Sy Montgomery and Nic Bishop have managed to bring this awesome display of nature and the man who studies it to life! This book would be a wonderful addition to any household, library or school, as it describes the work of a dedicated scientist who has committed his life to understanding what we as humans can gain from the lives of garter snakes. Dr. Mason obviously loves his work and loves passing along his knowledge to others, young and old. "The Snake Scientist" is an accurate picture of an almost undescribable phenomenom.

This book about the adventures of Bob Mason, an Oregon State University scientist who studies snakes all over the world, is a must-read for any child (grades four to seven would be great) who loves science or nature - and a good gift idea for any parent who would like to steer their kids in that direction. Easy to read, great photography, compelling stories about snakes, science, the growth of a young boy who just started out watching nature shows on TV and turned that interest into a career as a world-class zoologist. Excellent choice!

A fabulous book, replete with color photographs of the snakes. Kids will gravitate to the pictures first, and then the text will engage them in Dr. Mason's research. His comments are child-oriented, yet will not insult the older readers in the audience. Bob's stories of his childhood and career path are an added bonus to this book....and may even encourage more budding "Snake Scientists"! Well done!

Josephine Roberts' work on Wroth sets the standard for scholarship in Early Modern English writers, both in depth of research and clarity of presentation.

Roberts' edition leaves any Renaissance scholar in her debt. Having tried to read Wroth's work on microfiche, I can attest to the near-impossibility of the task; that Roberts collated 27 copies of the book is astonishing to me. Her introduction is excellent, her research impeccable, her writing fluid.

The title of this Gervase Fen mystery is dredged from English folklore: "Buried on Monday, buried for health, /Buried on Tuesday, buried for wealth; /Buried on Wednesday, buried at leisure, /Buried on Thursday, buried for pleasure; /Buried on Friday, buried for fun, /Buried on Saturday, buried at one; /Buried on Sunday after eleven, /You get the priest and you go to heaven."

A more macabre folk jingle than, say "Monday's child is fair of face..." but appropriate for a murder mystery that our detective-don solves while standing for Parliament in rural England.

Along with the eccentric detective Gervase Fen, Professor of English Language and Literature in the University of Oxford, Edmund Crispin also features one of his eccentric animals in "Buried for Pleasure." This time it is a 'non-doing' pig that falls in love with the village's pub manager.

The plot also works in that most obvious of red herrings: an escaped lunatic who believes himself to be President Woodrow Wilson. His normal mode of dress is a pince nez, and he must be the only lunatic in literature who declares, as he is captured and led away, "I warn you that if my Fourteen Points are not adopted, Western Europe will be at war again within a decade." Since "Buried for Pleasure" takes place in 1949, his prophecy was correct, although tardy.

We never do find out exactly why Fen is standing for Parliament. One of the other characters challenges him to explain his motives:

"'Well, what on earth...I mean, why are you standing for Parliament? What put the idea into your head?'

"Even to himself Fen's actions were sometimes unaccountable, and he could think of no very convincing reply.

"'It is my wish,' he said sanctimoniously, 'to serve the community.'

"The girl eyed him dubiously.

"'Or at least," he amended, 'that is one of my motives. Besides, I felt I was getting far too restricted in my interests. Have you ever produced a definitive edition of Langland?'

"'Of course not,' she said crossly.

"'I have. I've just finished producing one. It has queer psychological effects. You begin to wonder if you're mad. And the only remedy for that is a complete change of occupation.'"

Read this book not so much for the mystery, but for Fen's final campaign speech when he decides that he doesn't want to get elected after all.

As for the mystery, Crispin ties all of his loose ends together in a climactic automobile chase that involves the lunatic who thinks he's President Wilson, the Cockney pub manager and her non-doing pig, the murderer, a candidate for Parliament, and the rector who is plagued by a poltergeist.

And the poltergeist.

"Buried for Pleasure" is vintage Crispin.

this item was great for my 10 year old who enjoys making up poetry herself

If I had to rank my favorite British mystery authors who produced their best work in the 1930s through the 1950s, my list would look like this:

(1) Edmund Crispin a.k.a. Bruce Montgomery (2) Michael Innes a.k.a. John Innes Mackintosh Stewart (3) Dorothy Sayers (4) Margery Allingham (5) Michael Innes a.k.a. John Innes Mackintosh Stewart (with a drop in rank for his mysteries that went off the surreal deep-end).

