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Anybody who considers him or herself a "Lifer" (a fan of the movie, usually an extreme fan such as myself) needs to purchase this book.
Almost everything you want to know is in here, from the original story the film was based on to interviews with Stewart, an introduction by Capra, pictures galore, the final script, script revisions, notes about suggested censorship, and much, much more.
There is even information in here you wouldn't even think about asking. An example is the name of the "stars in charge." One is named Joseph. What is the name of the other galxy (Hint: The answer isn't God).
I often get e-mails asking me questions about the film. If I don't have the answer, this is the first book I pick up. Of the many times I've been asked questions, I have always found the answer in this book.
This is the ultimate IAWL reference.
Diving into the archives of Frank Capra to tell the evolution of the movie from cradle to grave (though it will never die!), Ms. Basinger manages to tell the story with such sincerety, fascination and charm that you get the feeling that everything surrounding the movie was just as wonderful as the final product! Best of all, the details of the making of the movie are so vivid that you almost start to feel that YOU WERE THERE!
The first thing you realize as you read the story of IAWL is that is was a really big movie from the gitgo. That is, Mr. Capra had high aspirations for it and did EVERYTHING in his power to make it his greatest and lasting achievement (little argument here) and that Hollywood was watching.
Fans may know that the story started as a Christmas card called "The Greatest Gift" which finally found its way into Mr. Capra's hands where, after many writes and re-writes into a script, got the Capra touch transforming it into his baby. Then casting began with each actor painstakingly chosen to be the perfect person for each particular character.
Anecdotes abound, starting with Capra's embarrassingly jumbled explanation of the storyline while recruiting Stewart. (Fortunately, all Jimmy needed to hear was that Frank wanted him.) Then we hear the one about Stewart's shattered confidence in acting which is restored when Lionel Barrymore pulls him aside for a peptalk. Finally, We're told that the famous phone scene where George kisses Mary was done in a single take AND THAT TWO PAGES OF DIALOGUE WERE SKIPPED! (Capra saw the magic and said "Print it!").
We also learn some fascinating facts about the production such as the 300-yard long set which made Bedford Falls' Main Street and how a record-breaking heat wave took place during the shooting of the snow scenes (in which a new technology was developed for making more realistic-looking snow which won the crew an honorable mention at the Oscars!). Other incredible details are too vast to mention - you've gotta read it for yourself!
The book is worth it if just to learn all of these amazing facts. Most amazing, though, is the LOVE that the two driving forces put into this film culminating in a "Capraesque" out-of-this-world PICNIC for the cast and crew.
The picnic's panoramic photo, which manages to miraculously include these guys on either end of the crowd (they ran behind as the cameraman slowly panned from left to right) typifies not only the ubiquitousness which Capra had to have to make IAWL a reality, but also how we can never seem to get enough of our lifetime friend, George Bailey.
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I was fascinated by the background information, particularly the biographies of EVERY ONE of the Little Rascals and how they lived the rest of their lives. Be prepared for some tragic, tear-jerking stuff! The information makes viewing the classic episodes even more poignant in hindsight.
I am not familiar with ANY of the "silent era" episodes, but I appreciate the information nonetheless. It was interesting to see how so MANY ideas for later episodes were either inspired by or directly picked up from the silent era.
I also appreciated Maltin's candor as he reviewed the declining later years of the Our Gang franchise. What was obvious to any fan, Maltin confirms with honest (yet never mean-spirited) criticism.
Highlights: The information-packed episode guides, the aforementioned actor biographies and the wonderful collection of Our Gang photos (I only wish there were MORE)!
Warning: If you are only a casual fan of the Rascals or if you're someone who's only watched the 90's "Little Rascals" motion picture, you should probably skip this book. Devoted "Our Gang" fans need only apply!
The bigger accomplishment is the picture Leonard Maltin and Richard W. Bann paint of the early days of Hollywood. Hal Roach oversaw some of the comedy greats...Laurel and Hardy, Harold Lloyd, and of course Our Gang. We can almost feel what it must have been like to work on the Hal Roach lot in the new and burgeoning film industry. Maltin and Bann are able to evoke the atmosphere, the family of Hal Roach studios. So, more than being just an excellent history of the long running Our Gang series, it is a Hollywood history. Our Gang successfully bridged the silent and talking eras of film, and had as its creator one of Hollywood's seminal geniuses. For this reason, Our Gang is particulary suited to serve as a segue into great film history. This book accomplishes much more than its title implies.
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