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Later, if you want to give yourself a treat, go and buy her autobiography, although unfinished, a memorable book.
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In her lifetime, Carson McCullers was many things to many people, and the conflicting accounts are fascinating. She could be very charming and attentive, a soft-spoken original with deeply engaging, large eyes. But she was a difficult friend to many, becoming obsessively clingy and demanding of attention. A bitch and an angel; as unshakably sulky or as light-hearted as a child. Her hair she always carefully brushed, and yet sometimes she wore outfits so outlandish, she was mistaken for a tramp. (that's hobo, not slut). She was a sensitive and imaginative author who touched many hearts with her unsentimental writings about human longing.
Reading this book has been a strange ride. As impartial as the text is, it is next-to-impossible to avoid getting emotional as the reader, as I will explain in a moment.
The biographer has done a fantastic job of getting those who knew Carson to come forward with their various memories. It is very well-written, with family trees, thorough footnotes, many voices, interesting photos, an appendix consisting of summarized events in McCullers' life, and an excellent index. A generally well-edited and constructed biography, I find no fault with the biographer. It's the life of Carson McCullers that is so twisted and sour. That said, there are fun stories about living with Gypsy Rose Lee and of staying at Yaddo, the famous writers' retreat. But Carson's life was not easy. Tales of her drinking and near-delusional imagination, of her horrendous fights with husband Reeves McCullers, of lingering ill health, and of her leeching on friends has made reading this quite impartial book a considerably saddening adventure. Nestled in the text is the rather interesting nugget stating that, soon after McCullers hit the literary big time with her The Heart is a Lonely Hunter, she was told during a psychiatric Rorschach evaluation that if her neuroses were to be cured, she would lose her ability to write so sensitively. (!)
Increasingly, McCullers lived her life with a disturbing mix of exaggerated suffering, of need and meanness, along with what the biographer saw as an irresistible love of love itself. But this reviewer is sure that some of her friends must have felt like flies caught in a puddle of spilt honey.
It has been interesting to read about how McCullers worked, and how she drew inspiration from real life events, acquaintances and their own tales. This haunting biography could be of interest to other writers, if only as a kind of caveat. The thoroughness of Carr's work allows an observant reader to glean lessons about the power of the human spirit and the destructiveness of the attitude that insanity fuels talent.
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This novel is not for everyone. It is rather depressing, with everyone leading neurotic lives. No happy endings, and one has to wonder if there is moral to the story. But those who can tolerate looking at the world without wearing rose-colored glasses will appreciate this masterful work.
PS - the novel is MUCH better than the film. And I enjoyed it better than her other famous novel The Heart is a Lonely Hunter.
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However Clock Without Hands does not discourage me from exploring further works from Ms. McCullers. I was particularly impressed by the amazing Reflections in a Golden Eye, which I strongly recommend over Clock Without Hands for those uninitiated with her work.
Carson McCullers is a master of setting the stage for this disturbing tale which is certainly not comfortable to read. Each of the characters is exaggerated but that is her intent. She lays out the conflict with surgical precision and creates a world that doesn't exist any more. It's a brutal world and all the sugar coated Southern niceties just don't help. There's violence in the air. I felt it coming throughout and hoped it wouldn't happen. But the conclusion is inevitable.
Fine book. Fine writing. Recommended.
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Overall I'd recommend picking up McCullers' novellas and if you're thrilled with those, tackle her short stories.
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The story could be categorized as simple and to a certain extent grotesque, centred around three main characters: Amelia Evans, her cousing Lymon, and ill-natured Marvin Macy, all of them eccentric individuals. The setting is a small town alienated in time and space. McCullers writings should be interpreted in an allegorical way. In this particular story she deals with her pessimistic outlook on the nature of love, which according to her is bound to bring tragedy (as much as her own love life was involved in failure).
The story abounds on symbolisms and metaphors. Many of her stories are set in the American South and she addresses, in a beautiful allegorical way, the reality of racial bias (in the case of "The Ballad of the Sad Café" she uses the song of the chain-gang men).
Despite this expressionistic stage, the reader cannot help feeling empathy for the characters and their drama, which is exactly what McCulleres is willing to achieve through her writings. Highly criticized as well as praised by her contemporaries, McCullers has been somehow forgotten. Many certainly have watched the film "The Heart is a lonely Hunter" but few remember her as the creator of such a beautiful and touching story.
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The story involves the lives of some wonderful characters. Set in the Deep south in the 1930's, John Singer and Antonapoulos, both deaf mutes, and seemingly life partners, are separated when Antonapoulos is sent to an asylum. Singer takes a room in a boarding house owned by the Kelly family and meets Mick Kelly. A tomboyish 13 year old girl with a passion for music and culture. Being the youngest of the girls in the family, much of the responsibility is put upon her to not only watch, but basicly raise her 2 younger siblings. With the help of Portia, a simple black woman employed by the Kelly's. Who's father Dr.Copeland, stuggles with the oppression of his people. Always battling within himself and his children. A man well educated and sucessful being a black doctor, yet all of his children a dissapointment to him. Their lack of interest to not only better themselves, but also their lack in his cause. Jake Blount, a drunken, outspoken man teams up with Singer in a relationship left empty for both he and Singer. Both being very well read people, he and Singer can't seem to connect as Singer and Antonapoulos did. Biff Brannon, a local restaurant owner, unhappy in his own marriage that has run dry, has only a few fond memories to reflect on when his wife passes away. And a new life which he looks forward to is never quenched. As Singer goes on with his life quietly, each of these characters are drawn to him, each for their own reasons. Searching for something that none will find.
Mc Cullers writing style is very enjoyable. Each chapter almost entirly dedicated to each character, giving you a great sense of who this character truly is and what they are feeling. Also each chapter seems to be a little story by it's self with in this story line. This book is a fast read, easy to understand, and very clarified. Carson's use of southern black dialec is truly an asset in giving you a great feel for the south. I do recommend this book, it's a wonderful insight to a feeling deep within each and every one of us.
Tennessee Williams, in his introduction to MCCullers' "Reflections in a Golden Eye", posed the question (in a mock dialogue) most people asked about writers of the 'gothic' school such as Carson McCullers, Flannery O'Connor, Katherine Anne Porter and Eudora Welty: "Why do they write about such dreadful things?" Williams replies, " In my opinion it is most simply definable as a sense, an intuition of an underlying dreadfulness in modern society.. Why have they got to use..symbols of the grotesque and the violent? Because a book is short and a man's life is long... The awfulness has to be compressed."
McCullers, unlike any writer I have ever read, pierces the heart of themes such as love, isolation, and loneliness with her lucid, poetic prose. Tennessee Williams, in Virginia Spencer Carr's biography of McCullers summed up McCullers' writing as follows: "I have used the word 'heart', but it is not an adequate word to describe the core of Carson McCullers' genius....I believe, in fact I know, that there are many, many with heart who lack the need or gift to express it. And therefore Carson McCullers is what I would call a necessary writer: She owned the heart and the deep understanding of it, but in addition she had that 'tongue of angels' that gave her power to sing of it, to make of it an anthem."