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The story starts out with the giant Black Jack being executed, and then procedes to tell the story of a poor good-natured youngster who finds himself in this terrifying scoundral's strange company. The strange thing is that for some reason, this terrible man finds that he likes the young lad, and won't let him go.
When the boy finds himself suddenly and strangely abandoned by the giant after starting (and ending) his search for an escaped lunatic young girl, he folows the road till he finds (and joins) a traveling carnival. The that's where our story begins.
As Black Jack struggles with his fear of lunatics (can you believe it?) and growing admiration for his young friend, Tolly (the young fellow) gains maturity and learns about life as he helps the poor lunatic (her name's Belle) regain her sanity. It's really engaging, because all the characters are so very HUMAN, and as Tolly continually tries to help the girl while at the same time keeping her from getting to close (she loves him you know) he starts to find that he cares for her too.
When Belle becomes convinced that she really is insane and has herself commited, and Tolly can't get the people imprisoning her to let him see her (despite his growing love for her), and Black Jack won't let anything get in the way of his friend's happiness... Well, let's just say it makes for one of the greatest climaxes I've ever seen in a book (especially when you consider the world is ending at the same time).
What really addicted me to this book was one thing. Love. When I read the passages about how Tolly and Belle found their feelings for each other grow, it gave me a simply wonderful feeling. The author of this book has managed to perfectly describe the feeling of being in love. I haven't felt this way while reading a book in a long time. This feeling the book gave me grew stronger and stronger as it progressed, but the very, very end made it shoot to the sky. Because what Belle kept describing in her wild rants of insanity turned out not to be mere dreams after all, but visions of a future more wonderful than she could have imagined.
If anything I have said connected with you in any way, READ THIS BOOK.
The plot, such as it can be described, concerns a young boy named Tolly who inadvertently revives a notorious murderer who has just been hanged in the village gallows. The criminal, a fearsome giant nick-named Black Jack, promptly coerces Tolly into a life of crime, very much against the will of the decently noble young man.
Thereafter the novel builds steam as Jack and Tolly meet up with an escaped asylum inmate, join a carinval troupe, encounter various eccentrics and villians and finally witness the end of the world (well, sort off). The final thunder-bolt of an ending is almost unbearingly suspenseful and leaves the reader breathless.
As always, the fun of Garfield's writing is his ability to stack surprise after surprise without loosing credibilty. Despite the crazy goings-on , Garfield always makes his characters seem like real people and their development over the course of the book is complex and moving. If you enjoy intriguing stories with superb dialogue and wild plot twists, don't hesitate to buy "Black Jack". If you like this novel I also recommend Garfield's "The Strange Affair of Adelaide Harris" (which introduces one of his finest literary creations, best friends Bostock and Harris) and "John Diamond".
Every serious reader (and especially writers!) owe it to themselves to discover the genius of Leon Garfield, and "Black Jack" is a great place to start.
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I want have this book in spanish , too can produce a good traduction.
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His difficulties in getting the boat built after the 1906 San Fran earthquake are hilarious as he describes the assaults of his contractors and creditors during the construction.
After they finally launch the voyage six months late, they manage to find Hawaii through sheer luck, where Jack and his plucky wife, Charmain, learn to surf (remember this is 1907!), visit the leper colony at Molokai and the "House of the Sun" volcanic crater on Maui.
Then comes the "impossible traverse" to the Marquesas, which they didn't realize couldn't be done until a week after they'd begun. Continuing on to Tahiti and the savage Solomon islands, Jack and his determined "Snarkites" encounter natives, tribal chieftains, missionaries, and overcome their problems with incredible persistence and naivete as only some of the first white people to enter these areas could possess.
Incidentally, the "cook" on this voyage was the famous photographer and world explorer Martin Johnson who was picked to go on his very first adventure by a letter to Jack advertising his thirst for travel. With his wife Osa, he would years later revisit the Solomons for the purpose of photographing cannibalism before embarking on their epic photographic safaris in Africa and Borneo. Jack only mentions Martin in passing during "the Cruise", perhaps sensing some literary and photographic competition that he would encounter later.
This book is a great shelf companion to Martin's "Through the South Seas with Jack London", upon which he began his great series of travel books. "The Cruise" gives Jack's viewpoint as the sponsor of the trip, and an established literary giant. Whereas Martin's opinions on the racial makeup of the islanders are quite bigoted and reflect the prevailing views of the turn of the century, Jack is more open-minded, and willing to point out the failings of the white race in adapting to these island paradises.
"The Cruise" is a great non-fiction book, among few others by London such as "the Abyss" that tell of his adventures and opinions first-hand as they happen. It truly captures his sarcastic yet hopeful perspective of himself and the whole concept of adventure.
