I reviewed a lot of bibles before selecting this one and have bought it many times for other children. My daughter is now familiar with the major figures of the bible and has heard many positive messages through our reading and rereading of this book. Because the stories are short and sweet, we can easily stretch or shrink the bedtime reading to suit our needs. Most importantly, our child has been given a way to talk about religion and morality--a dialogue, I think, many parents have trouble knowing just how to start.

Incidentally, because the book is aimed at the 3-and-under set, you won't have to worry about the crucifixion--it gets glossed over in a clever way. Likewise, Lazarus isn't "dead," but in a "dark place" when Jesus calls him out. We get the message without confronting death head on.

More important, in my opinion, is the book's "readability"! I'm sure there are numerous books that cover the exact same information as this book yet might not be written in a manner that is clear and simple to understand, especially for Cisco newbies like myself. This book is just a lot of fun to read.

Finally, I really enjoyed the "real world" tone of this title. It isn't written for someone who's bound for the testing center, but rather for someone who needs to apply the knowledge at work in the field. I'm certain that I'll constantly be using this book as a reference even after passing the exam. Very cool.

All in all, I'd like to recommend ICND to the Cisco neophyte who's looking for that great "First Book" to start off his or her Cisco library. I'm really glad I got this book and I'm sure you will be too.

Good luck on your CCNA!

This book is quite insightful, especially for a Southeast Asian media professional like myself. I recommend this book to everyone, even to those who work in the upper regions of the power sturcture of the media conglomerates critiqued in the collection.

For starters, it is a wonderful overview of how the media economy is shifting all over the world. The US market is saturated, as the book said, and the rest of the world is ripe for picking, especially my country, the Philippines.

This book is a tool to launch our own media analysis of what's happenning in our own countries. And from an analysis, we launch a critique, and from a critique, we launch steps to face the situation.

This book, published by New Media, is invaluable. I first read about it in an issue of Utne Reader. I took down the title and hunted it down in Amazon. I found it, bought it, and consumed it. I loved it because it gave me useful insights to work with.

This is a book I will dog-ear in my attempts to understand what to do in my field, and how to start my own media conglomerate from scratch. I already have my ideas, which I hope aren't just soundbites in my head.

As a compass for international culinary voyaging the book is sensibly formatted and arranged; you get to your destinations and eating adventures composed and happy. Chapters cover poulty, beef, pork and lamb, seafood, vegetables, and desserts. Methods of cooking tend to favor one pot dishes (lots of soups, stews, braisings, and baked items), but the simplicity and variety is astonishing (some of my favorites: chicken legs in basque red pepper-prosciutto sauce; "Jansson's temptation" [a Danish edition of scalloped potatoes with anchovies, Vidalia onions, cream, and fennel seeds]; spicy corn and lima beans with tomato; baked honey-glazed mackerel; whew!). As I've been known to say to friends and family when I'm serving something I know they're going to moan over, "Grab it and growl, yo!"

The part we like best, is how each story is summarized at the end in a contemporary scene, that applies the truth of the story in a way that children understand. And, it helps children have a positive attitude about the Bible, since each story is up-beat and ends with a focus on thankfulness to God.

Anyone who opens up The Praise Bible to the story about "The Seed and the Soil" will immediatly see how the illustrator is able to teach the story so well with his fantastic art work - and then when the art is combined with the story - it truly is a master piece.

I highly recommend it for children from ages 3 to 7, and believe it is also simple enough for even college professors to understand!

Returning postwar to hunt down camp guards for liquidation. A true War Hero, but his suffering and the loss of those around him - Captain Desmond Hubble, Pierre Brosselette, Violette Szabo - make one realise the price. As a teenager fighting the Russians with Pilsudski in Poland he was sentenced to death; escaped from Zhitomir. as a man he ran Molyneux couturier of Paris; in 1939 he joined #.308 Krakowski Squadron of the polish Air Force in England; then to SOE and life as an agent in Occupied Paris - sitting on a train with Klaus Barbie, Butcher of Lyon.

A remarkable man, an amazing story, he escaped the Concentration Camp but ded in 1964 of its after-effects. A book to be read as much as a testament to human endurance, as to think of a truly remarkable man enduring great travails for his friends and comrades.

Do not think that all "The Decameron" deals with is sex. The mostly illicit sexual encounters depicted are some times funny, sometimes sad, but they share a common trait with the stories from the Tenth Day, for example (these ones are mostly about sacrifice, abnegation, and servitude), or with those of the Second: Boccaccio's concern for his society and the terrible tensions that had reached a breaking point by the 14th century. The Plague, in Boccaccio's universe, acts as a catalyst of emotions, desires, and changes that had to come.

