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I recently got the wonderful "Riding the Rails," about teens during the depression who hopped freights to go Huck Finning. My father did this and wound up hanging out at "The Big Rock," which wasn't in San Onofre, but in Malibu. But conditions were similar: then, you really could camp out on the beach.
Like an idiot, I let my Dad pass on before asking him the details of those years. Now, the best I can do are secondary sources. But these help me reconstruct a picture of that world of his that ended with World War II.
Around the world, there is a stereotype of Southern California, which is immediately dashed upon visiting Hollywood Boulevard. However, the stereotype isn't so much lie as anachronism.
There really was a world that matched the current anachronism that is still the image of Southern California. Get this book, and you'll understand what I mean.
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"Empire" traces the rise and tragic fall of Howard Hughes; a man who wore many hats, he was an aviator, Hollywood movie producer, Las Vegas hotel/casino owner ... and a recluse. For one brief shining moment, Hughes was considered one of America's premier aviators, breaking flying records, but then falling out of grace with government and the aviation industry for breaking contract deadlines. In the long run, Howard Hughes would become a grand failure in the world of big business.
Bartlett and Steel show the reader a man who had everything to live for, good looks, fame, fortune, power and prestige, but he was unable to triumph over his social and physical phobias that led to psychological, emotional, and physical illnesses and to his final descent into the dwellings of the insane. Hughes' deep mistrust of all people-even family, worked against him and led to his demise and the lose of his billion dollar empire by the very people whose job it was to safeguard him and his empire.
By the time I finished reading "Empire: The Life, Legend, and Madness of Howard Hughes", I was much more accepting of my status as a non wealthy individual. Although Howard Hughes had everything a man could possibly wish for, he was underprivileged in peace of mind.... The authors do a superb job in separating fact from myth in the life of Howard Hughes. The book is worth reading.
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It also includes important later works of Borges, Nightmares and Blindness (transcriptions of two lectures from 1977).
His own worst nightmare involves discovering the King of Norway, with his sword and his dog, sitting at the foot of Borges' bed. "Retold, my dream is nothing; dreamt, it was terrible." Such is the power of describing, of reading this father of modern literature.
In Blindness, he examines his own loss of sight in the context of examining poetry itself. In a story right out of, well, Borges, he discusses his appointment as Director of a library at the very time he has lost his reading sight. (Two other Directors are also blind.)
"No one should read self-pity or reproach
into this statement of the majesty
of God; who with such splendid irony
granted me books and blindness at one touch."
This lecture is a moving (and brief, just 15 pages) ode to poetry . If one wants ironic context, just consider that these lectures on Nightmares and Blindness were delivered in Buenos Aires at the height of the State of Siege of the Argentine Generals.
...
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The Gethsamani Encounter was designed to extend the mutual understanding these former programs had developed to a still deeper level. It lasted almost a week. Participants were restricted to twenty-five Christians and twenty-five Buddhists from all parts of the world. The site chosen was Gethsemani Abbey in Kentucky, a Trappist monastery whose most well-known member, Thomas (Brother Louis) Merton had died just twenty-five years earlier. He was one of a small group of pioneer Christians interested in Buddhism and died just shortly after having met the Dalai Lama. This confluence of place, history and dates made Gethsemani ideal for this meeting.
This book presents all of the Buddhist and Christian papers presented in multiple sessions daily. Often a group of papers would cluster around a particular theme (meditation; training) and would not only expose the common themes but especially the distinctive notes of each special group--different Buddhist lineages; various Christian groups. Presenters came from the U.S. and Canada, Europe, India, Burma, Cambodia, Japan and other areas giving presentations which inspired, informed and clarified. They also exposed questions and themes still needing more penetration. Consequently the contents of this publication are not only unique but they also supply a high level watershed from which further clarity and mutuality can emerge. The editors, themselves participants in the encounter, James Wiseman, OSB and Donald Mitchell are specialists who make the contents of the papers accessible to the uninitiated and informative to the specialist. This book is without parallel and is meaningful for both the person seriously interested in Buddhism, Christianity, monasticism and East-West exchanges and those who are unfamiliar with the material but ready to become richly informed.
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C.L.R. James wrote this book while he was interned with the newest generation of "Mariners, Renegades, and Castaways" on Ellis Island awaiting deportation. James's fate--that of a foreigner who offers the finest existing interpretation of one of America's greatest books and is still deported--serves as a cautionary tale for our own times. James concludes, "What the writing of this book has taught the writer is the inseparability of great literature and of social life."
