One part Beat, one part magical realsim, one part historical fiction. All this (and more) combined with an engaging writing style that keeps the pages turning. More than any other book, I felt completly satisfied at the end. Every word sits gently in my memory, so that I won't need to re-read it for a while. It now sits on the shelf in the company of 'The Dharma Bums' and 'Sometimes a Great Notion'.
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This volume collects 6 of Mosher's short stories along with the title novella -- the latter being possibly his most well-known work, having been made into an exceptional film with the amazingly-talented Rip Torn in the role of a lifetime as Noel Lord, Mosher's cantankerous ex-lumberjack. Lord is mentioned in some of the other stories, as well as in some of Mosher's novels -- and other characters make appearances in more than one work as well.
Set in 1927 Vermont, 'Where the rivers flow north' takes the familiar theme of the rugged individualist going up against the evil, unfeeling corporation, and breathes new life into it. Mosher's flowing style, combined with his incredible ability to bring to the printed page all the nuances of his characters' personalities -- warts and all -- give this and all of his works the finishing touches that only a fine craftsman can give. Noel Lord's Native American housekeeper/wife, Bangor, is one of the most memorable characters you'll ever run across. She and Lord have a classic yin-yang relationship that, most likely, neither one would acknowledge. A reader from any part of the nation can get inside these people, can feel and experience everything that happens to them -- and any time we can do that, we can learn and we can grow.
The characters in all of the stories here are, as in all of Mosher's works, vividly drawn -- Alabama Jones, the innocent-but-worldly aspiring carnival performer -- Burl, an old woman lying in a nursing home waiting to die, looking back at her life with a combination of bitterness and longing -- Eban and Walter, brothers, neighbors, at odds in their life over things large and small, but brothers -- a man dying, clinging to life through a kept peacock -- a boy passes through a coming-of-age event, a flood, which changes forever the way he views both his brother and his father -- another man, Henry Coville, makes some painful recollections and decisions as he feels the end of his life approach. Mosher paints them all with the deft brush strokes of an artist who intimately knows his subjects and the landscape in which their lives are played out.
Howard Frank Mosher is an immensely talented, always entertaining writer -- he deserves to be widely read, and what a treat is awaiting those who read him for the first time...!
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"Granite & Cedar" is set in Vermont's Northeast Kingdom; the black and white photographs (most taken between 1971 and 1976) represent a simpler time when the region was a world unto itself. Then the Interstate rolled through, and it was suddenly easier to have second homes here. Long-time residents could come and go with ease, and the world of the Northeast Kingdom changed. Patterns of life shifted, and familiar traditions suddenly reappeared as people, places and ways that were different.
Mosher's haunting story of Aunt Jane Hubbell weaves through the photographs like hand washed thread turning into fine lace. The story opens in 1965 as the plans for the Interstate are introduced. Aunt Jane has fierce stubbornness and loyalty to family, both living and dead. Will she stand up to the engineers at the public hearing for the highway, or will she back down in deference to her 78 years and ancestors lying at rest? How will she be remembered?
We see the time-worn buildings standing tall beside symbols of an emerging era of rapid obsolescence; we see wool jackets and spruce boards holding their ground to synthetic fleece and vinyl siding; we see men and women whose lives and ways are somehow very familiar although today - they are gone.
We see into a place and time well used by those who lived off the land and were shaped by it and who like Aunt Jane were, above all, practical. Mosher and Miller have unwrapped the gift we thought unique to the legendary monk.
For those with connections to the Northeast Kingdom "Granite & Cedar" will be tenderly familiar. And yet strictly regional, this book is not. For those who only know Vermont's fringe from a distance, the connection to home will prevail.
"Granite & Cedar" is Mosher and Miller at their best.
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And Howard Frank Mosher, as splendid a liar as Twain himself, might have delivered the most interesting book you'll read during the upcoming, three-year bicentennial of Lewis and Clark's 1804-06 expedition in search of the Northwest Passage.
But be forewarned: If you're among those humorless academics who believe history should not be trifled with by liars, you must certainly skip "The True Account: A Novel of the Lewis & Clark & Kinneson Expeditions," perhaps the funniest historical novel about the West since "Little Big Man."
Thanks to a recently discovered manuscript hidden for 200 years, we now know that Lewis and Clark were the first runners-up in the race to the Pacific Ocean. The adventurer who beat them (just barely)? Private True Teague Kinneson, a Vermont schoolmaster, veteran of the Ethan Allen's Green Mountain Boys, playwright, inventor, narco-agronomist and explorer.
