All the sound effects and music added much as well as having two members of the original cast from the movies(Mark Hamil and Anthony Daniels)was wonderful!! Anne Sachs was brillient as Leia and Perry King was magnifesent as Solo although getting used to King's voice instead of Ford's was a bit difficult.I enjoyed getting more background on Luke and Leia. Brian Daily wrote a wonderful script!! All in all this series should be re-brodcast.

When the Star Wars Radio Drama made its debut in 1981, on the NPR network, it was an instant success. Saga creator George Lucas sold the rights of the story to his alma mater for a dollar After that, a highly creative team took on the task of adapting the very visual film, for the radio medium. The end result is an enjoyable and very worthwhile, experience that makes the film come alive all over again, despite the lack of any of the film's landmark visuals

Using sound effects, the original score by composer John Williams, and with 2 key actors reprising their roles from the film, the radio drama boasts lavish production values. This is not some cheesy adaptation that they slapped together, quickly and put the name Star Wars on it, hoping for the best. Author Brian Daley's radioplay expands on the film verison by including additional "scenes" and backstory. Directed by John Madden (Shakespeare In Love), the radio drama has a top notch cast. Mark Hamill and Anthony Daniels add some additional class by recreating their film roles as Luke Skywalker and C-3PO respectively. Brock Peters as Darth Vader, makes the part his own, while Ann Sachs gives Leia the right amount of spunk. Perry King, as smuggler Han Solo, may not be Harrison Ford, but he could be Solo, and that's what counts. Bernard Beherns as Ben Kenobi and the late great character actor, Keane Curtis, as Grand Moff Tarkin, round out the main cast, with style. While I was listening to this, I got the impression that, even though it must have been a lot of work to put this production together, it seems like everyone had a good time too. Sure some of it may sound a bit off at times, because most of us know the film so well. But one must remember that no one working on the project set out to just copy the film. The Star Wars Radio Drama captures the sprit of its of source material perfectlly...and that's all it needs to do.

I highly recommend this presenation. The Star Wars Radio Drama on CD contains all 13 episodes as originally presented, spread over 7 discs, with a running time of about six and a half hours. The Empire Strikes Back and Return Of The Jedi radio drama adaptations are also available as well.

At first, the idea seems bizarre, even ridiculous. Star Wars, a movie best known for its vistas of alien worlds and epic battles, as a 13 part radio drama? No way would it work, right?

Well, unless you have the cold heart of a Sith, Star Wars did indeed translate well from the silver screen to radio, thank you very much. Yes, Star Wars' visual effects are a big part of the magic of the saga, but the heart and soul of George Lucas' galaxy far, far away are the characters and the storyline. And while the movie is satisfying on its own, the radio dramatization written by the late Brian Daley takes us beyond the movie....beyond the screenplay...and even beyond the novelization.

By expanding the movie's story beyond its two hour running time, the Radio Drama allows us to catch glimpses of Luke Skywalker's life BEFORE the movie. It tells us how Princess Leia acquired the Death Star plans....and what, exactly, happened to her during her interrogation aboard the Empire's battle station...(it is an interesting scene, but not for the squeamish, by the way). In short, by expanding the story to nearly seven hours, characters we loved on screen acquire depth only equaled by novelizations.

The Radio Drama makes extensive use of material written (and in some cases filmed) for A New Hope's silver screen version but cut for editorial or technical reasons. Also, Ben Burtt's sound effects, John Williams' score, and the acting of Mark Hamill (Luke Skywalker) and Anthony Daniels (See Threepio) give the whole project its "true" Star Wars cachet.

No one would ever have guessed that when Industrial Light & Magic opened its doors in Maren County that day way back in 1975 that they would produce the standard by which other special effects and other effects houses would be judged. ILM has formed the cornerstone of LucasFilm Ltd. a company that has spawned more spin-offs such as THX Sound, Skywalker Sound, all held neatly under the Lucas Digitial banner. Back in the days of Star Wars it was mostly using what was already known, and inventing everything else. ILM has been at the forefront ever since, from the early days of motion control cameras controlled by Apple computers the latest CG marvel like Galaxy Quest, Phantom Menace or Mission to Mars.

The Art of Special Effects deals more with the older films-those before 1986, illustrating a time when computers were not so large a part in the film-making process. It gives the reader a great look at the sheer amount of detail that went into the models, the props, costumes from Star Wars to Explorers, from Raiders of the Lost Ark to the some of the Star Trek films, ILM constantly and consistently proven to innovative. The book as a whole is on a level lower than, say, Cinefex magazine, assuming that the reader doesn't know how blue screening and rotoscoping works or how miniatures are lensed. It is light reading without getting itself bogged down in too much technicality, for those who want that, read Cinefex.