Rather than see Ahab and Ishmael as representing respectively "totalitarian" and "American" cultural themes as critics in the 1950's saw it, James offers a vison focused on the Pequod and its crew. A view in which the MARINERS, RENEGADES & CASTAWAYS of the ship were at the mercy of their Captain. In James' interpretaion the Pequod is a factory ship and the crew are the workers. Ahab is no longer a mere sailor but is now illustrative of a "Captain of industry."
I agree with the reviewer from New Haven regarding the peculiar situation James found himself in. The established interpretation of a Cold War allegory was in keeping with the times in the 1950's. If James or Melville himself were writing today, the interpretation on offer here - rather than something to be persecuted for - would be considered far more plausible than the narrow and blinkered view of the 1950's mainstream critics.
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Written in a breezy, conversational tone that still manages to maintain a proper biographical distance, Mo follows Udall from his strict Mormon childhood in Arizona to his first election to the U.S. House. While a great deal of the book focuses on Udall's legislative achievements -- Udall was an environmentalist before it become trendy -- the best of the early chapters deal with Udall as a liberal upstart setting out to reform the stodgy House. As Udall himself would often wryly point out, his political life was often a bizarre tragic comedy of second-place finishes that ultimately became victories for others. Both of Udall's insurgent campaigns for both Speaker and Majority Leader ended in failure but sparked the revolution that overthrew (however briefly) the Congressional seniority system. The book's highlight is the detailing of Udall's 1976 campaign for the Democratic Presidential nomination where he managed to finish second in a record number of primaries without ever once finishing first. If Udall didn't set the electorate on fire, he did distinguish himself by revealing himself to be one of the most genuinely witty Presidential wanna-bes to ever pop up on a primary ballot (or, as one columnist put it, "Is Morris Udall to funny to be President?" That's the 70s talking. As of late, some genuine and intentional humor in American politics would be a bit of a relief, I'd think.) The campaign made Udall famous for his wit but as this biography reveals, that wit often concealed a rather distant temperment that so focused on work that even his own children grew up calling him "Mo." As a politician, Udall was that rare thing -- an honest and sincere compassionate liberal who actually saw big government as a way to help the downtrodden. Yet this same man who dedicated his life to helping strangers drove one wife to divorce and another to alcoholism and suicide. The dichotomy makes for a fascinating read and Carson and Johnson explore these issues without ever descending into lurid muckracking. The book concludes with a touching (and quite frankly heartbreaking) section dealing with Udall's final, brave, and tragic battle with Parkinson's Disease (which, as I read it, was also sadly reminicent of Ronald Reagan's -- another politician never given the respect that was his due -- current battle with Alzheimer's; another nefarious disease that, like Parkinson's, cruelly robs men and women of their dignity without reason or warning.)
Despite the fact that, politically, I'm probably about as far to the right as the late Congressman Morris Udall was to the left, I still find myself mourning the comically tragic failure of his 1976 campaign for the Democratic Presidential nomination. As the election was the first post-Watergate election and the Republican Party was going through one of its periodic near-deaths, the election of a Democrat was pretty much assured. All Udall had to do was win the nomination and, for four years at least, a one-eyed, 6'5, former probasketball player and nonpracticing Mormon named Mo Udall would have been President. Of course, the nomination didn't go to Udall but instead went to the far less witty Jimmy Carter. Considering the way the world was in the late 70s, its doubtful Udall would have had any a better time of it than Carter but instead of hearing that America's problems were due to "malaise," a President Udall would at least find time to tell at least one corny, Ayatollah joke. And, even if the voters didn't realize it at the time, America would have been better off for that joke. Just as its now better off to have this book to remember Morris Udall by.
As others have said, this book is amazing. The photographs are simply timeless and beautiful. I can't quite describe the vibe that it captures or conveys, but I found myself somewhat saddened by the book. The pictures kind of struck a whole "Dead Poet's Socitey," "Carpe Diem" mood with me. At the same time, they conveyed the beauty of a time in California (or for that matter, the U.S.) that is forever lost and will never be recaptured. A time of innocence and naivete, before everything became so tainted, jaded, and overcrowded.
I don't know, maybe that's just a crock. At any rate, as a surfer of 20 years, this book really touched me. I think it will touch any fellow surfer, or for that matter, ocean lover.
Definitely pick this one up before it goes out of print (as these things so swiftly seem to do).