If this was your first Travis McGee book, don't worry. Most of them are much, much better. This book suffers from an overload of the author's rambling commentary on society. After the introduction to jealous husband, you have to slug through 100 pages before you begin to get into typical Travis McGee action. The action is often illogical, and too often Travis - err - Gavin stumbles into old friends at the most unlikely places, bailing him out of trouble. Sorry, this one just didn't click for me. In many ways, it reminded me of the Pale Gray for Guilt story, but there was much less action in this book.

Another Travis McGee book. This one seemed to take forever to get going, to set up the problem, and then as soon as you understood the problem, MacDonald popped you a good one, and the rest of the book was a catch-up from that moment. But that's the simple "mystery" of this McGee novel, and as such is never that special. The attraction of McGee, at least in these later books, are MacDonald's comments within them on the human condition, both specifically with regard to the Quixotish nature of McGee, as well as a general feeling of malaise which centers around money and violence. The McGee novels are as much about philosophy--ethics, particularly--as they are about mystery. Or maybe the point is that the philosophy is the mystery, and as we get to know McGee better, we understand more about his philosophy. I seem to remember the Spenser novels of Robert Parker to be similar to this as well. Are there other mystery series in which the character growth is as important, if not more so, than the particular story of the time?

Over the years I've read hundreds of novels in a variety of genres, but for pure fun and enjoyment it's hard to beat Travis McGee. Some of the books are better than others, but they're nearly all worth a couple of lazy summer days. They are the ultimate summer time, quick-read beach books. At their core, they're good mysteries. But Travis McGee is such a great character, with such a wry outlook on life, that often the mystery seems secondary to McGee's views on whatever topic author John D. McDonald has selected for his soap box. Most of them take place in Florida, (a Florida no one will ever see again given they were written mostly in the 60s and 70s) and all have a color in the title. Don't take them too seriously, just have fun in the sun.