It also strikes me that this book is also best at presenting a dying era. A time when model makers kit bashed hundreds of plastic models just to build a Super Star Destroyer - few companies bother with that any more when everything can be rendered on a Silicon Graphics box and Maya and Soft Image software. Such films as Star Trek: Insurrection used few practical models and a completely CG Enterprise-E. The time of the supremely detailed, hand crafted model or set may be at an end, and I think the industry will be sadder for it. Partially because when I read Cinefex, a lot of what I see is the same-different movie, different space ship, but they're all rendered the same way and most use the same software, with only minor modifications or original code going into it to get a certain look or solve a certain problem.

I suspect the Digital Realm of the movies, while producing better special effects, lacks the mystique of knowing that several people labored for months to build that model. That instead it was modeled by a few people over a period of a week. (Though it should be noted that a lot of films, including the Phantom Menace, used practical models). I suspect their days are number.

Thomas Smith was general manager of Industrial Light and Magic a year before he came to write this impressive book. The book is centred around the film special effects creations of ILM between 1975 and 1985. This includes the then "Star Wars" trilogy, two Indiana Jones movies and other lesser known projects. For the Star Wars fan theres plenty to learn about one of your favourite movies. This book is lavishly illustrated with full colour photos including triple page or gatefold images. The focus though is on how the effects are done and who did them at ILM. From the art work in developing concepts of storylines, through modelling, creature creation, the actual filming methods and matte image creation to the finishing touches of animation and optical compositing this book gives a gradual demonstration of the work of a special effects company. For someone with no knowledge what so ever of special effects this is a good introduction and to those involved it must be fascinating as well. As Thomas Smith points out, while film fans still love the movies from this era (1975-85), movie goers constantly seek new visions on screen. The digital era has brought movies like Toy Story etc but these were just figments of imagination at the writing of this book so its worth noting Thomas Smith's far-sightedness in the final chapter on digitized movies. The format of the book is to take each department of the special effects process and show what it does and where its part comes in the crafting of a movie. In each chapter there are short biographies of the leading people in each area of effects, this is a nice touch as it can serve as guide for those interested in getting involved. Its worth noting, many of those profiled have a long interest in their specialty going back to their youth and through the various twists and turns of working in an industry knew of other members of the ILM company before actually joining this now esteemed organisation. Thomas Smith by no means is setting out to sell ILM's considerable expertise though he tells the story of a company making dreams into reality, itself moving from an idea to a serious business proposition. (As a final note another book on movies of this period Paul Sammons "Future Noir: The Making of Blade Runner" contains insightful descriptions about the crafting of a movie not least its special effects.)

Years ago I longed for this book, as it sat on the shelf in the local book store(it was not cheap). I received it with much gratitude on my birthday. Now as a teenager I found a reinterest in this book, and was overjoyed when the next book "into the digital realm" came out. For anyone who is captured by the magic of special effects, this is for you.

Just magnificent. A piece of art by one of the greatest artist of the asian continent.

Finally, we can have the last of the three parts of the Manga Star Wars: The Empire Strikes Back. As always, spectacular drawing and the best version of the Donald F. Glut script ever made!

Just when we were enjoying the marvelous comic book of A NEW HOPE, the manga version, Toshiki Kudo strikes back with this spectacular version of the sequel of the trilogy created by George Lucas. The price is a little elevated, but the drawing is excellent. A must-buy book!

This book lets you understand the entire movie in detail. Now that I bought this book , I've practically memorized the entire script! I'd give this book 5 out of 5 stars!

The Empire attacks the Rebels' base on the ice planet of Hoth and takes it. Forcing Luke, Han Princess Leia, Chewbacca, and the droids R2D2 and C3PO, to evacuate the planet. Luke Skywalker, after seeing the ghost of Obi-Wan Kenobi, goes to Dagoba to begin his training as a Jedi Knight with Yoda. Meanwhile, the Emperor and Darth Vader, plot to bring Luke to the Dark side of the Force. Han Solo, Princess Leia, Chewbacca, and the two droids head for the Cloud City of Bespin, to meet with Lando Calrissian. They're unaware of the fact that Lando's about to turn Han over to the Empire. (Actually, Jabba the Hutt). On Dagoba, Yoda shows Luke a vision of the future. He's forced to fight himself when Yoda tells him he'll be like his father. Yoda tells him that he'll be easily turned. Luke says he won't. Then Yoda says that his sister might be. Luke's surprised. Yoda says that Annikin Skywalker had two children--twins. A boy and a girl. The girl, Leia, had been sent to Alderaan for her own protection. The boy, Luke, was sent to Tatooine. In the cliamatic battle between Luke and Vader, Vader reveals the truth. He tells Luke that he's his father. Luke refuses to believe it. He's holding on for dear life after being shoved out of the city for refusing to join Vader. He's rescued by Chewbacca and Lando Calrissian. They set out to free Han Solo from Jabba the Hutt back on his home planet of Tattooine.