Out of my Fab Four Brits, Michael Innes and Edmund Crispin share the most similarities. They were both of Scots-Irish background, both wrote their mysteries under pseudonyms while teaching at college, and both were educated at Oxford -- Oriel College and St. John's College, respectively. They both wrote highly literate mysteries with frequent allusions to the classics (nine out of ten of which go zooming right over my head). Michael Innes has his detective, Sir John Appleby poke fun at this high-brow type of murder fiction in "Death at the Chase":

"That's why detective stories are of no interest to policemen. Their villains remain far too consistently cerebral."

Expect that even the most vicious murderer in an Edmund Crispin mystery will quote Dryden or Shakespeare at the drop of a garrote. "Frequent Hearses" is a fertile setting for this type of classical badinage, since its plot involves the making of a film based on the biography of Alexander Pope. Gervase Fen, Oxford don of English Language and Literature, and amateur detective extraordinaire is hired by the film company as a story consultant, and he is plagued throughout the book by a Scotland Yard detective who is an amateur classics scholar. Fen wants to discuss the murder. Chief Inspector Humbleby wants to talk about the Brontes and Dr. Johnson. Neither one will admit to a less than perfect understanding of either his profession or his hobby, and both despise amateurs. Their encounters keep "Frequent Hearses" sparkling along right up until its final page. Here is a sample of dialogue, wherein Inspector Humbleby deliberately misunderstands Fen's explanation of the film's subject:

"Based," Fen reiterated irritably, "on the life of Pope."

"The Pope?"

"Pope."

"Now which Pope would that be, I wonder?" said Humbleby, with the air of one who tries to take an intelligent interest in what is going forward. "Pius, or Clement, or--"

Fen stared at him. "Alexander, of course."

"You mean"---Humbleby spoke with something of an effort---"you mean the Borgia?"

All of Crispin's characters are carefully (one might say 'crisply') developed, and distinguished for the reader by a quirk or eccentric manner of speech (sometimes Crispin overplays the eccentricity at the expense of realism, especially with his main protagonist-- I do wish Fen would stop expostulating, "Oh, my fur and whiskers!"). Physical description is sketchy. If one of Crispin's characters walked past you in the street, you probably wouldn't recognize him. However, if you were to overhear his conversation with the postman---

And I don't mean to imply that "Frequent Hearses" is all dialogue and no action. There is one especially harrowing scene where a young woman chases the murderer into a maze in order to learn his identity and then (when reason returns) can't find her way back out again. By the time Fen rescues her, she has endured an experience right out of an M.R. James horror story (in fact, the young woman quotes M.R. James at length while she is traversing the maze - a typical Crispin characteristic).

The mystery surrounding the murderer's identity and motivation is as cleverly convoluted as the maze, and it is equally as hard to get to its heart. Crispin himself wrote and published at least one film script and composed music for several films, so "Frequent Hearses" is told with the knowledge of a movie industry insider.

If you like vintage British mysteries with a 'classical education' and haven't yet discovered the 'Professor Fen' novels, then you're in for a treat-- assuming you can find these out-of-print volumes. Here are all nine of the Fen mysteries plus two collections of short stories, in case you jump into 'Frequent Hearses' and want to keep going:

"The Case of the Gilded Fly" ("Obsequies at Oxford"), 1944; "Holy Disorders", 1945; "The Moving Toyshop", 1946; "Swan Song" ("Dead and Dumb"), 1947; "Love Lies Bleeding", 1948; "Buried for Pleasure", 1948; "Frequent Hearses", 1950; "The Long Divorce", 1952; "Beware of the Trains", 1953 (short stories); "The Glimpses of the Moon", 1978; "Fen Country", 1979 (short stories).

Edmund Crispin is not known as a writer who features animals in his mysteries. Yet in "Swan Song," he gave us the bald, pub parrot that recited Heine in the original German.

In "Love Lies Bleeding," Mr. Merrythought, the ancient, slovenly bloodhound thwarted a double murder.

"The Long Divorce" introduces Lavender, the cat who sees Martians. (Either you have a cat who sees Martians---there is one perched on my printer right now, staring off into what humans refer to as 'empty space'---or else you will have to take Mr. Crispin's word that such perceptive cats exist.) Lavender, the marmalade-colored tomcat with unusual visual powers is instrumental in the capture of a murderer.

Murder is really secondary to the story of a village plagued by an anonymous letter-writer. Some of the letters are merely obscene. Others are poisonously factual.

Gervase Fen, Professor of English Language and Literature in the University of Oxford is importuned by an old friend to expose the anonymous letter-writer. And so Fen, microscopically disguised under the name of 'Mr. Datchery' (borrowed from Charles Dickens's "The Mystery of Edmund Drood") takes himself off to his friend's bucolic village.

