My (10 year old) daughter got interested in '20,000 leagues' after reading the "Wishbone" version (go ahead and laugh). I went searching for the real thing to read with her, and came across this edition. With all of the missing content recovered, plus the annotations to fill in all sorts of additional information, the result is fascinating for adult readers. If you read the usual (butchered) version as a kid, you really owe yourself this one. All of the critiques of Verne over the years that tried to belittle his knowledge of science turn out to have been based on translations that whacked out what Verne really said -- they thought it was too dry and boring. Reading what he really said, plus the extensive footnotes that describe the state of knowledge at the time, make Verne's brilliance tripling astonishing. Just consider that he wrote about the Nautilus at a time when the Hunley was the state of the art!

One of the great problems with Jules Verne is that in the English speaking world he is relagated to the category of "Boys' Own Adventures". On the Continent, however, he is considered a brilliant social commentator, and biting satirist, AND a man who predicted the future. This is a volume that helps set matters to the right.

If you know of "20,000 Leagues" already, you will find little different at first. The plot is still the plot. Nemo is still Nemo, Prof. Aronnax is still pompous and fascinated by the Nautilus and Ned Land....

Ned Land is a flaming socialist.

This is one of the major shifts between the original French and the "cleaned up" English editions. Most of the science of the day was pulled out as a "dull read" and all the Socialism, anti-English remarks, and other commentaries of a "questionable nature" were excised. We Americans have unfortunately been until only very recently only able to find these poor early translations, or translations based on these poor translations. There is much more to Verne than submarines and diving suits. He is a man with a vision of his times, both scientific and political, and his books underline this strongly.

English readers, demand your Verne well-translated! Do not allow yourself to be fobbed off with bowlderized versions! To be able to read as he wrote himself (well, in English, for those of us who don't read French...) is a greater pleasure than merely an amusing old science-fiction story from the 19th century. Reading this book, as Verne /meant/ it to be read, if a pleasure, but also a struggle to understand ourselves and our relationship to the oceans themselves.

The best translation in English. Satisfies the intellect and imagination. Translated to show the truly beautiful qualities of Verne's writing that no other version can equal. The adventure comes alive by not omitting the breadth and depth of Verne's aesthetic ability originally entrenched within this masterpiece.

Words cannot totally express how much this book has helped to define my outlook on life. It covers many important issues, not only of the time it was written but also of today. Cleaver had a clear perspective of life when he wrote this book and it shows greatly. The chapter entitled "Soul on Ice" is a part of the book that I will not allow myself to forget. Eldridge Cleaver was a very evident literary genius and moreover, a gifted prophet of how everything in life "hangs by such thin and whimsical threads."

This is by far the best book I have ever read in my whole life. Once I picked up the book I could not put it down. Eldridge Cleaver talks about the things almost no one else would dare to talk about one of the greatist books of this century. Eldridge talks about the black man's stake in Vietnam, how it really is behind bars, Malcolm's death and offers a real look about Black America. This is one of the greatist men who ever lived who takes a real look at a racist America. A great novel and a real page turner.

Going by this text alone, it would appear that, unfortunately, going to prison is the most enlightening experience that Eldridge Cleaver has ever undergone. The epiphanies and revelations that Cleaver makes from his cell at Folsom State Prison reach deep into the soul and psyche of the African-American male, and uncover many truths here-to-fore considered taboo. A definite must-read!

I studied this book for about 1 month and is giving me a clear understanding of the verbal part in the SAT. This will explain almost all of the stuffs you may need to know for your upcoming SAT as well as some tips. I highly recommend this book. Good luck on the test!

I injoyed reading this book. It is one of Verne's better pieces of writing that I heve reviewed

This is one of Verne's best books. It is full of scientific and technical/technological details (I had to use several encyclopedias/dictionaries to find some words' meaning), historical references - no doubt Verne researched the topics thoroughly. It is also humorous in places but certainly entertaining and serious on every page. As the story progresses you will discover Verne's view on society in sentences like "The world needs no new continents, it needs new people." As for the storyline, you will never guess what happens next. Every intelligent person with an open mind will find this book a must read.

Most of Jules Verne's works were hastily translated, with many "improvements" made in the process, such as deletion of scientific exposition, as well as deletion of many moments deemed by the translator as dull.

This, the Restored and Annotated version of 20,000 leagues, is a VAST improvement over previous English editions. The translation is very well done, and the annotations explain what has been changed and what previous translations accomplished.

Highly recommended!

To be honest with all you gentle readers, I don't much admire War novels, nor do I stand by the title of my review. Generally, I believe War is truly Hell.

