This is a wonderfully well arranged collection of letters, testimonials, court records and other contemporary documents by and relating to Johann Sebastian Bach. The editors have selected items which paint a picture of a man who knew his own worth, (he argues for, and gets, a higher salary than his predecessors in most of his jobs)didn't tolerate fools gladly, and who had exactly the same problems church musicians today face.

Incidentally, it made me laugh frequently. Some of his testimonials for former students show him damning with faint praise. His argument over who should appoint school prefects leaves you wondering who was lying. And his begging letters to his employers are masterpieces of not-very-obsequious charm.

A great book to dip in and out of, and a resource every musician should own.

Through Bach's private documents you fin the real ma

This book is essential reading for anyone interested in the life and music of J.S. Bach. Not only are there translations of every known piece of writing by him, and every important document about him, but many of his contemporaries and those in the following generation are quoted on their views of Bach's stature and achievement. There is also the complete text of the first biography of Bach, written in 1802 by J.N. Forkel and drawing on information from Bach's sons Friedemann and Emanuel. This book has so much valuable and fascinating information in such a small compass that music lovers will be drawn to it again and again

All worshippers of JS Bach need to acquire this informative and satisfying journal dedicated to the absolutely most profoundly sublime genious in all of music. If having all of Bach's masterworks in your CD collection wasn't enough...you need to add this book for further intellectual stimulation because here Bach is presented in his OWN WORDS! Every example of written coorespondence by Bach and his contemporaries concerning him has been preserved and translated from the hand of Bach's penmanship and presented to the reader. As a result, we can glimpse into another facet of the mind behind the music. Although most of the letters were written to either one offical or another (and therefore embellished with the standard nomenclatures of the time), I was able to detect exasperation, sarcasm, fearlessness, austerity, humor, ridicule and sorrow in much of them. In the vast majority of the wordy, complex style of his coorespondence we begin to see that Bach composed his complaints in much the same vein he composed fugues; lavish phrases, requests and expostulations are intertwined in the most respectful manner to his superiors...and simultaneuosly he projects an attitude that if his needs are not met he will resort to higher means...usually meaning petitioning the King himself (which on one occasion he ultimately did!) His complaints ranged from objectional wages, unruly choirboys, the relegations of authority, and his delinquent son (in which the debtors were now pestoring Bach to compensate). It is true that not many personal references by Bach have come down to us, but there are a few morsels for us to dwell on; his declining a gift from a cousin stating that the tax required was much to high for the parcel itself, he mentions with regret a flask of wine that broke open (accidentally?) while on route in the mail and spilled out, and how not too many people were dying...so unfortunately he wasnt making out too well on funeral music composition. We begin to see that apart from his unsurpassable genious and intellect, he was very much a normal person...even a bit dull. He certainly had a dry sense of humor and had absolutely zero tolerance for people he thought were using him...and for those he thought were not taking him seriously. The is one instance where he got into a street fight at the marketplace, another instance where he was reprimanded for introducing "strange sounds and alterations in the harmonic structure" during mass at the organ (the buddings of his genious). He was interrogated for bringing a "strange maiden" up to the organ loft with him. He even spent some time in jail for being too stubborn when his leave was denied (he was looking for better work and his employers refused to let him go). He was reprimanded for overstaying leave time on another occasion (by like 2 months!) hanging out in Lubeck to see Buxtehude play. He had no qualms whatsoever in disqualifying students from his instruction if they showed any from of recalcitrance or inept musical talent. Buy this book! You can read all about these things and more from the REAL letters! There is plenty of praise and accolades to go along with it, both by his contemporaries and posthumurous composers. Read about Mendelsohn's debut of the St Matthew's Passion (100 years after Bach performed it last) written by the tenor who sang Christ's lines in the score during that performance! Look at the replicated facsimilies of Bach's letters in his own hand! The book is full of paintings of Bach...in all stages of his career. Read his letters and get some insight into the turmoil and altercations, of the humor and sarcasm of the greatest genious of music this world has ever known. His music is immortal and nothing can even come close; not even the greatest works of Mozart or Beethoven can overshadow the universal sublimity and unsurpassed ecstasy the world can find the the music of the Almighty Johann Sebastian Bach.

I have been studying this book for the last 2 months. The amount of information that is in this book, and not many others, is incredible. Actual letters from JS Bach showing how he feels. Descriptions of performances that were only available from PhD's in the past are available to you in this publication.

On the subject of J.S. Bach, this is one of the best resources I have found.

For anyone seriously interested in the life and work of Mozart, this is a must read. One must keep in mind, though, that the author is wandering out, lost, in left field sometimes when attempting to capture a real human: a slightly mythic presentation still.

An appropriate subtitle for this book would be "Everything You Ever Wanted to Know About Mozart." (Notice I didn't pick "Everything You Ever Wanted to Know About Mozart but Were Afraid to Ask." If you're after that, you should look into Maynard Solomon's excellent biography.) Albert Einstein begins with a skeletal yet factual and thorough biography of the composer. He then sets out to discuss every piece Mozart ever wrote - well, almost everything. It may sound impossible and unbelievable, but he does it. His commentary is remarkable for being both insightful and concise. Einstein is both passionate and scholarly. His prose clear and flowing. The book includes a complete listing of the Kochel catalog (with relevant page numbers). This book is still considered one of the best ever written on one of music's greatest creators.

One should be fairly familiar with the life of Mozart before embarking on this book. Full of technical insights, it gives the reader some idea of what was going on in the composer's mind. Chapters which talk about Mozart's compositional influences and the factors which helped cultivate his musical consciousness are particularly informative. I highly recommend this book to anyone who is rather familiar with the story of the man and wants to understand why he was so great.