A bulky reference book. Its useful if you want to refer something - but definitely not a cover-to-cover read as I thot it would be. To be fair, it has detailed info about all artists' materials, hardware etc - but just didn't suit my needs.

This is the Artist's classic, and the Artist's Bible of not only what materials are but when they came into use, how they are formulated and why. Want to learn how to make your own gesso for silverpoint? Want to cut a quill pen? Want to make your own pastels? Can't remember how to make your own sizing or gesso? Want to try your hand at encaustic or egg tempera painting? Want to know which colors in the spectrum are likely to fade (are fugitive colors) in watercolor and which are not? It's here.

it was a required book at a county college. once i got it i realized it was very informative. it has very good information and i refer to it all the time. the professor said it would be our "bible for art" and he was right. it has techniques such as how to do egg tempra, suggestions on types of paints, etc. i would highly recommend it.

I generally read really good books more than once. This will not be one of them. Don't get me wrong, I did get some interesting insights into ancient Europe from this book. What I found annoying, however, was the constant interjection of personal politics that the author is incapable of keeping to himself.

I do not believe, for example, that the western defense industry is a quasi-spiritual relic of the battleaxe culture.

Still, this book is worth reading. Good information about migrating cultures and social development.

Drinking from this Well is Well-Worth it!

Ralph Metzner has helped us to remember many of the Old myths of northern Europe. With great detail, he shows the history and social developments which shaped the beliefs of the northern people. This is not a book of modern day Asatru practices or Norse rituals. It is a rich text of Pagan history, pointing out many examples of how we can benefit today by learning from the past. Metzner's title refers to the magic Well from which Odin drank to learn (i.e. "remember") the age-old origins of all things. He points out that we too can drink from this Well, and remember much of what modern society has sadly forgotten. While Metzner focuses mainly on Germanic, Scandinavian cultures, he makes frequent connections to the Celts, Romans, Asians -- and even Native Americans.

More than mere history, Metzner (now in his sixties) mixes in his own thoughts and dreams, tales of vision quests and crossroads which he has faced upon his own spiritual journey. He also includes contributions from other writers, including an inspiring forward from author Marija Gimbutas.

Readers will find a detailed history of how the migrations and invasions of the Indo-Europeans changed the face of northern Europe. Metzner explains how this change affected the beliefs and customs of northern Paganism. If you'd like to learn how Pagan society slowly shifted away from matriarchy to patriarchy, this book is a good resource. Metzner gives many examples of the shift from the matriarchal Earth Deities, or Vanir, to the warrior Sky Gods, called the Aesir. He bases much of this work on a good variety of historical sources, including Germanic cultural texts called the Eddas. (The term Edda translates to "Great Grandmother.") While Metzner offers his own personal views and interpretations, he leaves the door open for readers to draw many of their own conclusions. He also gives many examples of word origins, showing their root in social customs. An interesting example of this is the word matrimony, which Metzner claims is rooted to the matriarchal custom of family wealth being passed down along maternal lines, "matri" meaning mother and "mony" meaning money.

His ten-page timeline of world history is an excellent research tool. It starts with the rise of human culture, using stone tools 2 million years ago, to cave paintings of "paired male and female figures," then brings us through classical Europe, ending in 1492 with Columbus.

His views on the ferocious warriors, called the Berserkers, is interesting. Berserkers, meaning those who wear bear skins, fought wildly, sometimes under the influence of an herbal-induced frenzy. He also mentions the concept of Valhalla, a paradise reserved for warriors "lucky" enough to die in battle. Metzner then puts the ugliness of war into perspective, stating that Valhalla was a religious belief used to conveniently motivate the troops, moving the reader to ask what Valhallas we create today for our own patriotic causes. Very timely! His concept of "the New Berserker" describes the new, more peaceful, environmental movement of the Earth-based religions.

Metzner's view of northern lore is quite unique. For example, reading the Runes, he states on page 198, can be viewed "in a broader, more general sense, as any symbolic sign that we come to understand in a personally meaningful way..." Odin learning to read the Runes was symbolic for us learning to read the language of nature; the word Rune itself means secret or mystery. (He also states that some believe the Runic alphabet is based on Latin, Greek or Etruscan characters.) His views on the Tree of Yggdrasill are also fascinating. Metzner claims the word Yggdrasill means Ygg's (an aspect of Odin) horse, where horse is meant as a vehicle for travel. Metzner claims many of these myths contain shamanic beliefs; Odin hanging on the Tree was symbolic of a shamanic journey between the worlds. The Tree, or "Axis Between the Worlds" was his vehicle. (Those interested in the Cabala's Tree of Life will enjoy Metzner's diagram of Asgard, Midgard, Hel and other aspects of the Nine Worlds, page 201.) While somewhat far-fetched, Metzner makes an interesting cross-cultural comparison between Odin hanging on the Tree, Prometheus chained to the Boulder, Innana hung on the peg, the chest of Osiris being absorbed into a tree, and even Christ hanging on the cross -- all as Deities bound to an Earthly world. His section entitled "Animism, Shamanism and Paganism" (pages 48-51) is also a very unique perspective!

He also offers thought-provoking ideas on Ragnarok, the great battle which destroyed the Old Gods, from which the few survivors rebuild a new world. He compares this "death" of the Old Gods to the shift from Paganism to Christianity, with the current Pagan revival being a form of rebirth. Metzner's optimism about the future is an inspiration.

Metzner's association with Timothy Leary in psychedelic "research" probably helped shape the 17-page appendix focusing solely on certain specific ancient herbal arts. (You won't find this info in any ordinary history text.)

While most of the book's 300+ pages are not graced with great artwork, there are twelve interesting black and white photos of pottery, statues and carvings with ancient images of Old deities. There are also several maps and diagrams showing how ancient society branched out.

While his research seems solid, much of Metzner's points are based in sources so ancient they are open to many interpretations. Some scholars of northern culture will undoubtedly disagree with much that Metzner says. But Metzner doesn't claim to have a monopoly on the truth; he does not position himself as the definitive voice of the northern people. He merely points out some valuable areas of Pagan history which speak to him as an author, as a student of world history, and as a fellow Spirit on a Pagan path.

Metzner's writing style is not like today's easy-reading popular neo-Pagan authors. Readers must plow through his quite wordy prose, which feels more like an academic text than consumer entertainment. But doing so is reading well-spent. Drinking from this Well is well worth it!

Link (Anthony) 203 Main Street, #211 Flemington, NJ 08822 AnthLink@aol.com

Of all the Norse reading I have done, this was my favorite. Ralph Metzner examines Norse mythology through a very matricentric set of lenses, deconstructing some of the dominance-model material that has found its way into Norse "tradition". He reclaims the Vanic tradition without dishonoring the Aesir. He focuses on the shamanic aspects of Odin and deconstructs a great deal of misogynistic material surrounding Freyja. He separates the Norse heritage from the Nazi mythos and gives us a humane and empowering way to reclaim the Nordic traditions. This is a unique book--one I cannot recommend loudly enough.