But last Winter, in the grips of a bout of quasi-depression-for-teens following a move to the most FLAT province in Canada, I truly thought I was in Hell. An e-mail friend suggested Catch-22 to use up edgy cabin-fever time. Now, let it be known that my attention span for most novels dwindles quickly, especially if the book is slow to pick up. While significantly slower to get 'into' than most of the writing I chase, Catch-22 sucked me in, like Alice down the rabbit hole. It is sharply funny, engaging, and chock full of delightful characters. The main character is a thinker; a young man disheartened by war and his own mortality. His name is Yossarian, and since reading this novel, he has stood out in my mind as being one of the most...sculpted... characters in the history of literature.

Put simply, this book is a satire about World War 2. Coming from a kid sickened by the very idea of war, I can say that this book is worth whatever bills you have to fork over for it. It's not about war, per se, but more about the human condition. In addition, it made me laugh a few times, something that only a few other works of fiction have ever been successful in accomplishing. I finished this book feeling oddly... renewed. If you're looking for something 'new' (or, so old it's new) and engaging, I heartily recommend 'Catch-22' by Joseph Heller.

catch-22 is the best novel to come out of the second world war, and plausibly the greatest american novel of the twentieth century. heller's career as a writer was somewhat over-shadowed by this pyrotechnic debut. his prose here is as insane as the subject-matter, he uses a whirling style that lifts you in and out of scenes in a non-linear fashion that suits the helter-skelter emotional experience of the war the book describes.

catch-22 concerns one captain yossarian and his attempts to get out of bombing raids. yossarian doesn't really care about the good guys versus bad guys aspect of battle. as far as he is concerned everyone is out to kill him and he must survive no matter what.

the novel is genuinely hilarious. there is a great joke on every page, but heller also has the ability to turn on a sixpence. one moment the reader is crying at some piece of head-twisting anti-logic, the next the reader is crying at some horror... and then back again.

when i first read it, i at one point had to slam it shut and throw it on the floor, so emotionally involved was i in the death of a character... but i immediately picked it up again, because it is utterly gripping.

if you are a first-timer, i warn you you will be shocked, you will be incredulous, you will laugh like an idiot whilst you're commuting. but above all you'll be dazzled by a genuine slice of real genius.

Joseph Heller has written a book of such broad scope, such immense power and such depth, that the reader is absolutely entranced to every page.

It takes place on a fictional island during World War II, revolving around a group of bizarre, truly individual characters that are slowly going mad. Catch-22 basically means a 'lose-lose situation'. Each of these men get caught up in the insanity, the beaurocracy and hypocracy of the war that they are trapped on the island, prisoners of the military rather than the war. Despite whatever they try, the just can't get out: Catch-22. The author articulates the isolation of the island into an excellent backdrop for a brilliant character study.

There's Yossarian, the main character, who is gradually descending into madness. There's Milo Minderbinder, the cold-hearted entrepreneur who is using the war to generate revenue and who bombed his own base so the Germans would pay him. Also, there's Colonel Cathcart who is so focused on getting a promotion that he volunteers his bombardiers for the most dangerous of missions, just to impress the general. There's Chaplain R.O. Shipman, who is losing his mind and his faith, and there's Hungry Joe, whose terrifying nightmares make him scream and swear in his sleep, causing the entire squadron to lose sleep. These are just some of the many characters in the book who are revealed through tantalising vignettes.

The writing in the book is truly masterful; the author commands a strong grip of English vocabulary. The plot moves along in illogical, chronologically incorrect sequences, making for a very unique reading experience. There is little violence or language: the author generates tension from the psychological aspect of the story.

This is an exemplary book, which should be studied in English Literature classes, rather than books such as 'Mary Shelley's Frankenstien', or 'The Great Gatsby'. It is tense, hilarious, black, cynical, satirical and formless. An absolutely brilliant character study.

Well, it was a very interesting book from what i have read. Yet, I have an exam tomorrow and i need the summarization for it. So frankly i dont care about the book.

This book is great. Great book to read for the mellenium

Kurt Vonnegut's book Slaughterhouse Five is a unique and interesting anti-war book.There has never been a book written quite like this one. The story doesn't unfold like most other stories. It takes place in a series of different times and places. The places are Dresden, Iliam New York, and an alien planet to mention a few. The main theme of the book is very clear even if the time and places that it takes place in isn't. That theme is war is pointless and so is life sometimes. The constant changing of time and place give the reader a very exciting and adventurous ride through the life of Billy Pilgrim. The story is told in a new way giving it a fresh life. If you ever find the time to read a Kurt Vonnegut book this should be the one. It is truly original and creative with a dark sense of humor that appeals to almost anyone.

