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Used price: $72.95
Collectible price: $195.00
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No cute astronaut stories. This is about the engineering that made Apollo work!
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Used price: $84.95
Collectible price: $84.95
Buy one from zShops for: $277.77
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After reading "Apollo" I have a new understanding for the amount of effort and love that went into the creation of the Apollo program. The men and women who helped put a man on the moon are every bit the heroes as the 12 who stood on the surface (as well as the seven, the nine, etc.).
If you really want to understand how America put a man on the moon, this is the book to read. After you finish, go back and watch Tom Hanks' "From the Earth to the Moon."
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With the current resurgence of interest in Apollo and the reissue of a number of lesser books, it's a great pity this book has not been reissued.
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Used price: $2.24
Collectible price: $7.93
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List price: $69.95 (that's 30% off!)
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Used price: $22.47
Buy one from zShops for: $29.00
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Used price: $10.57
Collectible price: $35.00
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This is, however, not a bad thing. Remember that Bowie himself spawned Icehouse, Bauhaus (and therfore 'the fields of the nephilm'- a gothic embarrasment from the UK that mass cringing couldn't drive away)and a whole gamut of pass the sick, or make up, bag 'artistes'.
The photos were a revelation, in terms of size and quality, when first published and it must have been obvious to Eel-Pie (Publisher owned by Pete Townsend) that sad spotty but 'different' - i.e. couldn't score chics - schoolkids like myself were going to buy two copies at a time. One for perusing and dripping saliva on and the other for the bedroom wall. Some of us particularly sad types bought three, as some pages had 'crucial' snaps on either side.
In fairness, up until then in the UK (or at least Scotland) there were about 20 unofficial Bowie books that you could buy. All of which had little of written interest and shared the same newsprint qualiy black and whites. Face it, the photos were all that really mattered. As soon as I had parted with my pocket money, the cellophane wrapping was aibourne and my mums scissors were gummed up with cellotape as I added the latest installement to the 'installation (conversation?)piece' that was my bedroom 'collage'.
Once I had bought my third copy and actually started to read the thing (only joking, I read the second one before I cut it up) I realised that this was not going to be the same old cliche ridden sychophantic drivel that I was used to swallowing so gratefully. When you are a young teenager and your mates periodically want to beat you up 'cos you listen to a poof', it can be quite comforting having some hack confirm to you in print that 'the chamelion of rock' is actually the second coming in mascarra. Like, it says so there so it must be true!
How refreshing then, to read a book that praises and ridicules Bowie in fairly equal measure, even though it's obvious that Carr & Murray love 95% of the music they are critiquing. I didn't agree with all of their observations and conclusions, but neither I or the authors should mind about that. This was then, the first music publication that for me, made reading it feel like an adult pursuit. Just before I cut it up and used it to cover every inch of my bedroom.
Two more things, 1. If you buy a copy, you will need a bigger coffee table 2. I wish I had kept one.
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Used price: $27.40
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Used price: $18.00
Collectible price: $15.88
Buy one from zShops for: $34.00
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Used price: $6.10
Collectible price: $7.95
Buy one from zShops for: $6.79
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But this aspect of Spurgeon's preaching is what everybody talks about. What nobody talks about, the Forgotten Spurgeon, is his passion for not only preaching, but also for doctrine. This book highlights Spurgeon's battles with Arminians, Hyper-Calvinists, baptismal regenerationists, and modernists. Spurgeon was a devoted Calvinist, and this book shows how centrally Spurgeon viewed Calvinism to his preaching. It was so important to him that he would fight tooth and nail over it, not giving in until confident of doctrinal purity. Spurgeon's doctrine is the forgotten Spurgeon. And this biography is noteworthy for pointing that out.
Recommended reading for learning more about Spurgeon, as well as for learning more about the doctrines of grace.
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Could it be that author Murray followed up this gem with the controversial The Bell Curve, and the publishing establishment is reluctant to see him prosper? Or is there a less nefarious explanation?