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And one more thing: Eric's books on imaging and craft and Carl Jung-based theories on acting are all bogus. If you read them you see how more and more self-indulgent and full of it he gets and how these lengthy pop-psychology theories are truly ignorant. Save your money but keep "No Acting Please" as a bible.
These books helped me stretch as an actor by suggesting exercises for my emotional instrument. I did them alone and found I could reach areas of emotions that were at one time foreign to me.
Incredibly helpful. Helped me grow as an actor, a teacher and a director!!
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The exercises and work in this book have enhanced my acting tremendously, given me a way of working that is unmatched by any other acting book I've ever come accross (and I've read a ton of em) and has made me a powerful teacher and director in my own right.
It explains Eric's Technique of Freeing the Instrument (Explained in great detail in his No Acting Please which should be read prior to this book.) It explains a new way of looking at material and personally connecting it to the actor through choices and choice approaches. It truly helps make the actor an artist in that he creates and is truly using himself.
If you utilize this work and combine it with some common sense of your own (if you don't combine it with some common sense--some of it can get you into trouble) your acting will take on a new dimension; you will be more open as an actor artist and human being.
You will learn how to free and tap into your emotions. How to make personal choices for your material. How to make Choice approaches or tools to connect you to the work and more! Read this book. Do the exercises. I can't recommend it enough.
Do read No Acting Please first and follow it with this amazing masterpiece.
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The results are phoenomenal.
If you just read them-- and let them sit there they won't do diddly squat. This book is the beginning of an eye opening approach to acting by Eric Morris. The exercises are powerful, will deepen your intensity and provide access to your emotional instrument. Do read this book in conjunction with No Acting Please which better explains Eric's work. Follow it with Irreverent Acting. The three act as a powerful acting trilogy and together form some of the best books on acting ever written.
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Over all this book needs to be re-thought out. A poor choise for instructors wanting their students to get a solid base so as to takle more advaced math classes.
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This one however I believe goes to far. It's not as accessible as the others and goes to far into new agey type exercises that are just not as accesible as the exercises in the other books. The semantics also get very confusing in this book. Words like "selective enhancement", "Imaging" and using your "dreams" to enhance your acting." I found myself thinking--"you've got to be joking." I just felt in reading it that Eric just went a bit too far into outer space. Eric come back to earth! The best part of the book is some of the material already covered in Irreverent Acting.--which is a far better book.
In summation, I think this book will be very confusing to actors who have not read all of the other books or studied with Eric and might be turn off to Eric's work as it is confusing and ethereal. So run to the book store and buy those other books and save this one for when you just haven't gotten enough of Eric Morris' Acting Books and maybe want to travel to outer space.
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