Fantastic Invasion is Douglas Adams in Africa galoshes and all....discovering new tribes like the WaBenzi's and the like. This is a look at the modern African continent with a bit of tongue in cheek and none of the paternalism or simplistic viewpoints that normally pervade literature about Africa and its problems. If you are not a sensitive viewer and want your mind blown away by someone that tells it like it is read this journey through Africa. Notwithstanding that this book is more than 20 years old it still has lessons to teach us all.

No footnotes, inadequate bibliography, and surprisingly, almost no mistakes. He reports on time and place in a constructive way and dispels Rivera's own myths about himself humorously. Very good read.

With various books written on the life of Diego Rivera this one is a must have. Anytime a subject is studied, it this case the life of arguably the greatest Mexican muralist, it is worthwhile to have various perspectives before coming to one's own conclusion. In that regard this book is invaluable as the author doesn't give you a softball and is quick to point out the inconsistencies in other versions of the larger than life Diego Rivera's exploits, including his own autobiography. The book itself is a fascinating portrait into the life of the celebrated Mexican muralist's life, beginning with the unusual circumstnances of his youth, his sojourn to Europe and studying art in France, his mingling in the bohemian lfestyle with various artists and intellectuals of his era, including his at times not so friendly rivalry with Spanish artist Pablo Picasso, his return to Mexico, his politics(communist) and the troubles he had since he usually mixed art and politics, his many, many love affairs, his multiple marriages including several to soul mate Frida Kahlo, his association with Trotsky(and his wife), his work in the United States and his later years in Mexico where he remained productive in spite of failing health. It is all here, both the believable and the unbelieveable, meshing together for a fascinating look at a man that could literally charm the pants off of the most beautiful women of the world. Included are two seperate groups of pictures that include rarely seen vintage photographs and color prints of his most famous works. Every now and then I read a book that I want to savor and take my time. Like a special meal or an intimate moment, this book was one that I wanted to savor once I began. I wanted to make it last because it was so enjoyable, knowing that the inevitable consequence of my reading would make it end I almost regretted finishing the book. I took days to read the final chapters in the hope that somehow the experience would not end. I would highly recommend this book to those that are interested in Diego Rivera, Frida Kahlo, and Mexican art or history. It is a book that paints more than a picture, it is more like a grand mural that captures the fantastic life of Diego Rivera. This is a highly enjoyable book and an indispensable aid in understanding the complex makeup of one of the true giants of art in the twentieth century.

Diego Rivera was a larger than life character both socially and physically. His life was a facinating one and worthy of such a fantastic biography. It doesn't matter much if you are familiar with Rivera's work or not, if you enjoy biography and history you'll soon realize what an amazing life Diego Rivera led. Rivera was born at the right time in a unique culture for art- He had a Forest Gump type of life in the early 1900's in the way he knew and interacted with almost anybody who was anybody those days. From his art contemporaries in Spain and France, including Picasso, Modigliani, and Mondrian, to Einstien, Henry Ford and his famous artist wife Frida Kahlo, his art had a way of transcending culture that drew people to him. Patrick Marnham includes many examples of this and has done extensive research into his personal life. He was a man constantly having affairs and looking to be comforted due to his upbringing.
His life also parallels much of what happened politicaly in the world throughout his life. For most of his life, Rivera was a communist supporter who thought he could inspire social and poltical change by painting political murals. Being such a contraversial artist, Rivera made enemies with the Rockefeller's in New York after painting communist portraits and imagry instead of the agreed design. He also was a supporter and friend of Trotsky, and helped to bring him to assylum in Mexico.
This book includes some fantistic color reproductions. It was wonderful to read about the details he included and then see them for myself. It also includes some great photographs of key encounters mentioned in the text.
Diego Rivera was a artist who's life paralelled the colorful culture of Mexico and the political unrest of a pre-WWII world. I couldn't have been more pleased to read this wonderful book for the insight it gave me about art, politics and culture.

I was enthusiastic when I found this book since English books on Resistance are few, and books about Moulin are very rare. But I was to be disappointed.

The author claims to seek the real man behind the legend of Jean Moulin, who became the symbol of French Resistance, and it is a very worthwhile objective indeed except that it is impossible. So after he admits that very little is known about Moulin, he proceeds to fill these unknowns with conjectures built on conjectures, and it soon becomes clear that the purpose of this book is not to find the human and real Moulin, but to discredit the left-wing of Resistance at his expense.

Jean Moulin is French JFK. Now universally admired, he is shadowed by circumstances of his betrayal and death, and numerous conspiracy theories have crept up. Only difference is: here in America, a crackpot theory that LBJ is behind the plot wouldn't get any ink in the mainstream. But in France, most ridiculous assertions are taken seriously because Moulin is used by both the right and left wing to discredit one another. So in recent years, it has been alleged that Moulin is a Soviet agent, an OSS(pre-CIA) agent, an anti-Gaullist, etc with the most tenuous "evidence". While Moulin has not yet been accused of being a Nazi mole, the author insinuates possibility that Moulin betrayed himself (along with 7 other Resistance leaders) in this book. So finally, the whole ground is covered.

