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The subjects of Mr. Kunstler's paintings are invariably interesting, and he does not like to paint scenes or events that have been done previously by other artists. This book is the companion to, and illustrative of, the events and people of the novel "Gods and Generals" by Jeff Shaara, soon to be made into a motion picture of the same name. It follows four exceptional soldiers through the first two years of the war: Robert E. Lee, Thomas J. "Stonewall" Jackson, Winfield S. Hancock, and Joshua Lawrence Chamberlain.
In this book, there are many new paintings not yet published elsewhere, but whether you are an old Kunstler aficionado or newly introduced to his work, you will find this book unequaled. The reproductions of the paintings are eye-catching, displaying each painting in vibrant, striking colors, true to Mr. Kunstler's originals. I say above that his paintings are educational, and so they are. I urge you to look closely at every work of art. If you do, you will not only see an astonishing amount of detail, but also learn much about the people, the times, the objects people used, and the war. Again, we have Mr. Kunstler's constant striving for perfection to thank for paintings which are correct in every detail. He is the quintessential perfectionist, who painstakingly researches every detail, no matter how small, to provide his audience with true, as well as beautiful, depictions of people, places, and things. He consults with knowledgeable historians, such as Professor Robertson, who wrote the text for this book, on even such matters as the weather on the particular day that he wants to depict in a painting. All of the accouterments are true, as well as the animals, the uniforms, the weapons, the landscapes, the battlefield situations, the lighting -- everything. Rarely does one find, in one individual such as Mr. Kunstler, artistry to the point of genius coupled with an unceasing demand for perfection in all of the details of his art.
I admit that I am no connoisseur of art and that I can claim no expertise or experience in art. Even someone such as I, however, can at least partially appreciate the artistic techniques used by Mr. Kunstler. His positioning of people, animals, buildings, and other objects to lead the observer's eye to the main subject of the painting, his extraordinary use of light to play on this or that subject in the picture in greater or lesser brilliance in order to accentuate or subordinate that subject, and his use of color, always precise, to delineate bright sunshine or dark shadow, or to emphasize or minimize, are all techniques that even such as I can note and admire. His paintings are so life-like as to defy the observer to differentiate them from photographs. But no photographs could depict such wonderful color and the precise instants in time which Mr. Kunstler so deftly chooses to picture.
Mr. Kunstler has, with every book he has introduced, been able to obtain the very best in historians/commentators to draft the texts. He has obtained the services of, for example, Henry Steele Commager (for the book "The American Spirit: The Paintings of Mort Kunstler"), James I. Robertson, Jr. (for "Jackson and Lee: Legends in Gray," "The Confederate Spirit: Valor, Sacrifice and Honor," and the current work), James M. McPherson (for "Gettysburg"), and Dee Brown (for "Images of the Old West"). Dr. Robertson's text in "Gods and Generals: The Paintings of Mort Kunstler" is, as always, the perfect complement to the paintings. As with Mr. Kunstler's art, so also with Dr. Robertson's narrative, one can learn much, whether one is a novice or an experienced hand.
Thus, whether you are a "Civil War buff" or simply interested in exceptional art and edifying prose, you will enjoy this book (and you would do well to consider obtaining Mr. Kunstler's previous books, named parenthetically above). You cannot go wrong with the team of Kunstler and Robertson.
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Overall, I recommend this trilogy to every person who is interested in learning about the Civil War, especially the Southern Cause, and about the men that led the armies.
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This novel is very intense: 355 pages stretched out over just three days. The first remarkable thing is the accuracy of Shaara's historic detail. Next we are impressed by his impartiality: each chapter focuses on one officer, but he switches "sides" easily, demonstrating absolute fairness to North and South. This style of the divine narrator leads us to realize that it is War itself which proves the real evil, since both sides espouse principals of honor. We are amazed that he can present such vivid word portraits of the officers who orchestrated the prolonged Battle of Gettysburg. Shaara takes us inside their heads--and their hearts. Their foibles, dreams, terrors, regrets, and private anguish are laid bare for the reader. We share the agony of mlitary decision, the loneliness of high command.
This novel also is impressive because it proves very readable--not the boring history text you might expect. One reason is the use of extensive dialogue. Some conversations seem to be scenes from a play; they remain with the reader long after the action has moved on. But the historical persons depicted appear very human, despite the intervening years. Even if you never cared for military history, this book will enlighten, touch and entertain you. Shaara provides great insight into why men will lay down their lives: for a Cause or for an Ideal. Fabulous literary and historical reading for all Americans!