Read, then, about Alibech putting the Devil back in Hell, Lisabetta and her pot of basil, Ser Ceperello and his "saintly" life, Griselda and her incredible loyalty in spite of the suffering at the hands of a God-like husband, Tancredi and his disturbing love for his daughter, Masetto and the new kind of society he helps create with some less-than-religious nuns, and then it will be easier to understand why Boccaccio is so popular after 650 years. And although it may be skipped by most readers, do not miss the Translator's (G. M. McWilliam) introduction on the history of "The Decameron" proper, and that of its many, and mostly unfortunate, translations into English. This book is one of the wisest, most economic ways of obtaining entertainment and culture. Do not miss it.

Second-hand opinions can do a lot of harm. Most of us have been given the impression that The Decameron is a lightweight collection of bawdy tales which, though it may appeal to the salacious, sober readers would do well to avoid. The more literate will probably be aware that the book is made up of one hundred stories told on ten consecutive days in 1348 by ten charming young Florentines who have fled to an amply stocked country villa to take refuge from the plague which is ravaging Florence.

Idle tales of love and adventure, then, told merely to pass the time by a group of pampered aristocrats, and written by an author who was quite without the technical equipment of a modern story-teller such as Flannery O'Connor. But how, one wonders, could it have survived for over six hundred years if that's all there were to it? And why has it so often been censored? Why have there always been those who don't want us to read it?

A puritan has been described as someone who has an awful feeling that somebody somewhere may be enjoying themselves, and since The Decameron offers the reader many pleasures it becomes automatically suspect to such minds. In the first place it is a comic masterpiece, a collection of entertaining tales many of which are as genuinely funny as Chaucer's, and it offers us the pleasure of savoring the witty, ironic, and highly refined sensibility of a writer who was also a bit of a rogue. It also provides us with an engaging portrait of the Middle Ages, and one in which we are pleasantly surprised to find that the people of those days were every bit as human as we are, and in some ways considerably more delicate.

We are also given an ongoing hilarious and devastating portrayal of the corruption and hypocrisy of the medieval Church. Another target of Boccaccio's satire is human gullibility in matters religious, since, then as now, most folks could be trusted to believe whatever they were told by authority figures. And for those who have always found Dante to be a crushing bore, the sheer good fun of The Decameron, as Human Comedy, becomes, by implication (since Boccaccio was a personal friend of Dante), a powerful and compassionate counterblast to the solemn and cruel anti-life nonsense of The Divine Comedy.

There is a pagan exuberance to Boccaccio, a frank and wholesome celebration of the flesh; in contrast to medieval Christianity's loathing of woman we find in him what David Denby beautifully describes as "a tribute to the deep-down lovableness of women" (Denby, p.249). And today, when so many women are being taught by anti-sex radical feminists to deny their own bodies and feelings, Boccaccio's celebration of the sexual avidity of the natural woman should come as a very welcome antidote. For Denby, who has written a superb essay on The Decameron that can be strongly recommended, Boccaccio's is a scandalous book, a book that liberates, a book that returns us to "the paradise from which, long ago, we had been expelled" (Denby, p.248).

The present Penguin Classics edition, besides containing Boccaccio's complete text, also includes a 122-page Introduction, a Select Bibliography, 67 pages of Notes, four excellent Maps and two Indexes. McWilliam, who is a Boccaccio scholar, writes in a supple, refined, elegant and truly impressive English which successfully captures the highly sophisticated sensibility of Boccaccio himself. His translation reads not so much as a translation as an original work, though his Introduction (which seems to cover everything except what is most important) should definitely be supplemented by Denby's wonderfully insightful and stimulating essay, details of which follow:

Chapter 17 - 'Boccaccio,' in 'GREAT BOOKS - My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World'
by David Denby. pp.241-249. New York: Simon & Schuster, 1997. ISBN 0-684-83533-9 (Pbk).

But one doesn't need to focus on the revolutionary aspects of the Decameron to enjoy the book; each of the stories delights the reader with a different tasty morsel, and, you can read as much or as little at a time as you please. Once you get past the introduction, (and that's probably the most serious part of the book, so be sure not to give up before you get to the first story) the stories will make you laugh, make you cringe, and make you sit on the edge of your seat. Inspiring authors from Chaucer to Shakespeare and entertaining audiences for over 700 years, the Decameron continues to delight.