I was amazed by the effect that this book had on me,when I read it in order to take an exam on Contemporary American Fiction. At first I thought that this would be another boring book of the Uni's library,but I was pleasantly shocked by this excellent book.It refers to matters of life and death allegorically,but the main message is clearly exposed: PEOPLE SHOULD NEVER STAY "STUCK IN TIME",stuck in their misery and desperation by the tragic events they had to go through,BUT ALWAYS SEARCH FOR THE "PLANET TRALFAMADORE" INSIDE THEIR HEARTS.This means that an inner "revolution" has to take place,so as for people to be free from the nightmares that torment them after the experience of a war or a major destruction,such as the conflagration of Dresden. LIFE GOES ON AND PEOPLE SHOULD FIND THE PLEASURE THEY DESERVE IN IT.

Slaughterhouse-Five is not simply an "anti-war novel," but an intricate masterpiece that not only shows the horrors of war and its effects, but is also a reflection of reality on its various levels. In order to fully grasp every detail's significance this novel should be read various times. It's fun to re-read a book and get something new out of it that first time readers would inevitably miss, due to the book's complex nature. Although it seems to be a collage of random paragraphs at first, if you read closely enough you can pick out completely logical associations that a man like Billy would make. It's a quick read packed with Vonnegut's dry humor and war memories. I loved it!!!

I really enjoy books that revolve around science... especially when they were written during the 1800s and early 1900s. It is very entertaining to discover what these people believed and to compare their beliefs to ours in modern times. 20,000 Leagues Under The Sea is entertaining in this fashion. Jules Verne is suprisingly accurate in his depiction of a modern-day electric submarine and its workings... although he doesn't go into the minute details that I was hoping for. The ending of this book is a tremendous let-down with regards to the character of Captain Nemo. Throughout the entire book, the Captain's background is built up to be a giant mystery... which simply begs for resolution. I couldn't wait to reach the end of the book in order to find out why Captain Nemo was the way he was. This resolution never comes. Never. This left me with the opinion that Jules Verne simply wasn't a talented storyteller, and never bothered to fill out and completely think about the character of Captain Nemo. Anyone can think up fantastic situations and theories... but the real talent comes in explaining them in a plausible way to the reader. It's akin to watching a movie where lots of incredible things happen to the main characters, only to have them wake up stating that it was all a dream.

This is Verne's classic novel about Captain Nemo and his submarine Nautilus. What really fascinated me when reading this story and other Verne novels was not only Verne's contributions to the science fiction genre, but his founding of a whole new genre, one that, as far as I know, he has never been given credit. I think Verne was one of the first to write the techno-novel, a work that is filled with technical details ala Tom Clancy. For this novel, Verne did considerable research to describe what was known as accurately as possible. Professor Arronax and his servant Conseil board a U. S. ship that is searching for a monster that has sunk a number of other ships. They discover that it isn't a monster at all but a submarine, captained by a mysterious man known only as Nemo (Verne will present readers with Nemo once again in "The Mysterious Island"). Arronax, Conseil, and an American harpooner named Ned Land travel with Nemo and see many wonderous things and have many adventures. Verne's "Twenty Thousand Leagues Under the Sea" has gotten some very poor reviews over the decades since it first appeared in 1869. In many cases, it was because of the translation and not because of Verne. A number of the early translators inserted their own sections with their own ideas and opinions and deleted much of Verne's own words. So, readers should be aware of the translator. I read an excellent translation by Walter James Miller that was also annotated. Such an annotated volume can prove to be very helpful to teenagers getting acquainted with Nemo and his submarine.

This brilliantly crafted novel of epic proportions, tell of the adventures of Professor Pierre Aronnax, his servant Conseil, and Ned Land, a Canadian harpooner, as they are held captive aboard a submarine by a mysterious man who goes under the name Captain Nemo. Although they are in a sense prisoners, they are allowed to use all the facilities aboard the submarine. This submarine, powered by nuclear energy and christened the Nautilus, is one of Verne's many brilliant predictions of modern life made throughout many of his works. This like may others was correct. Through out the book, the reader gains a vast knowledge of marine life, and the lives of people in distant lands.

The book begins when Professor Pierre Aronnax, the narrator of the story, boards an American frigate commissioned to investigate a rash of attacks on international shipping by what is thought to be an amphibious monster. The supposed sea creature, which is actually the submarine Nautilus, sinks Aronnax's vessel and imprisons him along with his devoted servant Conseil and Ned Land, a temperamental harpooner. When they are returned to their senses, the find themselves inside a dark, gloomy, desolate, endless, predicament. They are locked in a cell. However they soon meet Captain Nemo who agrees to let them move about the ship freely on one condition. They must remain aboard the Nautilus. So begins a great adventure of a truly fantastic voyage from the pearl-laden waters of Ceylon to the icy dangers of the South Pole, as Captain Nemo, one of the greatest villains ever created, takes his revenge on all society.

