Santiago Martinez is a Colombian poet struggling to live in New York City at a time when everyone seems to equate Colombians with the cocaine trade and crime. Santiago wants nothing more than to be able to pay his rent and to finish the epic poem he is writing about Christopher Columbus. He's a quiet guy, this Santiago, and he's gay. Interestingly enough, the fact that he is gay is not that important to the novel. That he is Colombian overrides his sexuality, and his desire to write rules his life. This is not our typical look at gay life in the late 80s, early 90s. It is more the story of a sensitive man born into a lively culture. Manrique's descriptions of Santiago's family and of Colombians living in New York in general, are vivid and convincing. He has managed to paint - in splendid oils - a portrait of a tropical people transported to the North and living the American dream . . . .or at least trying to. There are some incredibly funny scenes in LATIN MOON IN MANHATTAN, scenes that are funny and refreshing at the same time. One that comes to mind is Santiago's visit to a friend dying of AIDS. Unlike most gay novels dealing with this topic during this time period, Manrique has managed to come up with a wonderfully humorous moment between two friends. Death is turned into something other than dying. And by no means is Manrique irreverent, for Santiago sees everything for what it is and the reader is able to feel for him as he moves about the city, living among three cultures: the Colombian community, the gay world, and New York in general. The novel moves along, action-wise, much like a film, and it is easy to see how it could be made into an excellent one. Manrique must be commended on his quirky characters and, most of all, on his ability to make the reader relax and laugh, something that is rare in contemporary literature. LATIN MOON IN MANHATTAN is great - and well-written - FUN.

"Latin Moon in Manhattan," by Jaime Manrique, is a wonderfully funny and moving novel. The protagonist, Sammy, is a gay, Colombian-born poet who lives in New York City (where the novel mainly takes place). The novel is full of colorful, engaging characters (such as a midget hooker named Hot Sauce and a parrot named Simon Bolivar). The novel follows Sammy as he spends time with his family, with the Colombian community in NYC, at his stressful job as an interpreter, and with his circle of friends and neighbors.

Manrique expertly blends comedy and tragedy, as well as realism and humorous absurdism, in this story. Although the novel is full of appealing silly moments, Manrique also deals with many serious topics, such as ethnic/national identity, literary politics, AIDS, and anti-gay prejudice. He treats his characters with insight and compassion. And throughout, the novel is enriched with the spicy tastes of Latin American food and the rhythms of Latin music. Also adding to the rich flavor of "Latin Moon" are the many cultural references (both pop culture and "high" culture) that are woven into the dialogue and narration.

"Latin Moon" is at times wildly outrageous. The first chapter, for example, ends with one of the most hilarious, explicit, taboo-busting sex scenes that I have ever encountered in literature. But such over-the-top elements are just part of a book with a tender heart and a keen intelligence. Also recommended: the same author's nonfiction prose work "Eminent Maricones," and his poetry collection "My Night With Federico Garcia Lorca."

I have been to Colombia several times and know Barranquilla andthe area around Santa Marta quite well so I bought this book on saleat Daedalus Books hoping that it would further enlighten me as to thelanguage and customs of that area of Colombia. It was a greatdisappointment... It that is what you like, buy it. If it isn't,DON'T!

I must confess I bought this book because I truly enjoyed Latin Moon over Manhattan and I wasn't dissapointed. In the book Manrique leads us through a tumultuos Spain visit, a journey back to Colombia and the adventures of the main character. Manrique has a very good sense of humor and although he shows how corruption and power have spoiled some of his characters, he still brings out the warmth of the more real people that were a part of his childhood, giving us a clear glimpse at a life in Colombia that will not last forever. A very good book.

Not quite a novel, this collection of (surely) autobiographical stories shows it gay emigre narrator trying to make sense of a variegated family in Colombia and New York City, young love in Spain, and a studentof his who films his own starvation. There is plenty of black comedy along with something close to despair about the culture of violence in Colombia. The range of family members is considerable--as full as the oeuvre of García Marquez, the most famous of Colombian writers. It is as powerful (albeit more loosely structured) than Latin Moon in Manhattan, which is to say very powerful and moving -- not to neglect often hilarious.