Well, reading this screenplay does give you a good insight into how Lawerance Kasdan and George Lucas wanted to end the Star Wars saga. It appears that they knew right from the start that the final story was going to be a big one. With a lot of action, but also dealing with Luke confronting his father and turning him back to the good side. Since this screenplay was done years before the prequel movies were even thought of. IT does show Lucas at the height of his talent. Trying to tell both a good story but also giving the characters as much to do as possible. It also shows that there is more then just a few inconsistences between These movies and the prequel films as well.

This is one great book. For those of you who love Star Wars, this should be added to your collection. Instead of reading about the story, you read the script. It's not all the same, some sentences are longer or shorter, but that doesn't matter. Includes cool illustrations too. I rate it a 5!

This book is a quick and easy read suitable for individuals or groups. For the "puzzle of life" the book provides, in outline form, key factors to build success and a belief system to allow one to enjoy the ride. I recommend it highly and recently purchased copies for my entire organization.

Rush, rush, rush. Push, push, push. Gotta achieve. Gotta make it! Life is complicated, but that's the fun. Go go go!

So is this what achievement is all about? Not really, say these authors. There's a system for success, and it's simple. In fact, simplicity in life is part of the magic. But it all starts inside. As the book explains, "what's in the well comes up in the bucket."

This is an interesting book because it's written by three authors-three people who have "been there, done that, and taught others." But the book is written in the singular. The authors realized that their ideas were bouncing all over the place, so they engaged a writer to "harmonize them into one voice." Clever idea, but a little unnerving at times, knowing that there are three people behind the message.

Readers will begin the journey through this book by Defining Success. Chapter 2 talks about Creating Desired Results, with the obligatory four-quadrant model. The dimensions of this one are Failure and Success, Frustration and Fulfillment. The Impact of Thoughts, Words, and Actions is explored in the third chapter. Values are addressed in a chapter entitled "Reflecting on Your Belief System" before an advisory chapter on getting clutter out of your life. The balance of the book focuses on creating an environment for success. It's a "typical" self-help book, but well put together.

Extra features include the inspirational quotes you might expect, sprinkled through the pages. A 19-question assessment at the back of the book serves as a summary, but could also be taken before reading the book as a sort of benchmark. The Points to Ponder at the end of each chapter add value to this book, moving the reader from absorption of good advice to a pensive and self-reflection mode to stimulate progress.

The Contented Achiever is an excellent book that helps us on our journey as to whether we are living the life we truly want! In the back of the book, there is a Self Assessment entitled "Are You a Contented Achiever?" My score told me that this book would absolutely be read next!

The lessons learned about being centered and living in the "now" have greatly impacted my life. The chapter on "Clutter" has created even more satisfaction and peace in my daily life. I ask myself the following question: Are there things that tie me to my past that prevent me from enjoying the present? Try it, you'll experience a wonderful sense of letting go and enjoying life more!

A long time ago in a galaxy far,far away George Lucas revolutionized modern movie making, and captivated a nation with his spectacular movie Star Wars. Star Wars, The Empire Strikes Back, and Return of the Jedi became one of the worlds most beloved trilogys. After Star Wars, George Lucas contintued to dazzle the public with his unique story-telling by bringing us another wonderful trilogy-The Indiana Jones trilogy. This book is an excellent read on how these and other movies from George Lucas made it to the big screen. With excellent background history on Lucas himself, this book is a must for anyone who admires Mr.Lucas. A well-researched book,it gives a detailed account of how some the most famous movies in cynematic history made it to the big screen. Overall I thought it was great and urge anyone who loves Star Wars, or just wants a good book to read to get this book. :) May the force be with you!

I'm a Star Wars fan, and always wondered what kind of person George Lucas, the creator of Star Wars, was. This book pretty much answered any and all questions I had about the Master Jedi himself.

Pollock's narrative of Lucas's life begins with George's childhood, then proceeds into his rebellious teen years--which was the inspiration for American Graffiti--then straight onto Lucas' student filmmaker years and finally to his highly successful movie career. The latter of which is when Star Wars and its sequels were produced and established Lucas as one of the most influential filmmakers in the history of the medium.

The book offers a balanced, journalistic account of Lucas' life, with very little opinion injected into the book. Some places Pollock seems to praise Lucas too much, but it's nothing too extreme.

The only real problem is that the book was written during the production of Return of the Jedi, when Skywalker Ranch wasn't finished, George was still married to first wife Marcia, and before the flops Willow and Howard the Duck. I read the revised edition which has an intro mentioning these things, but the book's main narrative is about what's happened to Lucas up to 1983.

I'd recommend this book to any fan of Star Wars, and anyone else curious about Lucas himself.

