I also found this book to be pretty durable. I carried the same book in my pocket every day of my 3rd and 4th year of medical school and it is still holding up great through a lot of tough use.
A great deal for a book that you're likely to use through the rest of your medical training!
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(1) Edmund Crispin a.k.a. Bruce Montgomery (2) Michael Innes a.k.a. John Innes Mackintosh Stewart (3) Dorothy Sayers (4) Margery Allingham (5) Michael Innes a.k.a. John Innes Mackintosh Stewart (with a drop in rank for his mysteries that went off the surreal deep-end).
Out of my Fab Four Brits, Michael Innes and Edmund Crispin share the most similarities. They were both of Scots-Irish background, both wrote their mysteries under pseudonyms while teaching at college, and both were educated at Oxford -- Oriel College and St. John's College, respectively. They both wrote highly literate mysteries with frequent allusions to the classics (nine out of ten of which go zooming right over my head). Michael Innes has his detective, Sir John Appleby poke fun at this high-brow type of murder fiction in "Death at the Chase":
"That's why detective stories are of no interest to policemen. Their villains remain far too consistently cerebral."
Expect that even the most vicious murderer in an Edmund Crispin mystery will quote Dryden or Shakespeare at the drop of a garrote. "Frequent Hearses" is a fertile setting for this type of classical badinage, since its plot involves the making of a film based on the biography of Alexander Pope. Gervase Fen, Oxford don of English Language and Literature, and amateur detective extraordinaire is hired by the film company as a story consultant, and he is plagued throughout the book by a Scotland Yard detective who is an amateur classics scholar. Fen wants to discuss the murder. Chief Inspector Humbleby wants to talk about the Brontes and Dr. Johnson. Neither one will admit to a less than perfect understanding of either his profession or his hobby, and both despise amateurs. Their encounters keep "Frequent Hearses" sparkling along right up until its final page. Here is a sample of dialogue, wherein Inspector Humbleby deliberately misunderstands Fen's explanation of the film's subject:
"Based," Fen reiterated irritably, "on the life of Pope."
"The Pope?"
"Pope."
"Now which Pope would that be, I wonder?" said Humbleby, with the air of one who tries to take an intelligent interest in what is going forward. "Pius, or Clement, or--"
Fen stared at him. "Alexander, of course."
"You mean"---Humbleby spoke with something of an effort---"you mean the Borgia?"
All of Crispin's characters are carefully (one might say 'crisply') developed, and distinguished for the reader by a quirk or eccentric manner of speech (sometimes Crispin overplays the eccentricity at the expense of realism, especially with his main protagonist-- I do wish Fen would stop expostulating, "Oh, my fur and whiskers!"). Physical description is sketchy. If one of Crispin's characters walked past you in the street, you probably wouldn't recognize him. However, if you were to overhear his conversation with the postman---
And I don't mean to imply that "Frequent Hearses" is all dialogue and no action. There is one especially harrowing scene where a young woman chases the murderer into a maze in order to learn his identity and then (when reason returns) can't find her way back out again. By the time Fen rescues her, she has endured an experience right out of an M.R. James horror story (in fact, the young woman quotes M.R. James at length while she is traversing the maze - a typical Crispin characteristic).
The mystery surrounding the murderer's identity and motivation is as cleverly convoluted as the maze, and it is equally as hard to get to its heart. Crispin himself wrote and published at least one film script and composed music for several films, so "Frequent Hearses" is told with the knowledge of a movie industry insider.
If you like vintage British mysteries with a 'classical education' and haven't yet discovered the 'Professor Fen' novels, then you're in for a treat-- assuming you can find these out-of-print volumes. Here are all nine of the Fen mysteries plus two collections of short stories, in case you jump into 'Frequent Hearses' and want to keep going:
"The Case of the Gilded Fly" ("Obsequies at Oxford"), 1944; "Holy Disorders", 1945; "The Moving Toyshop", 1946; "Swan Song" ("Dead and Dumb"), 1947; "Love Lies Bleeding", 1948; "Buried for Pleasure", 1948; "Frequent Hearses", 1950; "The Long Divorce", 1952; "Beware of the Trains", 1953 (short stories); "The Glimpses of the Moon", 1978; "Fen Country", 1979 (short stories).
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Chapters include The Gods, Prayer, Sacrifice, Divination, The Religious Year, Private Religion, The Priests, and Religion in the Time of Augustus. Of particular interest is Ogilvie's presentation of private religion, a topic many more scholarly texts seem to overlook. His focus tends less toward a sterile look at Roman mythology, and more toward a vibrant overview of what Romans believed (or not, as the case may be), as well as how they worshipped both privately and within the state religion.
Of particular interest are Ogilvie's speculations as to what "went wrong" with Roman religion as their world expanded, absorbing countless influences and values from other civilizations, and ultimately, failing to provide for the basic spiritual sustenance of the individual.
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The first chapter of the book "The Elusive Planet" opens with the knowledge acquired from Earth based observation, which is very minimal, hence the title of the book and chapter. The book then proceeds to the development of the Mariner 10 space vehicle, mission plan and flight to Mercury. The remainder of the book deals with the discovers made by the Mariner 10 space probe, such as, the general surfaces features, the planet's interior, how impact craters are formed, and some of the unique geological features found on Mercury.
This book is extremely easy to read, since it does not contain any unnecessary geological terms. In addition, there are plenty of nice black and white photos and numerous line drawings.
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Then we have to hear that not only were all the great philosophers black, but the gay community has put in their claim as well; all of these philosophers were homosexuals! But wait, to be precise, all of the great philosophers were gay black men.
EVERY race has contributed to civilization and our society as we know it. Nobody knows definitively if any of these people mentioned were actually black Africans, but it seems that racial/sexual/gender groups are always trying to glom on to some sense of misguided, egomaniacal insolence.
Be proud of your race, whatever it may be. But please don't try to browbeat everyone into believing some unsubstantiated drivel.