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The novel is written in a rushed, but exciting prose that picks up one of its themes, that of flight and escape. Matute has a great talent for this style and once you become involved( right from the start) it's hard to put the book down. The descriptions of rural Spain are a startling revelation for the yankee reader, and the conflict between "los de abajo( the under dogs) y los de arriba( those above)is beautifully done.
The pueblo, Lower Artamila,is not a friendly place and Matute seems to have been born and raised there even though we know she is from Barcelona the capital of Spanish sophistication. The conflict between Juan and Pablo, half brothers in blood and social standing, is lopsided because we learn so much about Juan, the inheritor of of his father's estate. The land where the action takes place and its workforce. Yet we are given the one dimensional portrait of Pablo which to me was not satisfying.
As good as Pablo is we see in counterpoint how evil and confused Juan has become. There is a definite family bond that is emotional at one plane and sexual on another. Mix this with envy and loneliness and you have Juan reavealed as a kind of little monster who is the opposite of the good but boring little half brother Pablo. What goes on inside Juan's head is where the novel both succeeds and fails.
You have little to lose in reading this short book and I'm glad I did. I wouldn't put Lower Artamila on my travel plans, nor woud I want to have as my next door neighbor Juan Medinao.
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In terms of content, the story of Frederick is simple. In a community narrowly focused on efficiency, one mouse stands apart and concerns himself with art. Frederick notes the wonder of the world he lives in, and takes the time to assimilate it. While his cohorts may grumble at this behavior, when the dreariness of winter overtakes them they are grateful for Frederick's words. Frederick's poetry is seen as an essential supply for survival.
The illustrations are simple and yet extremely expressive -- witness my instant emotional reaction to a cover that was ninety-percent blank space -- and the wording is likewise concise. But the emotional impact of this book is what sets it apart. Out of sixty or seventy books I thumbed through today, I pulled out six that I felt defined my childhood. This book was at the top of the stack.
This simple little book carries quite a big message about how important art and artists are.
Unfortunately, his point of view is becoming more common. It looks like this generation of children is going to grow up in a world that cares more about their ability to memorize facts and formulas and regurgitate them for standardized tests than it cares about their ideas and imaginations.
Leo Lionni's books - especially Frederick - are great antidotes to that narrow mindset.
Frederick is an artistic and imaginative little mouse. While his family gathers food for the winter, Frederick sits around observing. The other mice criticize him for being lazy, but Frederick insists that what he's doing is important - he's collecting words and colors. When winter finally comes, of course, the food Frederick's family gathered sustains them. But eventually the food runs out and it is Frederick's vivid memories of the colors of spring, as well as his poems and stories, that take the other mice's minds off their troubles and get them through the winter.
I don't think there's a better book about the importance of nurturing the imagination than Frederick. When Lionni first wrote it, in 1966, it became an instant classic. Today it's not just a great children's book, it's a crucial one.
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