In times past the function of biographies was generally to elevate their subjects to noble heights and focus on the individuals accomplishments. In modern times the function of biographies often seems to be to tear down their subjects, ruthlessly exposing every flaw and possible past transgression of the person under examination. This biography of film director/producer George Lucas is an evenhanded look at his life and work, even if some of the conclusions it's author arrives at are necessarily personal rather than certifiably factual in nature.

The book is peppered with many quotes from Lucas himself as well as Spielberg, Coppola, Milius and others which lends it a feeling of legitimacy which I believe is probably lacking from other, less sympathetic biographies. Lucas himself is quite forthcoming about his feelings on his own work and what he sees as his limitations as a director. His comments on Hollywood were amusing if understandably bitter, especially for someone who has worked there in the past.

If one omits his earliest film shorts such as the student version of THX 1138 and the documentary Filmmaker, Lucas has only directed three films in his career, THX 1138, American Grafitti and Star Wars. His function since that last mega-smash has primarily been as producer and head of the state-of-the-art Skywalker Ranch production facilities up in scenic Northern California. He has also helped finance a number of less "mainstream" works such as Kurosawa's Kagemusha. It's unfortunately probably true that Lucas has never been taken seriously by many critics ever since Star Wars because that film was so consciously intended as a "kids movie". Despite the fact that it was embraced by popular culture around the world due to its quality and mythic resonance it does tend to overwhelm his early, more adult-oriented films. Lucas himself is quite skeptical of some of the intellectual critical analysis that has been produced on what was intended to be an innocent hommage to 30's style action movie serials and not a "think piece". It's also surprising that so many people continue to consider the Star Wars films science-fiction when they really fall much more into the fantasy genre despite all the high-tech trappings.

Of course this book includes reams of trivia on the films, from the origin of all of the characters names in Star Wars to the details behind preview screenings and loads of very funny anecdotes that could only have been provided by an industry as crazy and high-stakes as Hollywood. Mostly however this is the story of a man from modest origins who managed to beat Hollywood at it's own game and achieve financial independence from "the system" through a combination of very savvy business choices, luck and a personal vision that happened to coincide with what a large number of the paying public wanted to see on screen.

This review refers to the original 1983 hardcover release of this book.

I remember receiving bad recordings of all 13 episodes of Star Wars and only 6 of the 10 episodes of Empire from my English teacher many years ago. Despite these disadvantages, however,I listened to these episodes religeously, whether it was after school or on the weekend. Why? Mostly because of their atmosphere and if you're a Star Wars fan you would know that the Star Wars movies alone are drenched in atmosphere. The Radio Dramas however go one step further and extend the already classic story.To understand What I mean...GET IT!!...NOW.

This CD set is great. You think you know Star Wars because you've seen the movie? Wait till you hear it! I'm so glad I decided to go for the Collector's Edition. There were only 7500 of these made, so it is quite expensive, but I think it is worth it.

Important about the COLLECTOR'S EDITION: it contains the following special tracks: comments from four of the principals, the speederbike scene without sound or music added, then with all the effects, for comparision, two public radio membership spots by Tony Daniels (C3PO), and the touching "Message for Brian." For me, "Message for Brian" was worth the extra all by itself. (Brian Daley, the writer, was ill with pancreatic cancer when this was recorded, and the cast recorded this "get-well card" for him, only to find that he died within 24 hours of the completion of the recording sessions.)

Unfortunately, Brian never got to hear this message. But the radio dramas he created, which are now dedicated to him, are a great monument to his efforts. I would recommend this set to anyone who is a real fan of the Star Wars universe.

This is a wonderful production. I came too late to really appreciate radio dramas when broadcast, but when I first heard this I fell in love with it. You can really imagine what's going on visually, and the drama gets into much deeper parts of each character than Lucas's script ever went into. This simply is a must for all Star Wars fans. I copied it onto MiniDisc and listened to it on the way to work each morning.

Firstly I did not want to read it. It was based on a movie, how good could it be? But a friend convinced me, that it was worth reading, so I gave it a try and realized it really wasn`t that bad. It was quite OK actually. Willow, a newlyn (smaller than humans or daikini as they are called here) comes across a daikini baby girl. He wants to return it to daikini, but on his "quest" it becomes known, that the baby it princess Elora Danan - a sacred princess that the prophecies say will save the realm. So he has care for her and keep her from the evil sorceress-queen that wants to kill her. And so his real quest begins. It is a magical story, a little dark at times, but it suits it and makes it even better

that was such a great book i found my copy in a used book store and at first i really didnt know what to expect but it turned out ok after all

It is an excellent book for those first trying their intrests into the fantasy category. Lots of action, adventure, romance, laughter, good and evil. Especially if you have seen the movie, you've gotta read the book.