all of his stories yet, but I have loved those that I have read. I can't possibly describe how much I enjoyed Markheim, which is without a doubt my favorite short story of all time. Despite my rather limited reading of Stevenson's short stories, I would not hesitate to recommend them to anyone.

There is nothing so exciting as a Stevenson novel--Kidnapped, Master of Ballantrae, Dr. Jekyl and Mr. Hyde--who can forget them once you've read them? These short stories have the same ability draw you in. The reading is effortless, and Stevenson's backgrounds don't labor with a conscious attempt at reality. They exist for the story and are as true as need be, and not more. From the South Sea to a Medieval City, the variety is pleasing and keeps you reading. Some of the best stories are "The Bottle Imp" (I doubt if a better twist on King Midas has ever been written), "Sire De Maltroit's Door" (A surprisingly good romance than manages, somehow, to skip all the usual elements) and "The Suicide Club" (not half as grim as it sounds, and showing RLS's ability to penetrate human thought).

These stories are highly recommended and aren't something to be read when you are all out of the "good" standard Stevenson--they stand as some of his best works and should be read just for the pure fun of it.

This is a great collection of his work. There are few artists to rival his ability, not only in drawing the female form, but in capturing innocence, playfulness, and seduction all at the same time. He's been called the "Norman Rockwell of pin-up art" and in a way, it's a shame that he is limited to that category of art, but the comparison to Rockwell's ability is warranted. Some of Elvgren's advertising art is in this book too, and it is all well worth having.

If I was to choose a coffee table book of cheesecake and magically, could live on an island surrounded by the models in that book, I'd have to pass up Sorayama, Olivia, and Vargas, and go for Gil Elvgren, the collection being this 200+ page work that covers Elvgren's work from the 1930's to the 1970's.

The girls in Elvgren's paintings not only come alive, but seem more warm and human, innocent with a twinge of spice. So this is what they meant by "sugar, spice, and everything nice." Maybe because most of them are smiling, with those pearly whites showing. I could spend hours looking through those pages, forming stories around the paintings.

Many look like celebrities. In "Let's Go (1957)," the blonde getting out of a white car looks a lot like Marilyn Monroe. The girl in "True To You (Sitting Pretty) (1950)" also resembles Marilyn but with brown hair. And the honey in "Evening Out (1969)" reminds me of Geri Halliwell.

Okay, so many of the drawings can be construed as sexist. The particular theme on that being girls who get their skirt lifted up by well handles, pipes, fence rails, ladders, and elevator doors, revealing two very shapely legs.

Equally interesting are paintings that were repaints of earlier work. "In For A Tanning" featured a sitting nude girl holding her bikini with a black dog to her side. "Dumb Pluck" featured the girl in the same pose, except she was wearing a candy-cane striped bathing suit and holding a shovel, the dog still on her left.

Some were risque even for their time and the more amusing ones are beach shots where the girls get into distress, such as having their beachware stolen by a dachsund (Taking Ways, 1950) And his nudes were never full frontal, only seen from the rear or side, the sole exception being "Harem," an undated painting of an innocent maiden captured by Arabs.

It's when looking at his work during the 1960's and 1970's, that yes, the models have changed with the times and despite having Elvgren's signature style, their hairstyle are with their times.
Other notes: the paintings are clearly better than the real-live model replications hands and legs down.

So, my favorites? That's a difficult one, as the models are oh so cute, but I'd have to settle for "Well Picked," of a girl in yellow dress wading in a pool and picking up a lily flower, "Golden Beauty," of a Diana Dors-lookalike, "Surprise Package," where the girl wrapping the X-mas present is clearly the title object, and "Lazy Days," of the girl lying leisurely on the summer grass.

Proof that too much of a good thing is better, and that too much cheesecake can be good for one and not be fattening. And with all apologies to the Beach Boys, "I wish they all could be Gil Elvgren girls!"

This is an absolutely fabulous book and is a must for all Elvgren fans. An extremely comprehensive picture archive combined with a highly informative text. Gil Elvgren's work is brought together and to life.

This is one of the finest collections of pin-up art from the talented artists that brought these beautiful women to life. These were very risque for their time but they were a true celebration of women. This is the kind of open mindedness and genuine appreciation missing from today's society. Women are wonderful, intelligent, beautiful people and life would be a tragedy without them. There...I said it!

This is an excellent overview of the genre, on an artist-by-artist basis, from the classic era of the mid-twentieth century. All of the artists here are deserving of recognition, though only a handful of them are truly well-known and adequately documented in print elsewhere. All of the many artists here are well-represented; the reproduction is flawless, and the commentary is intelligent and well-researched. The original edition is my point of reference here, so I can't vouch for this one fully, but it appears to have maintained the integrity of the earlier printing and is a very handsome production as well.

I simply want to echo all of the positive reviews of this book. It is a visual feast; highly informative; and a wonderful value. As one reviewer previously noted, the book's only major shortcoming is the lack of picture titles.

By virtue of being so comprehensive, this book provides an excellent starting point for assessing the importance of pinup art in our country's recent history. No matter what you might think about the moral implications of its racier subject matter or its value as "serious" art, you cannot deny the stunning achievement of the artists represented in this volume. Almost without exception, the women depicted in this volume are endearing, sexy and spunky. The author and the publisher are to be commended for bringing this unprecedented volume to print.