Wearing a belled nightcap to cover the copper plate screwed into his skull (a prosthetic made necessary by a life-altering blow sustained while drinking rum with Ethan Allen), a suit of chain-mail, galoshes and an Elizabethan codpiece, Private Kinneson begins his journey with his artistic nephew, Ticonderoga, into terra incognita.
Why? He wishes to teach Indian tribes of the West how to cultivate hemp, which he describes as "That panacea for all the spiritual ills of mankind." Oh, and to beat Lewis and Clark.
Along their path to the Pacific, True and Ti encounter highwaymen, hostile and not-so-hostile Indians, horny women, cannibals, a circus of freaks, and some of the great real-life people of the day, such as Thomas Jefferson, Daniel Boone (and his frisky daughter Flame), and Sacagawea.
And in the midst of his frolic, our American Quixote invents rodeo, baseball and a marvelous hot-air balloon; discovers Yellowstone; and outwits the Devil Himself.
Private True Teague Kinneson is every mythic traveler who ever believed the shortest distance between two points was a dream, from Odysseus to Gulliver to his beloved Quixote. And like the Cervantes masterpiece, this boisterously funny novel is more picaresque than poignant, although like any good farce, it occasionally plucks the readers heart-strings as well as his funny-bone.
Great parodies resonate at the precise moment we are taking ourselves to seriously (do we really need three exhaustive years to celebrate Lewis and Clark?) Mosher's voice is pitch-perfect, satirical without being too sardonic. And Private True Teague Kinneson just might find his rightful place in American letters somewhere between Gus McCrae and Forrest Gump.
OK, it's worth noting that the national epic of Lewis and Clark's expedition surveyed the continent's resources, made contact with many Indian tribes living there, found a passage from the Atlantic to the Pacific, explained the flora and fauna of the region, created one of the first true Native American heroines, helped build a transcontinental nation, and ... blah blah blah. It was serious business for Captains Lewis and Clark. You can look it up, in all its breathless, geo-political, bio-diverse, Ambrose-flakking, socio-aggrandizing, -- and mind-numbing -- detail.
Who cares?
Private True Teague Kinneson reminds us that sometimes adventures, like books, are just for fun.
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A Stranger In The Kingdom was an incredible book that tells the story of a young boy's discovery of the world around him. I enjoyed the introduction to this novel because I felt I got to know the characters, especially James Kinneson, because the author Howard Frank Mosher spent a great deal of the opening chapters describing James and his family in detail. They talk about the relationships in the town of Kingdom and the Canadian influences on the town. I found it surprising to see the racism that exists in the northern town. The book especially gets interesting when a murder takes place that the new preacher of the town is accused of. The trial sequence which takes place throughout the last chapters of the book seemed to be a little monotonous yet I still feel the rest of the novel more than makes up for it. I personally enjoyed the descriptiveness of the author. It made the novel a smooth read and told the story well.
'A Stranger in the Kingdom' isn't full of cliffhangers; instead, the tension slowly builds until the reader is so anxious the book cannot be set down. One knows that a murder will take place, but the victim is not made clear until just beforehand. As for the criminal, can his lawyer prove he was framed? Not only will the reader pick up this book before going to bed, but also on lunch break, in the bathtub, and between internet pages downloading.
Mosher's character development is excellent at the least. Though there are many characters, each has his or her unique qualities that make him/her stand apart from the others. Elijah and Resolved were the town outlaws, the judge would do anything to be able to fish longer, and Claire would tell her story over and over again to anyone willing to listen. The great characterization allows one to relate more with the book and enjoy it more thoroughly.
Mosher's writing style is, in part, what drew me into the book. Unlike 'All the King's Men,' it can be easily understood and is what one would call "a good read." While there is not much vocabulary to it, pages cannot be skipped or else the meaning of colloquial terms shall be lost. The sentences flow easily and have a good length variation. Dialogue is also balanced within the book; it does not rely solely on dialogue or text. This keeps the late-night reading do-able because one is not drowning in paragraphs with no breaks in sight.
Is 'A Stranger in the Kingdom' to be recommended? Yes, highly recommended, and without regret.
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In this account of his odyssey, Mosher intersperses short anecdotes from his life as a resident and traveler in these areas, combined with mini-sketches of the people and places he encounters. Nobody and no place merits more than three pages of Mosher's spare prose. Mosher voices himself in the taciturn manner of the hardy border people. He strives for a rough-and-ready effect, implying that his itinerary was haphazard, and that his encounters were primarily ones of chance. I suspect that a lot more planning went into the trip than Mosher suggests.
My favorite chapter was the one on "fresh starts," in which Mosher profiled people who had left one life for another. For Mosher, traveling through places both familiar and completely new was its own form of fresh start.
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