"To an obbligato of bird-song Mr Datchery marched beneath a bright sky towards Cotton Abbas. And he carolled lustily, to the distress of all animate nature, as he walked....The directions given him at Twelford had been explicit. But since he believed himself to possess an infallible bump of locality, he was soon tempted to modify them with a variety of short cuts, and after about three miles he discovered, much to his indignation, that he was lost."

Is that or is that not Fen to the life?

"The Long Divorce" (1952) is eighth in Crispin's series of mysteries starring his literate, cynical, sometimes bumptious amateur detective. It is also a comedy of rural, post-war England. The characters are dead-on: the army veteran who is trying to stop smoking; the female physician who is struggling to build a practice in a conservative backwater; the teenager who both loves and is ashamed of her obnoxious, money-grubbing father.

Many of the mystery writers of the 1940s and 1950s were guilty of creating one-dimensional female stereotypes, or going off on the occasional anti-feminist rant. Margery Allingham, Rex Stout, and John Dickson Carr come readily to mind as producing examples of this type of writing. Crispin also creates the occasional stereotype, especially in his early novels and some of his short stories, but the characters in "The Long Divorce" are fully and fascinatingly realized---especially the women (okay, okay---except for the innkeeper's wife and the sluttish barmaid. But they are very minor players).

Crispin also works in an ongoing and thoughtful dialogue on suicide, and there is a hair-raising scene where Fen just manages to prevent a young girl from killing herself.

"The Long Divorce" is a classical Golden-Age British mystery, a thoughtful essay on suicide, and a marvelous, occasionally hilarious study of the rural English character. I feel the same frustration that Fen felt, when at story's end he reveals his true name to a gathering of the book's characters---and very few of them have heard of him.

Why isn't Fen at least as well-known as Lord Peter or Miss Marple or Nero Wolfe? He certainly deserves to be.

This book is a classic "hands on" audit reference; written with the same "how to" style as "Operational Profitability". I highly recommend this book.

I brought this book last winter. I have read it several times since. I have to admit I am biased, I am quite familiar with the area Mr. Williams wrote about. I have brought several copies for family members. Mr. Williams did an excellent job describing the history of the area and in doing so makes the reader realize it is our responsibility to keep the past from disappearing. Every developer and real estate agent should be forced to read it. Then maybe, they wouldn't be so eager to destroy, what history has left behind for us. Mr. Williams brought old buildings and their inhabitants back to life.

This is my favorite book in the Anne series. Rilla is a fourteen year old, vain, carefree girl without any ambitions but to have fun and have many beaux when she is thrown into the relentless Hell known as War. It's a story of loss and love and growth. It's incredibly romantic. It's sad but the sad thing that happens is for the best (I see that now even though I tried to fight it for so long). In my opinion, out of all the L.M. Montgomery books that I've read, Rilla is the only main character with any sense when it comes to who she loves and knowing, at least having an inkling, that they love her back. It's a wonderful story that everyone should read. Even my friend who hates Montgomery books loved it.

hey, i have read every "Anne book" and the "Emily books", and I have recently re-read "Rilla of Ingleside". "Rilla of Ingleside" and "Anne of Green Gables" are my favorite LMM books I've read so far. Rilla goes through the difficulf times during WW1 that were the worst the world has seen until WW2. I cried the first time i read it and i cried the second time, too! One of the most touching things in this book is how Little Dog Monday stays at the train station the ENTIRE time that Jem is away at war and I think the chapter-LITTLE DOG MONDAY KNOWS- was very good(I won't say what he knows....read to find out!:) But it is SOOO sad!! ) This is VERY good, one of my ALL-time favorites(I have read alot) and I strongly urge you to read it, but if you haven't read the other ANNE books, read them first....each book refers back to previous ones ocassionally. Happy Reading!!! : )

Since Anne what not as much of a main character in this book, I was surprised by how much I liked it. I didn't think I would because she was not in it. However, I now think, that it is one of the best books in the series.( Since I can't choose just one book, thats the highest compliment I can give.) In the beginning Rilla a frivolous, nonambitious girl who only wants the most fun life can give her. She knows nothing of the sorrows or horrors of life, beyond her worries of who she'll dance with...This book tells the story of Rilla's life during the horrrible, "war to end all wars". During this time, faced with pain, sorrow, and duty she proves herself as a true woman and worthy of her handsome Kenneth Ford.