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Kingman seems to have found photographs of just about every place Jack London ever lived or worked and just about every person that figured in Jack London's life. How about... Johnny Heinold, owner of the "First and Last Chance Saloon?" here on p. 38; the schooner "Sophia Sutherland" on p. 43; here's Jack in Kelly's Army; here's the Erie County Penitentiary where he spent a month... here's George Sterling, here's Anna Strunsky, here's Cloudesley Johns... Here are pictures of Jack as a young sailor, Jack in the Klondyke, Jack at the Bohemian Grove, Jack on the farm...
This is a "pictorial biography" and the interest is in the pictures. The writing isn't inspired, but it is useful as a detailed outline of the events of Jack London's life. It has a useful bibliography.
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Oh, thank you for the sour persimmons, Donald Rumbelow. Now all can revel in the mystery of Jack the Ripper with clear consciences and without having to worry about being affiliated with those horrible (chooey!) anti-feminists.
And your clarification was necessary because, as everyone knows, when we are not blowing up abortion clinics, anti-feminists are indeed in the habit of committing serial murders of women and ritualistically using their blood to brew our sacred malt liquor.
Sheesh!
And Rumbelow also states that he has no doubt that the mystery will eventually be solved. He wrote that in 1991 before the Maybrick Diary was publicized, but some of us think that the Maybrick Diary contains the solution to the mystery, and yet the debate rages on.
What would have to happen in order for the mystery to be solved to the satisfaction of MOST, let alone EVERYONE? In the wake of the Maybrick storm, Rumbelow's prediction seems naïve today.
But notwithstanding the Forward, this is a very good reference work, usable for both novice and expert, for which the editors, Paul Begg, Martin Fido, and Keith Skinner deserve much credit.
They appear to have overlooked no detail of information or speculation or tradition associated with Jack the Ripper. When one sees an entire entry devoted to "Smith, H - Undertaker of Hanbury Street, who supplied hearse for Annie Chapman", one must acknowledge that the editors truly appear to have left no stone unturned.
Maybe they went a little too far. Does it advance the study of the Ripper mystery to list every fanciful movie or TV show based on that theme, including the Star Trek episode "Wolf in the Fold"?
The authors are modest enough about what they have done and do not vouch for 100% accuracy, but as corrections are brought to their attention, they appear to be dutifully acknowledged and included in each new edition of this book.
Where there are disputes, the authors usually present all sides well and demonstrate impartiality in their analysis. Usually. I especially appreciate their presentation of the dispute over the "Lusk kidney" (genuine kidney removed from Ripper victim, Catherine Eddowes, or medical student hoax?)
But what's this - "(O)n the basis of handwriting analysis, there currently seems little doubt that Maybrick did not write the Journal"? Uh - no. Even the most stalwart Maybrickian might have to admit that the handwriting in the diary is a problem, but that remark from "A to Z" unacceptably crosses the boundary between impartial analysis and opinion.
And what of the famous "Dear Boss" letters written to the Central News Agency, which were signed "Jack the Ripper", from which the East End murderer acquired his legendary nickname? If the letters were contemporary hoaxes and weren't written by the murderer, it isn't really accurate to refer to the murderer as "Jack the Ripper".
When the editors solemnly intone (correctly) that "most researchers" have concluded that the letters were indeed hoaxes, I am inclined to believe that they are slyly using the weight of majority opinion to browbeat the reader into agreeing.
Begg and Fido are certainly part of the "growing consensus" on this issue - do they ever advertise a willingness to go AGAINST the consensus?
And yet, among other things, the "Dear Boss" letters were taken seriously at the time by the police and were written by someone who appears to display the extreme cocksureness of the serial killer. They were written by someone who seems to know that human blood thickens quickly and can't be saved for later use as ink. And they were written by someone who seems POSITIVE that more murders are yet to come. Moreover, they are written in the same hand as that which wrote a threatening letter to a police witness who might have seen the murderer - hardly the work of a hoaxing publicity hound.
So why the consensus AGAINST the authenticity of these letters? Could it be that most Ripperologists have their own favorite suspects, who were unable or unlikely to have written the "Dear Boss" letters, and that these Ripperologists merely alter their view of the letters to conform to their own pre-drawn conclusions?
Begg and Fido wrote about the Ripper before publishing this reference work. Each of them named a different poverty-stricken lunatic semi-literate Polish Jew as the most likely Ripper candidate. Neither of their candidates could have written in the good copperplate hand that wrote the "Dear Boss" letters. Are Begg and Fido expediently allowing their objectivity to be clouded by taking false reassurance from the opinion of "most researchers"?
Ripperologists are confident about issues such as this because of consensuses that they learn about by reading the works of Ripperologists. Did the police operate this way? No wonder Jack was never caught in his lifetime.
In their published commentary about Jack the Ripper, Begg, Fido, and Skinner have proven themselves to be of impartial disposition and advocates of fair treatment for all points of view. They have shown themselves to be friends of the truth, whatever that truth may prove to be. But I am reminded of a book on realpolitik that I once read, in which it was observed that a friend is someone that you can trust 80% of the time.
With that in mind, a rating of four stars out of a possible five seems quite appropriate.
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