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This is what the war really meant to people, both in and out of the trenches, for these are the letters written from and to them.
A thought provoking book, that it is true, is even more shocking.
It is about a generation of people that we should never forget.
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He was born in 19th century Missouri and raised during a time when major political, economic, social, and cultural issues were forging America's identity. The rugged 19th century also molded Twain into an outspoken critic of those forces, providing him with an unending stream of material for his cogent and waggish observations.
Amid a collection of excerpts from his novels and speeches, articles and essays, as well as numerous pictures and illustrations, the authors present an insightful analysis of the man best known for writing TOM SAWYER and HUCKLEBERRY FINN. What becomes obvious is the relevance, creativity and importance of all his work, not just the books we were assigned in high school.
This book is a treasure; the kind of book that can be referred to often. It can give food for thought for hours of reflection. It is Highly Recommended.
MARK TWAIN: AN ILLUSTRATED BIOGRAPHY is a companion to a two-part, four-hour documentary film, directed by Ken Burns, on the life and work of Samuel Langhorne Clemens and his "famously, irrepressibly rambunctious alter ego Mark Twain."
Ernest Hemingway once said that Twain is "the headwater of American fiction" and called THE ADVENTURES OF HUCKLEBERRY FINN "the best book we've ever had. There was nothing before. There's been nothing as good since."
George Bernard Shaw referred to Twain as "America's Voltaire."
William Dean Howells described Twain as "incomparable, the Lincoln of our literature."
Susy Clemens once wrote of her father: "He is known to the public as a humorist, but he has much more in him that is earnest than that is humorous. He is as much of a Philosopher as anything, I think."
In this reviewer's considered judgment, Twain is the greatest literary genius America has produced, a thinker of remarkable depth and substance.
Twain's life was filled with many travels, adventures ... and tragedies. Born in 1835, when Halley's comet made its appearance, he lived for 75 years, until 1910, when Halley's comet returned. He survived, and suffered, the death of his beloved wife "Livy" (Olivia Louise Langdon), and three of their children: Langdon, who died in infancy; Susy, who died of spinal meningitis at age 24; and Jean, who died of a heart attack evidently brought on by an epileptic seizure.
"The secret source of humor itself," wrote Twain, "is not joy, but sorrow. There is no humor in heaven. ... [Our] race, in its poverty, has unquestionably one really effective weapon--laughter. Against the assault of laughter nothing can stand."
Laughter and sorrow: Twain was well acquainted with both. Known superficially to many admirers as merely a humorist or funny man, Twain was essentially, as he described himself, "a moralist in disguise" who preached sermons to "the damned human race."
Twain's literary corpus abounds with excoriating criticisms of racism, anti-Semitism, religious hypocrisy, governmental arrogance and imperialism, petty tyrants, and Philistine culture. His often deadpan humor bristles with barbed satire and withering sarcasm.
In addition to its narrative text, this volume includes five bonus essays: "Hannibal's Sam Clemens," by Ron Powers; "Hartford's Mark Twain," by John Boyer; "The Six-Letter Word," by Jocelyn Chadwick; "Out at the Edges," by Russell Banks; and an interview with Hal Holbrook, "Aren't We Funny Animals?"
MARK TWAIN: AN ILLUSTRATED BIOGRAPHY is a rich and rewarding book.
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Nevertheless, as the authors argue, whatever theory of international relations you subscribe to--clash of civilizations, multipolarity, etc.--the Middle East remains square in the middle of it all and needs to be better understood by the average citizen. If Sept. 11 didn't drive that little lesson home, I don't know what will.
It was fascinating to see how the lay of the land shapes a region's history and even the attitudes of its residents. The book gives ample attention to not just topography, but climate, resources, migration, and how all these factors shape policy and the movement of armies.
Overall, this is a much needed book. There's a lot of data to plough through, but it's worth it.
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Does Fidelman say Lucy looks tired at times? Yes. Does he critique her performance sometimes? Yes. She didn't always do a blockbuster job in every performance of hers, due to any one of a number of reasons (troubles with Desi, overwork, stress in her life, and just plain tiredness). And though I've seen few episodes of "The Lucy Show," "Here's Lucy," and "Life With Lucy," Fidelman's overall feelings on those series reflect what critics have been saying for years. Just because Fidelman tries his best to offer objective viewpoints (which I think he does, more often than not), it doesn't mean he's not a true fan, or that true fans shouldn't read this book.
This book is short on biographical information, but it was never designed for that. Frankly, that's a good thing, because there are so many books out there about Lucy and/or Desi, another one wouldn't have been necessary. But for the ardent Lucyphile out there, this is a must-own. I find myself going back to this book constantly, after each "I Love Lucy" episode I see, even if I'd seen the episode many times before. Go, buy this book!
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The new translation is excellent (I've read both translations) and puts an even grimmer spin on life in the village of the castle.
Please note: Kafka died before finishing the book and he never really prepared it for publication. There are sentences that run half a page, and paragaphs that run almost a whole chapter. The final page ends mid sentence.
If you are a fan of Kafka then this book is a must read, especially if you read the Muir translation of The Castle.
Mark Harmon's translation brought Kafka close to my ear and heart, the way he used to when I was younger. I could see the darkness of his interiors, feel the cold of his snow covered wind blown exteriors, smell the stale beer of the taproom, taste the small meals and strong coffee served, sense the animal []attractions of his characters. Most of all I could really hear the voices of his people as they simultaneously revealed and concealed themselves through their stories.
Sometimes I laughed out loud. Sometimes my hair stood on end at the dark realities which this book unveils. The Barnabas family stories in particular chilled me. Especially in this time of fear and shunning by powerful majorities of the 'others'in our societies and in the exhaustion of the 'cleansings' and genocides of the last century, the fall of that family made me feel like I was inside a hateful part of our past, present and future.
I've now lived part of my life within bureaucratic organizations, even as an 'official' and I understand as I couldn't as a youth how absolutely Kafka has gotten to the deepest truths about how our power structures work. What it's like to be enmeshed as part of them, and-or to be at their mercy. It is hard to find free space in the world.
I used to think Kafka was a genius and an artist of the highest rank. Now, reading him in an excellent translation I understand that he was also a prophet.
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