His right-wing tendencies and contempt toward the Republic and all it stands for is quite obvious from the first pages and color the whole presentation. His most assertions are easily refutable by anyone familiar with Resistance history, but unfortunately this book is most likely to be the first book on Resistance to most of readers, and that's why I'm getting riled.

I'll give just a few of many examples.
Simply put, the author's assertion that the communist party is most likely betrayer of Moulin just doesn't hold water. I don't subscribe to the conspiracy theory that royalists betrayed Moulin either, but at least that theory has some basis if only tenuous one. So in order to bolster his theory, the author strives to make Moulin a crypto-communist, which is solely based on Moulin's connection to Pierre Cot.

The author makes a big deal of Moulin's contact with Cot's associates after the Fall of France. Considering that Moulin spent most of his career in local governments and his only stint in national politics was with Cot in Air Ministry, it is not surprising that Moulin met Cot's associates for informations on resistance organizations nationwide. But to the author's mind, this is a proof that Moulin was interested only in communist organizations. The author admits that even if all his assertions turn out to be true (and they are not) that it doesn't mean that Moulin was a communist. However, later in the book, he flatout states that Moulin was more concerned with the future of Soviet Union than France.

There is no doubt that Mouin was a left-wing republican, sympathetic to the cause of Spanish republic. He even smuggled French aircrafts to Spanish republic to aid their cause (in what is close to our Iran-Contra scandal). However, we simply cannot know what Moulin's opinion was regarding communism and Soveit Union at the time. What is definitely known is that when Germany and Soviet Union signed Non-Aggression Pact, Moulin as a prefect, clamped down on the communists. When Vichy government decreed anti-Jewish laws, Moulin dragged his feet in enforcing it and interned no one, but when it came to communists, he showed less reluctance.

The author mentions these facts, as well as the fact that a Soviet informer reportedly incorrectly that Moulin was an OSS informer, but they are not taken into account when he insinuates that Moulin provided sensitive information to Soviet Union. Nor does he find it contraditory to claim that this Soviet informer was close associate of Moulin.

Secondly, the author is skeptical of veracity of biographical or personal accounts - including Moulin's - and rightly so, yet he loses objectivity when it comes to negative accounts made by Henri Frenay This is even more surprising since these accounts are from Frenay's book that was specifically written to discredit Moulin long after Moulin's death.

No same courtesy is shown to Moulin. The author admits that Moulin's accounts (about his time as a prefect) are all true in the areas that can be verified by facts. But when it come to areas that can't be verified, like what went on in Moulin's mind when he cut his throat, the author is skeptical and ready to assume the worst.

I could go on and on. And maybe I will when I finish the book, if only because this book is a most widely available book on Moulin, and that's a shame.

Marnham admits that the character and personal life of Jean Moulin are at best vague and little of these aspects of the man are known. He then proceeds to build a highly speculative picture of Moulin, largely derived from secondary sources, and drags in the usual "was he a communist agent or was he not?" nonsense. Having just completed a reading of "France: The Dark Years 1940 to 1944" by Julian Jackson, by far the best comprehensive coverage of that miserable era in French history, I found Marnham's book, journalistic and amateurish. It adds nothing new and revives a few red herrings.
What lacks is a framework for the events related For example, much is made of Moulin's reception of the Germans as a Prefet, when he acted 'correctly' and cooperatively. No mention is made by the author of the terms of the armistice whereby officials were constrained to behave 'correctly'. Another important element in the situation of France in 1940 that goes unexplained or remarked is the reliance France had placed on having an agreement with the Soviet Union to protect, as in WW1, against a 100% German effort dircted against her. The mission to effect this, with the Brits as partners, was delayed and delayed due to British dragging of feet. Stalin found it was easier to gain the time he needed by making an agreement with the future enemy. However, the desire to have a mutual defense pact with the USSR renders the behavior of people like Pierre Cot explicable in terms other than 'communist agent' or betrayal. I find the lack of background and framework leads to inconclusiveness and even an element of misinterpretation of events and people. It detracts considerably from whatever value the book may have. In the first 20 pages, I found several errors of fact and in later pages contradictions about Moulin himself. If anyone is interested, I will be happy to point them out.

Every person capable of reading "Resistance and Betrayal" needs to read Jean Moulin's example of character and humanity at its highest level. Every high school and college student needs to understand his granite will, the demands of such a great freedom quest, and the ability of one human being to take on the daunting task of freeing his homeland from tyranny. Moulin shows that one person with a vision can indeed make a difference.

When I saw the face of Jean Moulin on the Cover of "Resistance and Betrayal," tears erupted from my eyes on down my face. The instant emotion shocked me, forced me to pick up the book. The tears still come every time I see the face of Jean Moulin.

Why? Jean Moulin is one of the few heroes who took responsibility out of goodness rather than vainglory. Jean Moulin cared so much for the freedom of his Beloved France that he suffered until death to achieve this grand goal and become the greatest hero of the French Resistance.

As an artist, Jean Moulin speaks to my heart and soul. I must paint him, create him in an image that speaks to his greatness.

Read Jean Moulin through Patrick Marnham and come away knowing that greatness is possible for any human being determined to realize a vision for the good of the people of a country, like Moulin, like Ghandi.