Shaara doesn't appear to take sides in telling the story, as he cuts back and forth between extra-ordinary depictions of characters like Lee, Longstreet, Stuart on the Confederate side as well as Union participants like Joshua Chamberlain and George Meade. I especially enjoyed the interaction between Lee and Longstreet, who tried to talk Lee out of a frontal assault at Gettysburg in favor of a defensive maneuver in which the southern armies stood in the path of Washington D.C., as well as the heroic exploits of Virginia's Lewis Armistead, who gallantly charged under General Pickett hoping he wouldn't be forced to confront his good friend, Union General Win Hancock. The novel is filled with gripping, true to life storylines where generals and their inferior officers came to life in Shaara's skillful hands.
The research done to support The Killer Angels was obviously meticulous, and the book includes maps to give the reader a sense of the overall development of the battle, to accompany the personal interactions of the participants. If you are a Civil War buff you owe it to yourself to read this book, which is far superior to the later, similar novels written about the war, both pre- and post-Gettysburg, by the late author's son Jeff Shaara. If you are not all that interested in the War Between the States, read The Killer Angels anyway, and you may find yourself looking for more, like the 3 part history of the war by Shelby Foote, which this novel inspired me to read. I give it an enthusiastic five stars.
I am a big fan of Jeff Shaara and have read all of his books to-date. I think that all readers should understand that Shaara does not write history books per se. Rather he writes wonderful fiction told in historical settings. I am sure that he does his due diligence in researching the facts before undertaking his novels. But if some of the facts don't jive with the true historians then so be it. That should not diminish one iota the pure enjoyment of reading this novel. High school history class should have been so enjoyable.
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His style is wonderful. Shaara said that when researching the Civil War books the likes of Lee and Grant visited him, as in a dream. I expect that Franklin (my favorite character) did likewise. I truly envy him!
This is volume one of an expected two volume set. I read this book quickly today (devoured it!) and am looking forward to volume two.
Clearly an extraordinary amount of research has taken place to portray this story. Shaara has crafted and virtually illustrated the perspective and personalities of Samuel Adams, John Adams, Benjamin Franklin Patrick Henry, John Hancock, George Washington Thomas Paine, Paul Revere, Thomas Jefferson and British Gen. Thomas Gage. The book principally begins in 1770 and extends through the signing of the Declaration of Independence on July, 4, 1776. It is set in the historical places of that time; Boston, Lexington, Concord, Fort Ticonderoga, Bunker Hill and Philadelphia. I was practically partial to the environment and life of the Continental Congress and found the accuracy of Shaara's canvas to be both satisfying and exciting. A must read for every patriot.
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Back in the early 70's, I was on a graduate school sabbatical from the Army. The Killer Angels had just received the Pulitzer, and the man who shared my office, another Army officer bound for the West Point faculty, encouraged me to read it. He later re-wrote the Army leadership manual with references to Chamberlain at Little Round Top. For years, the Army harbored something like a Chamberlain cult.
The trouble with Last Full Measure -- like its predecessor, Gods and Generals -- is that is so very broadly focused, we are unable to put aside the simple fact that we know how it ends. TKA told the story of a few days, and the points of view were carefully chosen. Jeff Shaara didn't have the luxury of such lapidary perfection, since he chose to tell the story of the whole war in the east. Under such circumstances, the normal tools of fiction are likely to be trampled by the rampaging elephant of history.
Some of the touches are nice, but the characters tend to be too self-consciously noble in their private motives. Wars are won by SOBs, not by generals with the qualities of a noble horse. In particular, Jackson seems a bit mild and introspective; he may have been introspective (though I don't think I'd like to eavesdrop on his private musings!), but such mildness as he possessed serves best in giving depth to a manner and motivation as hard as obsidian, and somewhat blacker. This general's God was not given to forgiveness and leniency, and Jackson's background craziness -- like Patton's and yet different -- is far more interesting than the kitsch of gentle religiosity.
For a different and perhaps more realistic view, I recommend Tom Wicker's "Unto this Hour." As a Civil War buff, I wouldn't have missed Jeff Shaara's work, but read Bierce as an antidote for all that idealizing.
