Mr. Kanfer makes a point late in this book that once he was pushed into show business at an early age, Julius Henry Marx ceased his existence, eternally replaced by the acerbic, wisecracking, iconoclastic character "Groucho". The man no long was; only the persona remained. The detailing of this problem -- which ruined Milos Forman's recent Andy Kaufman biopic, i.e. the examination of the man where the public persona is omnipotent -- is the real strength of this book. Kanfer does a great job showing how Groucho could never escape being Groucho; he was either the funny little man with the greasepaint moustache, cutting people down with his razor sharp wit, or he was nothing. It's a great psychological portrait.

The vaudeville sections are bright and lively, really capturing the anarchic spirit that the brothers held. Kanfer does a good job showing the transition from vaudeville to movies, including the fears and trepidations of those involved, especially Groucho's. Even though we know that worldwide fame would eventually come, the road traveled to get there is filled with much tangible drama.

Groucho's later years are done particularly well. They're especially effective when the reader gets an indication of how far Groucho has fallen: a man who once verbally terrorized all the women in his life gets his karmic retribution. It's quite a sad chapter; I as a reader couldn't wait to read of Groucho's death, just to put the old man out of his misery. Very powerful.

Unfortunately, the book is weak in several other areas.

The sections dealing with Julius' childhood needed a deeper biographical sketch of his mother Minnie Marx. We are told repeatedly of her great will and dominance over the boys, but we only see glimpses of that. Kanfer does yeomen's work researching the other areas of Groucho's life, so why skimp out on the beginnings?

Later, when dealing with the heyday of the Marx Brothers movies, it is apt to re-quote a criticism Groucho himself makes on page 380: "[Critics] do a new kind of writing. They rent our movies, tape-record them and write down all the good jokes in their books. Quite a writing feat!" He's talking about the glut of criticism following the Brothers' renewed popularity in the 1960s, and Kanfer uses the quotation wisely to that extent. Unfortunately, he himself uses that very same hackneyed technique! There are transcriptions of scenes from 'Duck Soup' and 'Horse Feathers' that run for pages. Granted, they are almost as entertaining on paper as they are on screen, but they serve little purpose in a biography. Kanfer tries to tie the scenes into the narrative of Groucho's life, but he generally fails to do so effectively.

When Groucho has his popular rebirth, with the television show 'You Bet Your Life', what should be an important time in contributing to the enduring appeal of the comedian is glossed over. A period of ten years feels like just two, before we are thrust into Groucho's twilight. I would have loved more anecdotes and analysis from this era.

My suggestion to those interested is that this is a good start to get an understanding of Groucho. For those already versed in Marx lore, this book will probably infuriate rather than enlighten you.

I have to start by saying that while I absolutely love the 4 or 5 Marx Brother's films that I've seen, I'm not a die hard fan in the sense that I'm not an expert on the Brothers, their careers or their lives, and this is the first book related to them that I've read.

That being said, I don't see many of the flaws in this book that some previous reviewers have mentioned, in that I can't really comment on the author's accuracy or lack of.

What I can say is that this is an interesting book, and certainly portrays Groucho in what is to me an unacustomed light, a far cry from the absolute character that he is in the films. Intead, we see a man who, because of the demands and treatment he received during his childhood, has difficulty dealing with women and children on many levels to the point where he seems to drive three of the most important women in his life (two wives and one of his daughters) into severe alchoholism.

What I found to be most interesting about this book (to its credit) is it portrays Groucho's fears and sensitivities, especially to critics reviews (although, in the end, for Groucho the bottom line was always the box office, and not the critics). Its ironic then that based on this book's descriptions of Groucho's reactions to things written about him, its quite clear that this book probably would have outraged Groucho since its overall depiction of him is far from flattering in many respects.

This biography traces the life of one of the most prolific actors/comedians of the 20th Century - Groucho Marx. We are introduced to the man behind the great (perhaps the greatest?)comic genius.

Groucho (né Julius Henry) Marx was the third son of German Jew Immigrants in New York. His mother Minnie (the driving force behind the Marx Brothers) was influenced by her brother Al Shean who had a reasonably successful career seeing which Minnie decided to enter her five sons into showbiz. After various permutations and combinations and numerous failures and struggles, the Marx Brothers made an indelible name for themselves first in Vaudeville (stage shows featuring a variety of dance, song, humor, and magic) and then in Broadway and the movies as The Marx Brothers (Chico, Harpo Groucho and Zeppo). The brothers had a glorious career from the 1920s to the 1940s despite the depression in between.

Groucho later went on to have a highly successful solo career as a radio (and later TV) host of the quiz show "You bet your life" for which he won critical acclaim.

The sad part about Groucho's life was that it seemed to be based on the dictum of why-have-it-simple-when-you-can-have-it-complicated. Though extremely successful professionally, Groucho had an unhappy personal life especially with regard to the women in his life (mother, wives and daughters). His three marriages were nowhere nearly as successful as his life in the theatre / movies. Groucho's relationship with and (ill?)treatment at the hands of Erin (his female companion towards the end of his life) is also touched upon. The author carefully offers no comments on Erin's behaviour towards Groucho.

The book is on-the-whole well researched though at some points it does seem that Kanfer wants to hurry through for lack of details. Kanfer bases his information on writings of and interviews with Groucho's peers, friends, relatives (especially his daughter Miriam). The reader is given minute details of the comedians life including how he got his nickname - he used to carry a 'grouch' bag during his vaudeville days (the 'o' at the end of each of the brothers nicknames was taken from a popular comic strip of those days, Sherlocko the Monk ).

The book is interspersed with the quotable quotes Groucho made personally and in his broadway hits and movies such as Duck Soup and Animal Crackers. Though most of the quotes are very incisive and humorous, there are portions in the book where the reader is given an overdose of dialogues from the movies.

After reading the book, Groucho's visage (moustache/thick eyebrows/cigar-in-the-mouth) and his inimitable quotes ('Outside of a dog a book is a mans best friend, inside of a dog it is too dark to read') remain firmly entrenched in the readers mind.