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El libro te permitirá conocer a personajes muy importantes en la historia Romana que no tienen la fama de Julio César o Marco Antonio, sin embargo influyeron totalmente en el sistema político romano y en su futuro.
Recomiendo totalmente este libro ya que para poder entender mejor toda la serie escrita por la autora este libro es indispensable. Es un libro para todos aquellos que gustan de las novelas históricas y para aquellos que gustan de un buen libro.
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I truly enjoyed how the author used a lot of description and detail in the novel. This description enabled me to paint vivid pictures of the beautiful, Australian land in my mind, as well as clear pictures of the many different characters' inner and outer appearances.
This extraordinary love story was like an emotional rollercoaster. It twisted and turned leaving me feeling many different emotions including love, humor, sadness, anger, hate, and malice. I often found myself crying as well as laughing while I eagerly devoured every word on the page. It kept me reading and reading until the very interesting ending. I would recommend this captivating novel to anyone who is looking for a great story about life and love! I'm sure you will enjoy it just as much as I did!
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It is hard to explain the story of a 1000+ page historical novel. But it basically chronicles the political and military struggles in and around Rome circa 105 BC. The detail to which the author describes these events can be a bit beyond the interest of most readers but at least her prose is very rich and enjoyable to read. And she entertains the reader with several vignettes into the personal lives of the Roman leaders. Rather than dwelling on debauchery and crude aspects of their lifestyle she focuses on aspects on what is important to the Roman citizen: honor, status, money, and power.
Bottom line: a long and sometimes heavy read which is quite simply a masterpiece. Compulsory reading.
"The October Horse" is essentially the story of Caesar's adventure in Egypt, his subsequent assassination, and the subsequent rise of his designated heir, Octavius Caesar. It is possible to learn a lot of late Republican Roman history by reading this book.
In "the October Horse" McCullough's writing is much less like a novel and much more like a historical summary than the rest of this series. Her prose is less intimate, more detached, and frankly, less clear and direct than her other books. From this standpoint the novel was a disappointment to me. I also felt that McCullough glossed over Julius Caesar's evident megalomania in his latter days. Possibly because McCullough is herself so enamored of Caesar, whom she portrays as virtually a god on earth, she seems to gloss over Caesar's frank undermining of the key institutions of the Roman Republic. Once Caesar became dictator for life, the Republic never recovered and eventually declined into the Imperium.
One strong point of the novel is that it does a pretty good job of portraying Octavius Caesar. By the end of the novel I felt that I knew him, and that I understood how he was able to rise to eventually become Rome's first emperor.
I would have liked the novel better if it had focused more on how the Roman Republic was ultimately destroyed by Caesar and Octavius (and, to be fair, by their enemies including Cato and his "Good Men"). I felt that the novel would have been better had McCullogh engaged in more novelization and less historical summary. Despite these criticisms (which, to be fair, not everyone may agree with) the novel is a good read and certainly constitutes fine historical fiction.
The Rome series spanned the life of Julius Caesar whose time to die has finally arrived; McCullough could not stretch him out for another novel. She gets the death scene right, presenting Caesar's fall with understated elegance, in spite the gore.
Besides Caesar, we are treated to a legion of other characters: Cleopatra, Brutus, Mark Antony, Cato, to name a few, and also interesting completely fictional characters such as Caesar's Egyptian doctor Hap'fadne. But my favourite of all is Octavius. Octavius closes the series the end of the book, we are left with just a twenty five year gap before he reappears as Augustus in Robert Graves's "I, Claudius".
It's interesting to note that McCullough wrote two non-Roman books between Caesar and October Horse. I suspect she was putting off killing Caesar because she had grown too fond of him. There is precedent: Alexandre Dumas went into a deep depression after killing Porthos in the last book of the Three Musketeers series.
Having said that, I found this one a little hard to get through. The dozen principle characters are well drawn and three dimensional, but the 752 other people who populate every corner of the novel kinda muddy the waters. Many seem superfluous, although those with a better classical education than I will no doubt enjoy their presence. There are passages which read so fast, I was left breathless. But there are also several passages where I literally had to back up, get some momentum, re-read a few pages, and hammer my way through.
Caesar, Cato, Octavian, Brutus, Cicero...these portrayals are so vivid they will affect every non-fiction account about this time period I'll ever read.
The worst thing I can say about this book is that now I have the urge to go back to Book One and start over. I hope she'll change her mind and take us through Octavian's life...I've got to go get some history books so I can find out what happens with him, Antony, Cleopatra, Caesarion...
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The novel explodes during Caesar's Gallic War (specifically, Gallia Comata -> Gaul of the Longhairs -> roughly modern France). There are numerous battles; power plays to control Gaullic tribes and Caesar tries to enlist some of Gauls on his side. At one point, Caesar constructs a type of military fortification known as a circumvallation; essentially a series of walls over 10 miles long, in this case, around the city of Alesia.
After this, there is the run up to the Civil War. The political intrigues of the Senate and People of Rome (the Roman Government) are described. It was fascinating to read of the power plays used by the Romans; the planning behind the campaigns for political office, the running of the courts and the relation of Rome to Italia and the Provinces. The noble ruling class (patricians) constantly worries of how it will maintain itself apart from the influence of the plebeians (commoners); the plebeians are potential rioters and clients (in Roman terms, this meant for a plebian to owe political and economic allegiance to a patrician). Then, Caesar crosses the Rubicon (a river separating the Provinces which he administers and Italia proper) sparking the Civil War. Gnaeus Pompeius Magnus (Pomey the Great) heads the anti-Caesar side. As Caesar advances toward Rome, Pompey panics and decides to abandon Rome and evacuate the Government to Greece...