This book deals with the post Gettysburg peroid of the Civil War, and continues into the 20th Century. Having read the trilogy completely, I was sad to see my Civil War friends fade away. But their stories live on, and wonderfully told by Mr. Shaara.
The book doesn't dwell much on fighting, but goes into great depth discussing the people in important roles, Grant, Lee, Chamberlain, etc. After reading all the books, these figures become close to the reader, and their trials, successes and failures have a great effect on the reader. It was a very pleasent experience getting close to these men whom I have studied for years, but in a different fashion.
The conversations are real enough, and even the legends are present in common dialog. I actually came to feel that Mr. Shaara might have actually been there. Also, his insight into the personalities of the major players I feel is right on.
A very good read, although not a 5 star, but good none the less. If you can, take all three members of the trilogy in sequence. The results will be very rewarding. If not, this is still a book well worth the time to read it. Thanks Mr. Shaara.
"The Last Full Measure" takes place during the last years of the civil war, the story begins after the horrific battle of Gettysburg. Shaara focuses upon the war in Virginia and primarily upon the battles between General Robert E. Lee and General Ulysses S. Grant. He tells his story through the eyes of the combatants, Grant, Lee, Chamberlain, and to a lesser extent Hancock, Stuart and Longstreet. Grant's war by attrition and Lee's efforts to evade the Union forces are the focal points of the novel. There is no need to concern myself with spoilers I believe everyone know the outcome...the North Wins but at a huge cost. One of Shaara's main points is the terrible cost of the war, the ruin on the battlefield as well as in the minds of participants.
I enjoyed this novel immensely. If I had to find anything wrong with the book, I would say that the book requires more maps or better maps. It's hard to picture a battle unless you can see a map showing all the players. Also, the story drags a little at the end. Shaara doesn't focus upon the Civil War reconstruction but instead gives us biographical chapters with post-war recaps. I would consider the Civil War Reconstruction just as important as the capsule biographies of the major characters and perhaps a more important end to his story. However, these are very minor points and I would not let them deter you. The is a very fine novel and one worthy of your attention.
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Chapel is about to take the mound at the end of his 17th big-league season, for a losing team, playing before 80,000 fans in Yankee Stadium (must have been the old, larger House that Ruth built) against a team desperately needing the win for a playoff berth. Amidst personal crisis (Chapel hears a rumor that he's been traded, and his girlfriend is destined to marry another), he tries to block out everything and go out in style, giving it all he's got for one majestic, final game.
The book is written like an internal monologue, and especially in between innings Chapel reminisces about childhood, about his chance encounter with the beautiful Carol and their amorous adventures together, and about his departed parents. The scene of Billy pretending to sleep in the backseat of his folks' car, while they marvel at his talent and discuss how special he is, was especially moving. Chapel is so introspective that he is essentially roused out of his reverie to take the mound each inning by his catcher and best friend Gus.
I liked the interplay between the baseball game and the dream-like flashbacks, although readers should understand that this is more than just a novel about baseball. Themes such as solitude, grace under pressure, camaraderie between the pitcher and catcher, and the recognition that Billy is an aging athlete playing what could be his last game are all explored in moving detail. I read the book this past week, against the backdrop of a classic game 7 World Series matchup between two old warhorses Clemens and Schilling, and could appreciate even more the way pitchers ignore the pain and lay it all on the line in big games. Shaara, whose masterpiece "The Killer Angels" explored the psyche of civil war veterans like Lee, Longstreet, Armistead and Hancock, does a good job getting inside the head of a hall of fame pitcher. The book is also nice and short, susceptible of being completed in one long sitting if desired. While some of his references may seem a bit dated (like athletes listening to Neil Diamond tapes the night before a game), the book is a winner.
This little gem of a book was found by the author's son and published posthumously. Though it is no Gettysburg, it is a wonderful book from an author who left us too early before we got a chance to know him.
Billy Chapel is an aging major league baseball who once knew the pinnacle of greatness. But age has taken over, and he is on the verge of being put out to pasture--or as rumors roam--being traded. He is pitching his last game of the season, and as he pitches he ruminates over his life over a stream of conscienceless of thought. He knows it is the end of his career, but he is not going without a flash and begins to pitch the best game of his life. As he pitches, he begins to think back on his life, but as he does so he stays focus on the game--the perfect game. Why? For the love of the game.
