Mahony has done what no one before him was able to do--get a "big publisher" in this case Scribners and Simon & Schuster to publish a Vietnam War Poetry Anthology in both a hardcover and paper edition and make it available to a variety of markets. Except for W.D. Ehrhart who got Avon to print an early anthology in l985--which was promptly "dumped" , no American publisher has touched the subject of Vietnam War poetry. Now we have Mahony's From Both Sides Now with its multi-faceted approach and a pretty sharp intro by its editor. A fine text for classroom use since it affords a view of veterans from both sides, as well as other more well-known poets including Sharon Olds and Philip Levine,etc. The anthology is well-organized, and in some cases especially poignant since it presents poems by poets whose work is not known to the American public. This is an extremely accessible book, rich with the real loss and melancholia of our longest war.

This book was exciting in two ways. One, the poetry was wonderful, combing poets who are quite famous with poets who are published here for the first time. Second, it recreated the Vietnam experience in a way I hadn't experienced in years. I especially enjoyed reading the dozens of poems in this book that were written by young Vietnamese-Amercan and Amerasian poets.

With the blast of a 12 guague point blank. His work comes straight off the street, undiluted by romanticism or the glorification of violence. Its an attempt to convey the life of a beat coop without cliche or comedy. Mahoneys poetry is a self defense reaction against the unbearable senslessness of suffering. He cannot save souls, he can only catch the bodies

the very heart of NYC. He is a cop so his stories are told in the matter of fact manner of a seasoned veteran. The streets have gotten meaner since "Catching Bodies" but Mahoney cannot stop himself from confronting the violence and senselessness of this new generation, kids clinging to a superficial understanding of Muslim religion, and quick to shoot-out over nothing. The answers are not pretty in this book, but good poetry rarely is, and the eyes of a New York beat cop won't spare your sensibilities.