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Also recommended: PENTATONIC SCALES FOR THE JAZZ-ROCK KEYBOARDIST by Jeff Burns.
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And fortunately, both sections are great. THE RECONFIGURED EYE is valuable both as a reconsideration of photographic truth in a the context of new technologies, and as a book to help photographers, graphic designers, architects, and anyone working with photographs to understand how the basic functions of 2D and 3D software work and why. Though I wish there were even more photos of some of the paintings and photographs he refers to, there are many great pictures of paintings, photos, and rendered scenes to illustrate what he describes in the text. This is definitely one of the more thoughtful books on digital images and there's a lot of good stuff here to think about.
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What Kent Larson has done is a simple, powerful, cool idea that took a lot of time, energy, MIT architectural thinking, and SGI computing power to accomplish. Larson first pieced together a reasonable paper version of each structure, then assembled a 3-D virtual model of that structure, then had to choose the best virtual camera angles under the best false sunlight for the best portraits. Larson went as far as using high-resolution photographs of existing Kahn walls to skin these virtual surfaces, and added a patina of wear and tear, just to make it more convincing.
So Larson's work is the result of a lot of a helluva lot of choices. It helped the interpretation that Kahn preferred a limited palette of building materials - like concrete - which helped Larson orchestrate this score. It didn't help Larson that Kahn was known for his close attention to lighting effects. All that lighting took the most sophisticated possible CAD/CAM rendering on SGI hardware.
But the payoff is - shocking. You get bright sunlight, soft counter-reflections, complex reflections in glass (the glass-block Jewish memorial is the showboat piece in that respect). You have to see them to know how much you want to believe them, if that makes any sense. To know how much you'd like to visit these six new Kahn buildings that will never exist. In a weird way, this project advances Kahn's career and reputation, not only from beyond the grave, but lapsing over into architectural cyberspace.
Format of the book is good in its simplicity although some reference to drawings would have made it a more comprehensive study. Great book ... a collecter's item for all "Kahnian's" across the world.
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