This summer we enjoyed our first stays in some of the national park lodges. Not knowing much about the lodges prior to the trip, we located this guide in a bookstore in a nearby town. It provided enough information that we were able to make good choices on which lodges to choose in each park we visited. In particular, we were having difficulty picking lodges in both Yellowstone and Glacier. Both parks have several lodges and we didn't know much about any lodge other than Old Faithful Inn until reading the information in this book. We found the information accurate and helpful.

If you like to stay in National Parks, this is the book for you. It provides all the detail needed to weigh all your options for lodging in our National Parks (price, location, views, room options, restaurants). In some cases it even gives recommendations for certain rooms because of the view or the size of the room.

Even if you never thought about staying at a National Park Lodge get this book. There are some wonderful places to stay and staying in the park, even if it costs a little more, adds so much to the total park experience.

I will not be without this book when I travel. I just wish the authors would write a similar book for State Parks.

As a frequent visitor to the national parks, I found the information in this book to be accurate and useful. We had stayed in several of the lodges mentioned in the book but found out about some places we never knew existed. The lodge in North Cascades is one of our favorites. I recommend this book to both experienced and novice travelers.

This is a case of Dialectic Materialism approached through a Nietzsche perspective, a woman as an idealist scholar with an extraordinary Jewish background whose brother suffers the loss of his life at the hands of Nazis! Simone Petrement, Simone Weil's biographer and classmate [Ecole Normale et al], clearly presents the defeating struggles with which Ms. Weil must but stealthily reveal! To say she deplored her Jewish background would be to deny her devotion to her parents which could not completely be. Her struggle is not her with Jewism itself but with the affliction of her father, Dr. Bernard Weil (1872-1955) and her mother, the daughter of Mme. Reinherz. Try the perils of the afflicted Russian Jew who no longer finds palatable the mere potatoes which she herself chose. She subtly [quietly]pleaded for her parents' assistance and then rejected their offers through her inner anxiety, a struggle to preserve Humanity amongst those who spoke Omniscient Salvation in other languages but offered moral support to Russian Jews who didn't appreciate the blasphemy of stating "Jesus Christ" over and over again! Thus is the subtle and controversial attitude.

Simone Weil's writings were impenetrable for me in the fifties. Now I have most of her works and I am frequently amazed at how penetrating are her ideas and thoughts, and how contrary to most thinking today. That in itself recommends her. She understands people, life, and suffering, and sees its purpose. She sees through all falseness to the goodness. Simone Weil is the most honest person I know or have heard of. Yet while her classmate, Simone de Beauvoir is famous Simone Weil is relatively unknown. She loves Plato, Buddhism, Geometry, Jesus, working people, her homeland, France, but she rejected the Catholic Church, baptism, and Judaism (her background). She is a saint if there ever was one. I am profoundly grateful for having known something of her, her diamond mind, and her beautiful soul.

This young lady's writings and personal story blow away most other 20th Century thinkers. These are mainly short blasts. Provocative. Accessible. Yet push you further than you've likely been. Lots of ancient Christian desert hermit influence (St. Theresa, St. John of the Cross, Philokalia) on this revolutionary, radical mind. Timeless. Challenging. Simple. Confounds modernism.

We purchased this book as a thank-you gift for friends, and we were *delighted* with the quality and beauty of it. Truly glorious photos, not a ton of information but enough, and makes a spectacular gift. Highly recommended.

What a treat to find Great Lodges of the National Parks! Not only is the book full of lucious color photographs of the lodges (both inside and out and every season), but historic images and architectural drawings that make you really appreciate the simple fact that they were built in the first place. You also get the full history along with a sense of what the lodges are like today written in a very accessible style. I know people who are trying to go to all of the lodges in Christine Barnes' books. I plan on beginning this summer. (The book also includes Timberline Lodge in Mt. Hood National Forest outside of Portland.)

This is a gorgeous book.
It has 192 pages--loaded with lovely glossy pictures.
Not all of these lodges, however, are located in the national parks.Timberline Lodge is in a national forest and Oregon Caves Chateau is located at a national monument.
The pictures in this book are breathtaking. Historical pictures as well as present day pictures are located in the book.
This book is VERY similar to the Great Lodges of the West book (also by Christine Barnes). Some of the EXACT same pictures that are in the Great Lodges of the West book are in this book!
But this book adds more pictures.
This one has more pages (as compared to 136 pages) and this one has more pictures. Also covered in this one is Belton Chalet and Sperry & Granite Park Chalets (which the other book doesn't cover in full detail).