The detail that Verne pours into this book is amazing. This is one of the few books that are capable of making the readers feel that they are actually there. His descriptions of how the Nautilus operates, how Nemo's crew harvests food and his account of hunting on Hawaii are excellent, and the plot never falters. The characters are wonderfully scripted; each one having their own unique personality, and they are weaved flawlessly into the awe filled spectacle.

This is the book that predicted that there would be submarines, and that submarines would eventually go to the South Pole. It predicted the development of the SCUBA suit; it even predicted nuclear powered ships. The technology used in this book makes it easy to understand even today. This book is widely recognized as a classic- in my view, correctly.

"Frankenstein" is a typical novel from the romantic period. The story is based on the conflict of a scientist with the results of his work. But Frankenstein is far more than that: It is the story of two individuals (Frankenstein and his "monster") and their acceptance and behavior in society, and of course, the novel contains a lot of latent psychological information (what would Freud have said about that?). However, it is typical for the age of romanticism that the feelings and thoughts of the individuum are at the center of the plot (see e.g. the works by Byron or by the German authors Eichendorff and Novalis). This holds as well for the music composed during that time (Schubert, Schumann, Chopin, ...). Mary Shelley describes in great detail the innermost feelings of Frankenstein and his "wretch" and how they changed from one minute to the other, and what made them change their moods, and why and how, and who was around etc. This actually - because presented through the entire book - makes the reading of the highly interesting story rather tedious. Story: 5 stars, Fun: 1 star

If you are expecting the novel Frankenstein to be like horror scenes depicted in the movies, you better think again. Instead, Mary Shelly allows the reader to create more images in his or her own mind. Today, we are so brainwashed to violence and gory images on television, that we sometimes forget what "real" horror used to be like. When you read Frankenstein don't forget that Mary Shelly wrote the book in the 1880's in a time of social unrest. The writing style is different, and the pace of the novel is not as up to date as modern books. Her descriptive words allow the reader to create the monster in his or her own mind, without actually seeing it. When Shelly writes, her words give such detailed images of what is going to happen next. For example, when something "bad" is going to happen, Shelly generates a spooky and mysterious setting.
One of the major themes throughout the book is science technology. When Victor creates the monster, he is challenging science, and therefore challenging God. When the creature awakes, Victor realizes that he has just done a "horrible" thing. He is disgusted with the thing he created, which led him to feel extreme guilt and compete rejection of the monster. Is it science that led him to self destruction? Shelly wonders how far will technological advances go before a man becomes too dependent on technology? Science destroys his life because the monster dominates him, and Victor winds up being a slave to his own creation.
What was also interesting about the novel was how Shelly made the reader feel sympathetic for the monster. After all aren't we supposed to hate this thing? She portrayed the creature as a "normal human", showing love and affection. The creature's ugliness deterred anyone from coming close to him, and made him feel like an outsider. This rejection from society made the monster sad and helpless. His only revenge was to engage in destruction. This is when the "real" monster is created. After reading parts of the novel I felt bad for the monster, in a way I never thought I would.
Although slow paced, Mary Shelly's style of writing will allow you to take on different dimensions and force you to develop your own profound ideas about the topics discussed in the novel. I think Frankenstein is a great Romantic classic for anyone who has a imagination.

The Frankenstein monster is truly one of the most tragic characters in classic literature. He is obviously quite brilliant, having learned to speak (rather eloquently, I might add), and to read simply by secretly watching others. He's sensitive, kind, and appreciative of nature's beauty-all of the most admirable characteristics of a wonderful soul. And yet, he is vilified by all who come in contact with him because of his physical repulsiveness.

His longing for love, especially from Victor, was so painful that it became difficult for me to read. I kept hoping he'd find someone to show him the littlest bit of kindness. His turn to violence is entirely understandable, and Victor's irresponsibility toward his creation is despicable. Victor, who is outwardly handsome but cowardly and cruel, is the story's true monster.

In addition to writing a captivating story, Shelley raises many social issues that are still relevant today, nearly 200 years later, and the book provides a superb argument against *ever* cloning a human being.

(Note: I have the edition with the marvelous woodcut illustrations by Barry Moser and the Joyce Carol Oates afterword - superb!)

I picked this out of a "Bargain Books" collection, and it sat at my bedside for over a year. I finally got around to it and loved it!!

The author has retranslated and EXTENSIVELY annotated Verne's original story. You'll learn all sorts of fascinating detail about the history and science of the era. Well worth a few nights of insomnia