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He continues the wall-breaking by doing what so many others do not: providing lively images to fix his concepts in our heads. His early rebuttal to the old saw, "You can't imagine a three-legged dog running" provides an essential understanding about the way the reader's mind applies immediate images to our details. "But as soon as you read that sentence, your nervous system contradicts it," he writes. "You do see that three-legged dog. And it's running. The dog is ridiculous, clumsy, endearing, inspiring, or even oddly graceful."
Another intriguing image comes from the side of the writer, this of how words pour like liquid through a person's body during the process of creating:
"One writer gets taken over by a peculiar sensation of color, and then she finds the words in her belly. Another feels the words slide up his spine, and he thinks it's as ordinary as bread and apples. These are unusual, but your way might be unusual too. Words probably have as many ways of creating themselves in the body as there are people in the world."
This provision of imagery is what sets Matson's book apart from so many others. Rather than simply providing instructions, he applies the poetic side of his talent to provide hundreds of tunnelways into the "crazy child" we are all pursuing. It's a fine read, and one which can't fail but enrich your writing life.
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