16 lodges are featured:
1) Old Faithful Inn (Yellowstone National Park- Wyoming)
2) The Ahwahnee (Yosemite National Park- California)
3) Paradise Inn (Mount Rainier National Park, Washington)
4) Timberline Lodge (Mount Hood National Forest- Oregon)
5) Oregon Caves Chateau (Oregon Caves National Monument-Oregon)
6) Crater Lake Lodge (Crater Lake National Park-Oregon)
7) El Tovar (Grand Canyon National Park- South Rim)
8) Zion Park Lodge (Zion National Park)
9) Bryce Canyon Lodge (Bryce Canyon National Park)
10) Grand Canyon Lodge (Grand Canyon National Park- North Rim)
11) Glacier Park Lodge (Glacier National Park- Montana)
12) Belton Chalet (Glacier National Park)
13) Lake McDonald Lodge (Glacier National Park)
14) Many Glacier Hotel (Glacier National Park)
15) Sperry & Granite Park Chalets (Glacier National Park)
16) Prince of Wales Hotel (Waterton Lakes National Park,
Alberta, Canada)

Also in the front and back is a map that shows where these lodges are located.In the back are Preservation Resources and Travelers' Resources (websites, reservation information, etc...)
Although I didn't know that this book would be so similar to the Great Lodges of the West book--(it's just a bigger version), I do not regret buying it. I have them both and the pictures are mesmerizing.

Wonderful content and photos ... I've lived and worked in Yellowstone for 20 years and had never seen the "once approved, never built" drawing of the Old Faithful Inn. have been to many of the "lodges" featured, and will use the book as inspiration to visit a few more! I've scooped up several for gift giving this holiday season.

Give this one with a pair of airline tickets

From Lee Whittlesey, Park HistorianYellowstone National Park, Wyoming: Old Faithful Inn is the first lodge featured in Great Lodges of the West. The Inn is as much a part of Yellowstone National Park as the geyser it is named after. The author covers its history and architecture and brings to life a much loved landmark.From Deirdre Shaw, CuratorGlacier National Park, Montana: Christine Barnes has pulled together some little known history about the historic lodges of Glacier National Park and the region, then spun a story history buffs and park visitors will truly enjoy. Historic photos from the park archives along with architectural drawings and color photography makes Great Lodges of the West both informative to read and beautiful to look at.From David Wark, Historic ArchitectCrater Lake Lodge rehabilitation project: Great Lodges of the West tells the important story of Oregon¹s Crater Lake Lodge. Christine Barnes informs the reader of a Lodge built on naive optimism, its deterioration, and the real threat of demolition. She then illustrates how the Lodge¹s rebirth is evidence of what citizens can accomplish when they value their architectural heritage

Anyone who loves spectacular mountain scenery and historic lodges should grab this book! Not only does the book contain the well-known spots (Banff Springs Hotel, Chateau Lake Louise and Jasper Park Lodge) but there's an entire section on lodges you can ONLY hike or ride horseback to. Barnes other books all feature American lodges, so this trip into the Canadian Rockies is a special visual treat full of history and plenty of sentiment. There are fold-out pages for real panoramic shots and a neat little guide in the back.

Great pictures, informative text, and a tempting vacation guide (the book comes with a pocket guide showing prices, phone numbers, directions, photography tips, and other information). Describes the architectural and cultural evolution of the greatest lodges in Canada - most are those lodges built by the railways or by early 20th century mountaineers. All your guests will pick it up.

