This volume is bursting at the seams with Chandler's writings and it is an astonishing value even at the retail price. It even comes wrapped in plastic!!! Alas I do have one complaint, you can buy Double Indemnity on it's own in a seperate volume that is very much in print. The editors at LOA must be aware of this. If so, they must also be aware that "The Blue Dahlia" is no longer in print and has not been since 1976. Wouldn't it have made more since to eliminate "Double Indemnity" since it is readily available in another volume and replace it with "Blue Dahlia"? Couldn't an argument be made that in addition to it's scarcity "The Blue Dahlia" is also a better representation of Chandler's screenwriting talent because it his only produced solo effort and the fact that it garnered him an Oscar nomination?

Bottom line: LOA has redeemed itself for it's blatant lies on the Dust Jacket of "Stories and Early Novels" (see my review "Incomplete and Misleading")By the way, no one has ever explained why they neglected to include Chandler's last complete Marlowe story, "The Pencil".
I will be writing other reviews of Chandler collections undwe the clever title of "The Simple Art of Editing" and let me assure you that they do not hold up as well as this LOA masterpiece.

Contained in this volume are the last four (of seven) Marlowe novels, the Double Indemnity script co-written with Billy Wilder (including lines that were cut), his famous essay on "The Simple Art of Murder", one on "Writers in Hollywood", another titled "Twelve Notes on the Mystery Story", and finally "Notes (very brief, please) on English and American Style". Couple these with thoroughly entertaining and sometimes revealing letters to friends and fans, and you can't miss.

In one of these letters he even discusses fellow hardboiled writer Ross Macdonald's (here called John, as he hadn't changed his name yet) The Moving Target, which cribbed some ideas from The Big Sleep and Dashiell Hammett's The Thin Man.

The novels themselves? Classic Chandler - enough said. If you'd like to know why you should expect the best in hardboiled detective fiction, well, read 'em all, or at least one. (If you're planning on that course of action, try the first in the series, The Big Sleep, included in a similar volume called Stories and Early Novels: Pulp Stories/The Big Sleep/Farewell, My Lovely/The High Window.)

Bottom line, this is required reading for anyone who won't read just anything but at the same time doesn't limit themself to Anna Karenina.

"Nothing made it my business except curiosity. But strictly speaking, I hadn't had any business in a month."(21) For Phillip Marlowe, the irresistibly aloof private detective who stars in Chandler's impressive detective novel, Farewell, My Lovely, crime is not something he seems able or willing to avoid. Hitting the streets of Los Angeles in the midst of the American gambling craze of the 1930's, Marlowe finds himself an inextricable player in a search for knowledge of past and present crimes and criminals.
Though he appears, on the surface, to be little more than a nosy, bumbling "private dick," his successful unraveling of a closely interwoven crowd of crooks proves, as one suspect cop observes, that Marlowe "played...smart....You must got something we wasn't told about." (228) Keeping his cards in his hand for most of the noel, Chandler shows that both he and Marlowe are "smart," leading the reader on a circuitous trail that shakes out only in the novel's final pages.
The story begins with a happenstance encounter between Marlowe and an ex-con called "Moose" Malloy. Marlowe cannot resist pursuing the suspicious-looking hulk of a man and soon finds himself both running after and from a variety of shady characters. In the course of his private investigations, Marlowe survives several near brushes with death, getting "sapped" by thugs near the novel's start, pumped full of opium in a suspicious hospital-like place, and stealthily boarding a closely guarded gambling boat to confront an infamous mobster in the middle of the night. In the end, Marlowe succeeds at untangling the web of murders and crimes that keep him running throughout the novel, but not before giving the reader the run-around as well. Chandler's smart, articulate prose lends itself well to the captivating story and intriguing characters that combine to make this a must-read for fans of detective fiction.

Chandler is the greatest writer of detective fiction and a great author period. To ignore these books is to ignore much of what is great about American literature.

Earlier anthologies of Raymond Chandler's works mostly center upon what have come to be known as his 'big four' or earliest novels -- The Big Sleep, Farewell My Lovely, The High Window, The Lady In The Lake -- or upon his later, and admittedly (with the possible exception of The Little Sister) 'inferior' works. Chandler's earlier short stories ( many of which he "cannibalized," to use his word, for the material in his subsequent novels) are normally treated as a separate genre altogether.

This particular collection, rightly, combines Chandler's first three novels with the best of his earlier short stories, recognizing the thematic unity in those works. (Good as it is, "The Lady In The Lake" demands to be treated separately from Chandler's earlier efforts.)

Chances are, if you're reading this, you've read most, if not all, of Chandler's Phillip Marlowe novels. You may as well have read many, if not all, of the short stories presented here. But have you read these novels, and these short stories, TOGETHER in this context? Likely not. But you deserve to.

In the short stories, for example, there are protagonists named John Evans, Ted Carmody and Tony Resick (the last two of which, interestingly, inhabit locations which were most likely Los Angeles' Hotel Mayfair, with which Chandler had more than a nodding familiarity). And when, in Chandler's writings, did they meld themselves into what would be his penultimate creation, Phillip Marlowe?

And at which point did Chandler begin to write, as fellow writer Ross McDonald termed it, "like a slumming angel . . ."? The answers to both questions may well lie here, in this collection.

Pick up this collection! Read it! Discover the material anew!