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It is the tale of a princess who is cursed by a mean, jealous, witch so that she has no gravity. The book is full of puns, so MacDonald makes much both of her weightlessness, and the lack of gravity in her character. Naturally her parents are upset and try to have her cured, but to no avail (although the efforts of a couple of Chinese philosophers to provide a cure are rendered amusingly). However the Princess is quite happy with her "light" state (of course it is in her nature to be always happy). In the way of things, a Prince appears, and falls in love with the Princess. Then the witch realizes that her curse has failed to make the Princess unhappy, so she takes further steps, which are thwarted by the selfless behavior of the Prince, and which result in the Princess recovering her gravity: not an unmixed blessing, but one which her new maturity allows her to realize is best in the long run.
This is a delightful story, told with just the right mixture of whimsy and mildly serious moral comment. The characters are lightly and accurately drawn (the Princess` parents and the Chinese philosophers in particular, are delightful), and the story is predictable but still quite imaginative, with a number of nice touches to do with the Princess` weightlessness. Maurice Sendak`s illustrations are wonderful as usual.
I was expecting another dose of the same awe-inspiring goodness without false piety or preachiness that is MacDonald's literary legacy. In "The Light Princess," however, there was an unexpected ingredient--a sharp wit that pervades the whole book and made me laugh out loud more than once. In a modern world where wit and vulgarity are viewed as conjoined twins, how satisfying a book this is! MacDonald infused delicious humor into his characters without losing the innocence. I fell in love with this book by page three, and it has surpassed "The Princess and the Goblin" as my favorite work of George MacDonald.
The fact that my favorite illustrator of all time, Maurice Sendak, added his talents to this book is icing on the cake. Sendak always grabs the heart and soul of the written work and renders it into drawings too evocative to be believed. The drawing of the prince with only his head above the water took my breath away, and in one fabulous illustration, the hilarious expression on the face of the gravity-deprived infant princess as she floats away reflects the hilarity of the story itself.
If some of MacDonald's other stories have turned you off because they are too long, too "deep" or whatever, don't miss this treasure as a result. It is MacDonald-Light, and by that I mean not only easy to read, but typically illumined with beauty and truth. Plus, it's a love story that pokes fun of its own sentimentality. Anyone not brain-dead and heart-numb ought to adore it.
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MacDonald writes in an elegant, leisurely style (he takes three pages to describe a rainstorm at the beginning), and the story is rather long for a story--a 100 pages, give or take a few. But these are not really drawbacks. To adult readers, the story is a rather obvious, but effective, allegory of God's offer of redemption to humanity. To child readers, it is simply a good story; they will probably miss the parallel, but get the message. The story is filled with memorable scenes and images: the little cottage, the Wise Woman's eerie song, Agnes in her bubble (in more ways than one), Rosamund losing her temper with the little child in the boat. These make as much of an impression as the ideas, especially the recurring one that it is not enough to good; that's easily done when one's in a good mood. The goodness that counts is that done against one's inclinations--a hard doctrine that negates most of my good deeds, if nobody else's.
In short, this is a haunting book. It is well-written, it is thoughtful, it stands up both as a strong story and as a sermon, it entertains, it rebukes; it rewards repeated reading with additional meaning.