There are no simple answers to his life. Nothing but memories, the future, and the love of the game.
A perfect little book from a great author.
This is an odd way to complete a trilogy: write the first story last, the middle story first, and the last story second, but at least readers aren't required to read them in that order--and I suggest they don't. I recommend reading the stories in sequence with the war: "Gods" first, "Angels" second, and then the "Measure." One reason is the simple logic of following the natural progression of the characters and the war. Another is that in that order the writing goes from good to great. Reading the books in reverse order can lead to letdown.
While "Gods and Generals" is an excellent primer to the subsequent volumes, it is not on the same literary level. Shaara introduces the main characters, Stonewall Jackson and Robert E. Lee, and a few key Union players in the war in the East, i.e., Hancock and Chamberlain, and follows their exploits from Bull Run I (Manassas) through the Peninsular Campaign, Jackson's 1862 Shenandoah campaign, Antietam (Sharpsburg), Fredericksburg, and Chancellorsville. He glosses over the early fights and builds tension by providing more detail of each subsequent battle, mostly won by the underdog but aggressive and brilliantly led rebels. Most of his specific battle-scene descriptions center on Fredericksburg and Chancellorsville, where Stonewall Jackson receives his fatal friendly-fire wound. But for those who loved "Angels" for its detailed account of the Gettysburg battle, this book will be unsatisfying; the individual battles do not receive enough attention. For those who were moved by the climactic drama and powerful evocative writing in "Measure," this book will seem flat, uninspired, and aimless. On its own, the ending tends to fizzle out to nothing. Of course, it's not on its own, and was never intended to be. It is a strong foundation for one of the best historical war novel trilogies of all time. --Christopher Bonn Jonnes, author of BIG ICE and WAKE UP DEAD.
Shaara, in this case Jeff, the son of Michael, had a hard act to follow. His father was the author of Pulitzer Prize Winning Killer Angels (1974). Killer Angels looked at the high watermark of the Confederacy which ended with the battle of Gettysburg. That was the single most important event of the whole War Between the States, in a war that shaped the United States. It gave such insight, such reality into the horror, the glory, the humanity and inhumanity of war, of Generals Lee, Hancock, Pickett and Chamberlain. Shaara's words brought alive the battle and made you feel it all, the anticipation, the frustration, the fear and the anger.
In Gods and Generals, Jeff picks up his father's pen and gives you another masterpiece. Though father and son, both have a different writing voices. Jeff picks up the threads of what happened before Gettysburg, a prequel to his father's award winning novel, giving you insight into the men facing what would be their hardest trial. He again centres on the driven Lee, the bumbling Chamberlain, the dashing Hancock, but we also see Jackson, the man who could march his men 40 miles in a day and then fight a battle, one of the most efficient Generals of the whole war on either side, yet overwhelming a religious man. What interested me most, was his portrait of Lee, his dedication to the Confederacy winning and yet the pain of being torn by his loyalty to the Union army he once served and likely of which he would have been General had he not resigned his commission.
A tour de force for a first time writer.
Before reading this book, I lacked a lot of knowledge pertaining to the Civil War. I did know the basics, it started with slavery and the Union won. Once I read the first chapter, I knew that it was going to be an overwhelming and an awe-inspiring book and I knew that I was going to learn a lot. I learned about each of the major generals, many of the major battles, and actions the people made. I went from knowing almost nothing to being a person with a good deal of knowledge regarding the subject of Civil War.
General Robert E. Lee was a major character and Jeff Shaara really focused on him as well as Thomas "Stonewall" Jackson from the Confederacy. From the Union, Shaara did not focus on one or two of the generals, it was more evened out. Although Shaara focuses on these two generals, I felt that I got to know each character and what they felt. That is one of Shaara's strengths when he writes, the reader feels like they get to know the characters.
It is impossible to characterize the greatnessof Gods and Generals and it is impossible to not have to the chance to read it. If you are want to read a book and learn while reading and enjoying, I strongly suggest that you buy this book and read it because those around you are going to want to borrow the book and read it as well.
I also found Kunstler did not paint as many movie scenes in this book, instead capturing the actual historical looks of these "Gods and Generals" of the Civil War. Any lover of history or military art will appreciate his attention to detail and riviting scenes. Enjoy!