This new book by the authors Smith and Wafford picks up where the old "blue" book stops. This book contains practically all new pictures and items which were not in the old book. Based on the title "The Book of Wagner & Griswold" the majority of the book contains information about Wagner. There is 124 pages which deal with Wagner Ware. The information contained is solid and not to be found anywhere else. Once again, this book becomes the Bible for collecting old cookware. The information on Griswold is not nearly as as long as Wagner. It is only 75 pages. There are many new items in this book which was not in the other books. There is quite a bit of information about aluminum Griswold items which is very helpful if you are collecting this type of cookware. Finally the sections on Martin Stove, Lodge, Axford, Vollrath and Excelsior(G.F.Filley) is great! For each manufacture it gives the history along with photo's/prices. Super information which I have not found anywhere else. I think this book is a "must have" for the cookware collector. It is a good companion book to "The Book of Griswold & Wagner." To be fully informed you really need both books. I have found these books by Smith and Wafford to be pretty close in the values of various items. Although variances do exist I have found these to be the closest out of all the cast iron collectable books available. I keep both of these books next to my computer and refer to them almost daily when shopping the internet for cast iron. A++++

This book contains an excellent sampling of critical essays. It covers everything from psychoanalysis to feminism. If you need a good general overview of literary criticism, this is the book for you!

In contrast to the towering arrogance of many critics, academics and novelists who have published reflections on the craft of writing, Lodge stands alone as an enduring voice of common sense - probably because he's worked as all three. This breadth of experience keeps him grounded in the real world - which is good, because that's where writing and reading are actually done. In this collection of essays, he never disappears into theoretical ivory towers, nor does he make ridiculously large claims for the art of the novel or the enormity of his own talent. His essays are characterized by a generous, unpretentious ease. This book will be immensely enjoyable for writers and readers alike, but particularly for writers. Lodge's refreshing honesty about his own writing practices and experiences - especially in adapting his own novels and others - is a treat.

Over the years, there have been many attempts to establish a
"Deep Inner Meaning" for "Lucky Jim," but I wouldn't pay them
much attention if I were you. "Lucky Jim" is simply a hilarious
book. For me, it was a revelation -- I had no idea that a book
might leave me with my sides aching, weak from laughter, yet
ready to laugh again, as I recalled the phrase or the incident
which had initially tickled my funny-bone.

One reason the book is so funny is that it gores some very
Sacred Cows. In its time, those sacred bovines very definitely
included provincial academics who were seriously into
Elizabethan madrigals and recorder concerts; Amis had the
genius to see these daffy eccentrics for the incredibly comic
figures they really were. Even more outrageously, the novel's
hero gets the girl of his dreams and escapes the dreary provinces
for a happy career in London, by abandoning the academic life
and going into (are you sitting down?) BUSINESS. Into... TRADE.
It is hard to imagine anything more non-U.

In short, a masterpiece of comic English prose!

Highest possible recommendation!!!

  Some people--a few who have written reviews here--don't seem to find Lucky Jim very funny. It's their loss. The rest of us think this book is hilarious. Read the opening paragraph of chapter 6: if you don't think it's the best description of a hangover, pass this book by. But I think you'll be hooked.

And it isn't really a satire: for those of us who teach, it's hard to find one thing that is out of place in Lucky Jim. Senior professors are still, often, bores and pedants; many women professors still like to dress like peasants; and most of us find that our classes attract the Michie's of this world rather than the three pretty girls.

It's so funny that it's easy to overlook how well constructed, and how well written, this novel is.

The only thing wrong with Lucky Jim is the horrible cover on the most recent Penguin edition. (But horrible covers are themselves a venerable academic tradition.)

Kingsley Amis is one of my favorite writers, and Lucky Jim (1954) of course is probably his most famous novel. It's also his first novel, which makes him one of those writers who spent their entire career trying to live up to early success. Despite Lucky Jim's preeminent reputation, several later novels are at least as good: I'd mention as my personal favorites The Anti-Death League, The Green Man, Ending Up, The Alteration, and The Old Devils.

I think this is my third reading of Lucky Jim. It remains a very enjoyable book. It's the story of Jim Dixon, a history lecturer at a provincial English university shortly after the second world war. Jim is involved in an unsatisfactory relationship with a drippy fellow lecturer called Margaret Peel, who uses emotional blackmail such as implicit suicide attempts (she took sleeping pills after breaking with her previous boyfriend) to keep him on the string. He hates his job, and he hates his boss (Professor Welch) if anything even more, while worrying that he won't be retained for the next school year. He hates phoniness in general, particularly that represented by Professor Welch, who is into recreations of old English music (recorders and all).

