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I have become a big fan of Deke McClelland. I recommend buying his books if you want to enjoy what you read.
Another thing that impresses me - the special website for users of this book, ps6.com. (Any Photoshop user can access most of the site, though.) It has the sample files you'll want to use when going through some of the book's step-by-step tutorials. (No need for a bundled CD, the sample files are on the site! You will need a password that is found in the book to get to the images, though.) I really was impressed that the author took the trouble to have a special site for this book's readers. The author seems committed to his readers, and in providing a helpful, comprehensive and informative book.
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The book is not written for beginners. You should have a good understanding of how to use Photoshop Elements before diving into this book. Given the scope of this book, I found the first chapter to be a little too basic. I initially found parts of chapter 2 a little confusing. I never use gradient maps and found the explanation in the book to be somewhat confusing. I went back to my "Photoshop for Dummies" book and re-read the portion on gradient maps. This made the light go on for me on what the author was saying in Chapter 2. I found chapters 3, 4 and 5 the most useful. These chapters dealt with the type of image clean-up I encounter most often. These chapters dealt with curves, which I knew was a feature I missed in Photoshop Elements. Chapter 5 showed some great uses of the History Brush, another missing tool from Photoshop Elements that you get on the CD in the Hidden Tools. The remainder of the book gave some good hints on how to improve your images as well.
I read the whole book, but I am sure that not all was absorbed. I will keep this book close to my computer to use as a reference as I try to fix those difficult to correct images.
The author of the book has made himself available to answer questions on several Photoshop Elements and retouching forums. I highly recommend this book to anyone that wants to go beyond the basics of what is available in Photoshop Elements.
I categorize TFMM as a book that attempts to place the compositional modernity of the last century into a hyper modern role in the present. By hyper modernity I posit that TFMM supports the Western assumption that the detached theoretical viewpoint is superior to the involved practical viewpoint. Nevertheless, TFMM succeeds in relating the important transitions that classical music has made in the 20th century and is a worthy book to read especially for the classical listener who is not familiar with the advances of composition in this past century.
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I was really disappointed. If you consider applying make-up a special effect then you won't be. This would probably be a good book for kids.
The format of the book was incredible! The sections were each displayed very descriptively, while most how-to books I read are poorly descriptive.
An unimportant comment of this book is that it is too short. You fail to learn all of the basic concepts of digital recording.
This book deserves a 5-star remark, but I would feel much more comfortable giving this book only 4-stars. I felt it could be longer and contain more concepts of digital recording.
I just want to say another thing on behalf of my new company, Titanium Skate Co. We would like to inform all of the skaters that our products will begin the manufacturing process in August.
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I stongly recommend this book.