"I'll try and do anything and be anything you want if only you'll keep me." This is how "Anne of Green Gables by L.M. Montgomery begins.
Anne Shirley is a twelve-year-old girl who is brought to Green Gables only to find they were expecting a boy. The Cuthberts however, are one over by this queer, imaginative girl with bright, red hair and decide to allow her to stay.
Green Gables is a lovely, little farm just outside of a small town on Prince Edward Island called Avonlea. It is surrounded by fields and forests, which hold many surprises for adventurous Anne.
Throughout this book Anne's fierce temper and wild imagination often get the better of her, but she usually manages to squeeze out of these scrapes.
Anne's melodramatic nature and fiery temper keeps you interested as you read this marvelous book.
Montgomery's humorous writing style gives life to the characters so that you feel like you are meeting them in person.
I think that this was a wonderful book filled with humor, drama and tears. I would recommend this book to anyone that has ever had a dream and loves a good book.

first of all, let me begin with I LOVE THIS BOOK! I have read this book more times than I can remember...easily more than a dozen...thus, I am going to set my mind to write a glowing review of it.

This book portrays a stunning sketch of Canadian History and Culture in the late 1800s to early 1900s. The character personalities are so real and so amazingly "human" that one cannot help but fall in love with them. You really get a taste of PEI in its glory.

This story is set in Avonlea, Prince Edward Island (Canada), a fictional settlement which is really Cavendish, Prince Edward Island, the place where Lucy Maud Montgomery, the author grew up.

The main character is Anne Shirley...and eleven year old, enigmatic, imaginative, sparkling, highly intelligent orphan who is sent to Green Gables, a farmhouse in Avonlea, under the impression that she was to be adopted by a pair of elderly siblings, Matthew and Marilla Cuthburt. But, apon arrival to Green Gables, Anne discovers that there had been a horrible mistake...the Cuthburts never wanted a girl...they wanted a boy who could do the chores and help Matthew with the farm. Anne was was in the "depths of dispair". Matthew, on the drive home from the train station had taken a great shine to Anne and had his heart set on keeping her, regardless of any mistake. Marilla, however, was not so easily enchanted. She agreed to let Anne stay at Green Gables on trial, to see if she would behave herself and lend a helpful hand to Marilla. After the trial, Anne is welcomed to Green Gables and flourishes under the love of the Cuthburts and all Avonlea folk. Anne, however, has one big problem. Her Hair. It is a hopeless shade of carrotty red and Anne felt that it was the ugliest hair anyone could imagine. She was extremely sensitive about it and she was horribly embarrassed about it. On her first day of school, Anne's hair was made fun of by Gilbert Blythe, the smartest and handsomest boy in school. "Carrots! Carrots!" he said. Anne's temper got the better of her and she was so angry she broke a slate over his head. After that, for many years, she snubbed Gilbert every time he spoke to her and he developed a boyhood crush on her.

Ah, but to keep this review interesting and the book mysterious, I will stop telling you the story and begin reviewing. The characters in the book are so well-defined that it seems to you that you know every character personally, like an old friend or neighbour.

And by all means, don't let the age recommendation fool you either...this book can be read by all ages alike...and I have no doubt that this book will still be my avid favorite at the age of 85.

The book is not boring, contrary to many opinions of those who read the first chapter of small print and historical settings. The discriptions will place you right into the heart of the story and you find you will laugh and cry while reading this story. Every time I read it I cry at a certain part which I'm not sure if I should reveal to you for fear of spoiling the good parts in the story, but it is dreadfully sad. If you read the book, then you will know what part I am talking about. The one saddest part in the whole story.

Although this book has some old ideas and ways of expressing them, you will learn a great deal of Canadian history through them and there's no doubt in my mind that this book will still be popular decades and most likely even centuries to come.

Anne of Green Gables is one of my all-time favorite books. Anne is a person almost everyone can relate to in some way or another. Anne is launched into the "depths of despair" as soon as she finds out the horrible truth that the Mathew and Marilla really sent for a boy from the orphanage. Her fiery temper gets the better of her at some of the worst possible times. Such as when she vows that she will never forgive Gilbert Blythe for calling her carrots, as if smashing a slate over his head is not enough. This is a wonderful book that L. M. Montgomery has really shown her skill as a writer and novelist in. I have read the entire Anne of Green Gables Series and am also, like another reader, saving them all for my daughter some day. If you want a book that you can thoroughly enjoy, this is the one, although I have one warning that you may have a hard time putting it down.