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The storyline behind this courtroom thriller is absolutely fantastic. It took about 100 pages for the book to get really interesting, but once the story took off, I couldn't let go of the book. I can't wait to read one of his other books and I hope you enjoy 'Compelling Evidence' as much as I did.
Shortly before the appointed hour for their next meeting, however, Ben supposedly blows away the top of his head with a shotgun. No one really believes that Ben Potter killed himself though, and sure enough, we learn that not a shotgun, but a small caliper pistol like the one Talia owns was the true murder weapon. Guess what! Talia is charged with murder and Paul Madriani, assisted by "tell it like it is" Harry are her lawyers.
The drama unfolds with manageable twists, turns and surprises. The cops and the DA seemed convinced that Talia did it, but the reader is soon convinced that she's innocent, so the story has a "whodunit" element along with the courtroom drama. Martini sets his story in "Capital City" in an unnamed State, which I suspect allows him to mix and match actual legal rules and proceedings from different jurisdictions to suit his plot and courtroom activity. This is not obtrusive, at least for a non-lawyer.
It's a satisfying read; something to do while your waiting for the next Grisham novel.
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However, Joss' new found tranquillity is abruptly disrupted when Dean Belden provides her a ton of cash to help him incorporate an electronics business. The next time Joss sees Dean he arrives at her office holding a federal subpoena. Before Joss can learn what happened to her client, he dies in an explosion. Within a few hours of Dean's death, unknown assailants try to kill Joss. Later on, a nuclear expert comes to the island searching for two missing nuclear devices, which Joss concludes is what led to the ailment of the fishermen. Now all she has to do is find the devices before they are used against America.
CRITICAL MASS is Steve Martini at his most exciting best. The novel is a taut chiller that should please anyone who enjoys a non-stop, action-packed thriller. Readers of this novel will have the impetus of perusing Mr. Martini's previous tales (see THE LIST and UNDUE INFLUENCE, etc.) because all of this writer's novels will be judged as compelling evidence on how great of an author Mr. Martini truly is.
Harriet Klausner
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Near the end, in what we thought was a somewhat unfair plot development, Hale suffers a heart attack, suspending the trial. While he's hospitalized, a new Mexican drug-runner-type villain surfaces, who has been hunted half-heartedly through the book, and sheds enough doubt on the case that for all practical purposes the prosecution is motivated to declare a mistrial and not bother with a second go-round. A twist at the end tells us readers who the perp actually was.
This novel is sort of like a car running a 300-mile car race in first gear for 100 miles, second gear for 280 miles, and then a mad dash to the finish line without realizing one is 50 laps behind -- hardly a compelling run. Such is the nature of this book; while Madriani is a nice enough guy, the plot lacked zest and suspense, nor could the court scenes seize the moment "Perry Mason"-style. In fact, we're thinking maybe a third martini cocktail might be more fun!
Paul and his daughter move to southern California to be closer to Paul's new girlfriend, and Harry follows to set up a new practice there. Paul is soon retained by Jonah Hale to help find Jonah's granddaughter who was snatched from his custody by Jonah's daughter. What seems to be a clear-cut, if not easily resolved case soon escalates to murder and Paul decides to represent Jonah in court.
There are excellent descriptions of Paul's southern California locale, right down to certain street names. This tediousness detracts from the action somewhat. But like some of the other reviews noted, the killer is quite obvious less than halfway through the book. It is a mystery (excuse the pun) why a writer as skilled as Martini would give a clue as to the killer's identity that all but reaches out and slaps the reader across the face. This aside, "The Attorney" is tightly paced thriller that is suspenseful despite knowing who the killer is early on in the book. Martini is a writer that is among the ranks of Scott Turow and Richard North Patterson, and it is good to finally see him returning to the legal thriller genre where he writes best.
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Our only gripe is that this story is a bit like an Indy 500 run mostly under a yellow flag. It's slow to accelerate and toddles along in low gear for 2/3 the tale. The book publishing information was somewhat interesting but didn't really add to the pace of the mystery. Judging by the fact that it took us two weeks to finish what would normally take a couple of afternoons, just be ready for a watched pot that takes an awfully long time to come to a boil. We suspect Martini's fan club is right in "Listing" this one lower than most.
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In a very complex plot, almost shades of Clancy, we're quickly engrossed into the hunt for possible survivors of a 1942 blimp crash; a search for 16th century documents, possibly the journal of the explorer/pirate Francis Drake; the murder of the partner (and former {?} love interest) of the leading man, lawyer Sam Bogardus; and some other crimes and problems too numerous to recount. There's really not much lawyering happening, and sure, some of this winds up a little silly and improbable, but hey, it's mystery fiction. We thought the goings-on, climaxed by a very neat wrapping up of all the puzzles and murders, plus one totally unexpected revelation in the epilogue, were indeed quite entertaining. And the huge surprise ending left us aghast -- we cannot imagine many at all will be the slightest bit prepared for this icing on the cake!
In sum, a fine plot with quite a neat ending, with good story telling hurt somewhat by a few weak characters and/or some improbable action, gives Martini's first effort a passing grade, leaving us anxious to try his second outing and first of the Madriani set. Why not!
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