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Besides being an utterly hilarious look at the aforementioned presidents and American society in general, this book is quite eye-opening in terms of showing Mencken's political leanings. I always thought that Mencken was a pure liberatarian with his constant attacks on the New Deal and FDR. Actually, Mencken somewhat liked FDR up until he was elected. Mencken also sides with progressive politicians such as Robert M. LaFollete and expresses sympathy (or as much "sympathy" as the great misanthrope can express) for jailed socialist leader Eugene Debs. Nevertheless, all of the aforementioned people also receive Mencken verbal lashings.
I would highly recommend this book for anyone interested in early 20th century American politics or for anyone with a slightly cynical bent. On days when you feel slightly misanthropic and (mad) at the world, read "On Politics" and you feel much, much better.
Favorite Mencken Quote: "All artists are idiots."
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It's especially interesting to see where HLM was right and where he turned out to be wrong. For instance: the book was written just before men gave women the vote (i.e., during World War I, when Mencken was in his mid-to-upper thirties and still a bachelor); Mencken thought women voting would cure politics of rampant corruption -- because women wouldn't allow such shenanigans. This is not to say that he had any kind things to say about the suffragettes. He didn't, and some of what he wrote was outrageously funny. One can extrapolate in a straight line to some of today's feminists.
His basic thesis -- which may or may not have been meant to be taken seriously -- is that women are more intelligent than men, the proof being the ease with which they typically defeat men in the war between the sexes:
"I am convinced that the average woman, whatever her deficiencies, is greatly superior to the average man. The very ease with which she defies and swindles him in several capital situations of life is the clearest of proofs of her general superiority. She did not obtain her present high immunities as a gift from the gods, but only after a long and often bitter fight, and in that fight she exhibited forensic and tactical talents of a truly admirable order. There was no weakness of man that she did not penetrate and take advantage of. There was no trick that she did not put to effective use. There was no device so bold and inordinate that it daunted her."
It would be fifty years before Esther Vilar's "The Manipulated Man" continued with many of the same themes. But Mencken was quite prescient in the section on women's martyrdom, which today we'd call their claim to victimhood or being "oppressed". I could go on at some length about how close his description of marriage is to what prevails today (based on reports which come to my attention), but I'll spare you.
I'm sorry I waited so long to get around to this book, as it's truly a classic written by a great mind -- a highly recommended trip above the stratosphere for all men and, especially, bachelors.
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Of course Mencken was misanthropic, and of course he was bigoted. He was careful to express disdain of his own character, often saying that in studying religious ideas, he found "soothing proof that there are men left who are even worse asses than I am." One of his essays is even called "Confessions of a Theological Moron," in which he admits that unlike most of the people on the planet, he has no religious feeling whatsoever and that no sense of any divine personality enters into his thinking. "As for the impulse to worship, it is as foreign to my nature as the impulse to run for Congress." But he also made clear that he was "... anything but a militant atheist and haven't the slightest objection to church-going, so long as it is honest." He thought power grabs by religion dishonest; in his own time, he lambasted religious support of prohibition, the Ku Klux Klan, Sunday marketing laws, and divorce restrictions. "The whole history of the church, as everyone knows, is a history of schemes to put down heresy by force." Mencken was present for much of the Scopes trial in Dayton, Tennessee, or the trial of (as he repeatedly names him) "the infidel Scopes," and his columns are reprinted here. He does not come out and say it, but he favored the wall between church and state as a means of not just separating but of protecting each side from the other.
The wit and erudition displayed in these essays is a real treasure, and ought to be for believers and infidels alike. Get out your dictionary; you will read here of the roar of the catamount, the boons and usufructs of modern medicine, the pothers of the newspapers, and the head wiskinski of the wowsers. As an epilogue, here is the famous, funny, and oddly moving "Memorial Service" seeking the gravesite of the thousands of gods people have believed in, "... many of them mentioned with fear and trembling in the Old Testament." The long list, including Baal, Pluto, Odin, and Huitzilopochtli, is composed of gods "...of civilized peoples - worshipped and believed in by millions. All were theoretically omnipotent, omniscient, and immortal. And all are dead." Mencken is dead, too, but his thoughts as retained in this invigorating collection ought to last far longer that Huitzilopochtli himself managed.
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This volume is absolutely indispensible for both the amateur logophile and the scholar of the English language. I recommend it very highly! It is incredible fun to read!
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That is the trouble with Mencken, and why so many of his books are out of print. Mencken told the truth. For this reason, people (intellectuals especially) can't stand them. They hate it when he pricks their bubbles of illusion and self-deceit. Mencken is also despised for being the very antithesis of political correctness. In fact, it would be no exaggeration to suggest that in today's dismal cultural climate, no "respectable" newspaper or magazine would dare publish his work. Why? Because Mencken had integrity: he wouldn't just write what people wanted to read. That is the main reason why so many "right thinking" people find him offensive. Mencken told the truth, and he is damned for doing so.
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This book contains one of my favorite essay and the single biggest reason to own this book, his piece on the critical process. It's only a 10 page essay but it's probably the most eloquent. For whatever reason he put it around page 450, but I would recommend reading it first. It puts a reader in the right frame of mind for reading Mencken's essays. He explains a worthwhile critic is not so much concerned with truth or detail. Instead a truly great critic takes the target of the criticism and uses it to develop his own original ideas. It separates those who would just be archivists with those who would be artists. Clearly, Mencken was not concerned with the former, he was concerned with art and he was an artist.
What makes this book brilliant is its terse structure- it is fragmented and in short pieces, and this produces his intense compact wit in wave after wave of the finest observations and thoughts to come out of mortal man since Tom Sawyer. A Mencken Chrestomathy utterly fails to do badly at every turn.
If you have glanced at this book, and have even a tiny thought at not buying at least two copies, shoot yourself in the foot for punishment, then go buy a dozen copies and pass them out to your superior friends as rewards for their sagacity and charm and as a reward for their loyalty. But if you have little humanity and wish to punish a friend or make their lives more miserable, do not tell them of this book, and leave it right where it is.
I give no book this high a regard. But I give this one my complete, unconditional support. If you have the means, I suggest buying a thousand copies and distributing it among the hungry of mind for the wonderful elixer of an effect Mencken has upon the mind.
The only thing bad about this book is the covers are too close together.
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In "Treatise on the Gods," Mr. Mencken offers a simple account for the rise of religion that is not founded on much more than his own imagination. But it is as defensible as anything written by anthropologists, and is certainly several orders of magnitude more sensible than taking the stories at face value. For the sort of "true believers" that Mencken would casually dismiss as the "vast herd of humanity," this book will be an affront and an insult. But to cowboys riding that herd, it's a delight.
Mencken is at his best when he covers presidential campaigns, as he does in many columns in this collection. He revels in the empty rhetoric he hears, and describes the bilge to the reader in truculent and uncompromising language. The whole art of politics, to him, is circus-like. The pols are clowns and their election speeches are the main act.
Anyone looking for sober commentary should look elsewhere. But anyone looking for extremely witty, well-written and combative columns should pick up this collection. There is probably no better example of attack-dog journalism out there, nor is there likely a more entertaining way to get a quick history lesson on the important political figures and issues of the early twentieth century. Enjoy!