The plot revolves mainly around Dixon's growing attraction to Christine Callaghan, a beautiful girl who is nominally Professor Welch's son Bertrand's girlfriend -- but Bertrand is also fooling around with a married woman, and he's a crummy artist to boot. Also, Dixon is working on a lecture about Merrie Olde Englande, which he hopes will impress Professor Welch enough that he can keep his job, but every sentence of which he hates. The resolution is predictable, if rather convenient for Dixon (involving a rich uncle of Christine's), but it satisfies. The book itself is really very funny: such set-pieces as Dixon's hangover-ridden lecture, and his disastrous drunken night at the Welch's, remain screams after multiple rereadings.

I should say that some things bother me a bit. Some of Dixon's stunts (such as stealing a colleague's insurance policies and burning them) seem, well, felonious. And of course Margaret Peel really is someone he's better off breaking up with, but the way Christine is presented as naturally good because she is beautiful does seem rather sexist. Still, all this can be laid to accurate description of a certain character -- and if we root for Jim (as we more or less naturally do), it should be with some uneasiness.

All this said, Lucky Jim is deservedly a classic of 20th Century fiction, and an enormously entertaining book.

Howards End is a realistic picture of Edwardian England, blemishes and all. Forster successfully depicted the environment of his society few authors could. Forster raises moral questions about what the upper class' social and economic responsibilities are to the lower classes. The method of showing opposing viewpoints (help the less fortunate vs. leave them be) between the Schlegel and the Wilcox families works well. He also questions the double standard at that time in England for infidelity. The upper class males were faultless in affairs, while the lower class females were scarred negatively for life. For the males, the affair was the satisfaction of desires and meant parting of some money. For females, the affairs were a way of life, nothing more, and they couldn't even improve their station in society. They were marked as prostitutes, while Mr. Wilcox actually suffered no real personal damage, other than a deservedly begrudging wife for the short term.

I can't help but ask how much has society really changed? The book is still relevant today, not only that, it's a good read. The dialogue is even realistic and touching. Forster's prose flows smoothly, and the reader immediately starts to appreciate it after a few pages. Human nature, snobbery, the struggle of the classes, and family affairs really haven't changed that much since 1910. Forster clearly didn't know what to do about these problems anymore than we do today. Asking his country to face their problems, rather than ignore them, which was what was being done, was a start.

The film is dessert. The novel is a thoroughly satisfying meal. The movie is beautifully photographed, faithfully captures the dialogue, and it even gets the comic moments right. But it can't do more than hint at the pleasures of "the real thing."

Every page of the book offers, not just lush landscapes, but ideas worth arguing about. It reminds us that people's actions are bubbles on the surface, the outward and visible signs of events that take place deep within their interior worlds. What's astonishing about this story is how thoroughly it plumbs those worlds. Like Faulkner and Virginia Woolf, Forster has the power to take us way down into the lives of his main characters. We witness what they are becoming, moment by moment. And brooding over the whole story is the wordless, intuitive influence of Ruth Wilcox (the Vanessa Redgrave character) and the power of her love for family and home.

A hugely enjoyable book that demands to be read again and again.

On reading the book reviews already on-line, I just had to reply. I have recently read Howard's End for the second time and I have watched the film numerously. It is absolutely fabulous! I have read other novels by E.M. Forster but for me Howard's End is simply the best. Forster's characterization is second to none, describing the Schlegels, Wilcoxes and the Basts with such heart-breaking realism and affinity with human nature. The British countryside is described lovingly yet realistically by highlighting the creeping industrialization. I do not think it is 'dull and cold' or that the characters are 'unlikeable and irritating.'In my opinion they are realistic and likeable if you accept them to be human beings, having both their good and bad points, but I would hope that the good points shine through. Yes, Charles Wilcox is incredibly arrogant and irritating, but these characters all combine to make an excellent plot and a heart -renchingly sad but not a 'happy' ending. Ofcourse we all have our favourites and Margaret Schlegel is mine. Rather predictibly so, but I admire her strength, ability to compromise, tenderness, spiritual connectedness, clear sightedness and individuality. Over-all I think Howard's End is a wonderful read every time!