The general tenor is the novel is fascinating; however one can become loss in the great detail of geography that McCullough provides. Fortunately, there are about 5 maps in the novel depicting the various areas. Also, the narrative includes details concerning the inner workings of a Roman military camp, Roman military logistics and the legal/constitutional setup of the Roman Republic. Again, McCullough provides a rather extensive glossary of terms, which the reader will find very helpful.
Given that much of the novel consists of military campaigns (there is a fair amount of politics involved as well; the military and the political often clash and mesh with each other), one learns the great importance of food. There is a constant concern that the Generals must find (and obtain by force, if necessary) food to feed their troops. This factor comes up in several different contexts; the sieges, being far from Rome, the problems when the local area suffers from a famine and so on. Also, the fact that the soldiers expect and get much personal wealth (and Caesar personally), by looting defeated cities and tribes of all their silver and gold is a concept that may be very familiar to the modern reader. Yet, that was one of the big draws to getting involved in wars.
My one negative criticism of the novel is the seeming adoration with Caesar himself that McCullough puts into the story. It seems that Caesar will win every battle, win every discussion and outplan or outplan his foes. There is a feel that Caesar's victories at almost predestined at some points.
Historical Accuracy:
The novel has as its source material to primary documents written by Gaius Julius Caesar himself ("The Gallic Wars," and, "The Civil War"). Due to the fact that Caesar was writing the Gallic Wars as something like a series of status reports to the Senate of Rome, there is a possible tendency that he inflated his victories. Especially, since the Gauls of this time period left no written records about themselves, one must rely on others descriptions of them. In the, "Author's Afterword," McCullough explains in about 4 pages what changes she has made to actual history of the events. For a history student, this is extremely informative. I expected that McCullough would have been much more liberal in her dramatic retelling but I am quite impressed with her fidelity to the facts.
McCullough ends her Afterword by stating: "The next book will be called, 'The October Horse.'" I look forward to reading this next installment in, "The Masters of Rome," series.
McCullough not only tells you what happened, but gives you the reasons why it happened. You are treated to the jealousies and intrigues among Rome's ruling elite as the "Boni" go after Caesar and his "populars."
But this novel is primarily about the rivalry of two giants in Roman history, Pompieus Magnus (Pompey the great) and Gaius Julius Caesar. Allied in the first triumverent we see the death of Julia, Caesar's only daughter and Pompey's wife as the beginning of the end of a very successful political alliance.
As Caesar's success mounts in Gaul, his fortunes at home start to decline. There really was a great right wing conspiracy against Caesar as the Senate jockeys to get Caesar back to Rome without imperium so that they could prosecute and persecute him. Pompey becomes a pawn for the anti-Caesar Senate faction and the political moves and countermoves are fascinating to watch.
Finally, with his back against the wall, Caesar crosses the Rubicon and "lets the die fly high." McCullough's is meticulous in her scholarship. The few times she departs from actual history she will tell you. Or if there is more than one interpretation she tells you not only what the other one is, but why she chose hers. There are two interpretations of the Latin with the subtitle of the book. The first is the one I had heard of "The die is cast." McCullough rejects this, feeling that Caesar was more optimistic than that and a bit of a gambler. When he crossed the Rubicon with his troops, he had abandoned the law and was going for it all. McCullough felt that he would see this as throwing the die in a gambling game and was full of hope rather than resignation.
You get a great view of Roman life, politics, religion, the legal system, etc. from the entire series. This book can stand alone, but is much more meaningful if you read the series in order.
Would I recommend this book? I've given copies of this and others in the series to friends of mine and I've read them all twice.
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Convicted unfairly of a crime whose penalty is seven years and transportation, Richard Morgan learns to live as a prisoner. Life aboard the prison ship is a job in itself to stay alive.
Arriving in Botany Bay, Richard plies his trade as a gunsmith to the building of a convict community. Having lost his wife and child to death before being sentenced, he lives alone and desires no woman. As more and more convicts arrive, living quarters become sparse and each is required to take in a convict. A frightened young girl, half his age, ends up in his house and thus begins the thawing of his heart. Richard finishes his sentence and deems to stay in this new land and with his new love.
Unfortunately, I did not have this same experience with Morgan's Run. I really wanted to know about the beginnings of Australia, and in her usual thorough manner, Ms. McCullough taught me a lot. Even though Richard Morgan is a complex and interesting character, I did not feel myself really caring about him or the many, MANY people he comes into contact with. Near the end of the story I started to finally get into the message that I think she was striving to convey....quiet strength ultimately overcomes adversity, but Richard was SO quiet that he almost bored me. The character, Meghann, in The Thorn Birds, came totally alive for me and Caesar is incomparable in the Rome Series (I am in love with this man and wish I could time travel, even if only half of her description of him is true!). Richard Morgan seems to be more of a plot mechanism and she almost uses this poor man as badly as the people of his time tried to do. He is admirable but there is so much detail written about what happens AROUND him that I barely got to know HIM. I will, however, read the sequels because of the historical knowledge I will gain and because I am now familiar with the main characters and am beginning to see them as more three dimensional.