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The Well at the World's End is a good read even for modern readers. It is an excellent example of "romance." It is also good just as a curiosity read. Fans of Tolkien, Lewis, and Eliot should visit William Morris's writings. Personally, my favorite thing about the book was the archaic prose. For the first twenty pages I thought it would be bothersome. After that, I was used to it and the book flowed nicely. It is sad that few people read William Morris today.
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Don't let the word "erotica" scare you away. This is not a blatantly sexual work in its language; it is not a "dirty" book. Just understand that despite what anyone else says or writes, this is about as unambiguously EROTIC as you can get. With phrasing like "Eat me, drink me, love me; Laura, make much of me; For your sake I have braved the glen; And had to do with goblin merchant men."
Since the original work is now in the public domain, if you want to read the full text online just do a search using most standard search engines with the terms "Christina Rossetti Goblin Market" and you should turn up a number of links to the actual poems, go read it, and decide for yourself about it.
This makes a wonderful gift for people you are very close too. However, it is also a very personal poem, and if given inappropriately could actually scare someone away!
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First let me say that Beth Russell is not necessarily the place for beginners to start. The designs are detailed, and the charts are detailed, and the canvas is usually smaller than, say, Elizabeth Bradley. For those needlepointers with some experience, however, you will enjoy the challenge of translating these beautiful Morris-inspired designs into art for your home.
Some of the best I've done include the Morris Lion (a wonderful medieval-looking lion with an ornate tapestry background), the orange pillow (on the cover), and the woodpecker tapestry
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Fantastic
Excellent
High Quality
Stupendous
Superiour
and least, but not last, very good!
All joking aside, it's a thesaurus. It's a good value and as good as any other thesaurus.
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When Gwyneth and Davie arrive in the town where their grandpa lives, they realize they don't know his first name. They consult the phone book, but with twenty-nine people with the same last name, they quickly give their task up as futile. They plan to return, but with gas rationing, find they cannot return before Davie leaves for the war. Gwyneth doesn't give up, however, taking the bus back to her grandpa's town. She still can't find him the phonebook, and later takes her research to the local library when she convinces Beth to help in her quest. Sure enough, they find grandpa's address, but no one is home. Gwyneth's persistence is eventually rewarded when she meets her secret grandpa. The quest leads to lessons of honesty and forgiveness as she brings healing to her family.
Especially timely with our country at war, GWYNETH'S SECRET GRANDPA will touch the hearts of young readers. While our country does not currently sharing Gwyneth's concern for rationing and gas stamps, the glimpse into the challenges of the past comes as quite an enlightening experience. Further, author Annie Morris Williams carefully explores the delicate balance between remaining respectfully silent and speaking up for what you believe in. This intriguing look into our shared cultural heritage becomes a lesson in history and love, resulting in a riveting read. Highly recommended.
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Too bad its out of print.
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- His beautiful wife Jane had a long affair with fellow artist Dante Gabriel Rossetti;
- In addition to his design work, he was such a respected poet that he was offered the poet laureateship of England once Tennyson had died;
- Many of his designs are still in active production today, more than a century after his death.
Morris shunned the effect the Industrial Revolution had had on the arts in England (and elsewhere) and proposed that hand-crafted art, furniture, wallpaper, and so on be the goal of an artists' cooperative he helped to found. He felt that art should be in every home and that it should be useful, beautiful to look at, and durable. This success of the cooperative produced the uncomfortable situation, for Morris, of having art be so beautifully and painstakingly produced by hand that, in the end, only the wealthy could afford it.
The photographs of Morris interiors, wallpaper designs, furniture, and more, are absolutely sumptuous, and Wilhide's well-informed and well-written text helps to expand our understanding of the whole of Morris' life. Highly recommended!
I first came to this book through the published endorsement (hence, not personal) of the great C.S. Lewis, who made his first reading of the Well in November of 1914. He read it many times thereafter.
In my ONE reading of the two volumes, I can attest to the fact that this is a beautiful story, a rich fantasy, a vibrant fairy-tale with no fairies. Among other things... a love story. Strictly speaking, as regards genre, it is a "romance". The chivalric, bardic story of Ralph of Upmeads, the least likely of the King's four sons, who devotes his life to the quest of the Well at The World's End... a fabled well which promises to reward its discoverer with perpetual youth.
If you are in love with Tolkien's The Lord of The Rings (and who isn't) you should definitely consider having an affair with The Well At The World's End. Let me defuse the daunting issue of Morris's use of archaic language. Be ye warned, in every sentence you will constantly encounter words such as forsooth, hitherward, quoth, whither, rideth, erstwhile, deem, draweth, betwixt, and I wot not else. At first I thought this would be really intolerable. But I quickly adapted to it, and even found it kind of "not vile".
Remember... Volume 2 is essential. It's NOT a sequel, it's a conclusion. Get both volumes, and escape the world of car horns and remote control for a bit.
I applaud this new re-issue of what is definitely a fantasy classic. Previously, one had to search a hundred used-book stores to find it. Now it's a click away.
And as regards it's place on the bestseller list? I am reminded of the wise words of the great Henrik Ibsen, who once suggested that "the solid majority is always wrong."